Jackar Snapshooter 34mm f/1.8: Fuji X-mount lens for $175

 photo cheap_zpsd2f78e0f.jpg

The Jackar Snapshooter 34mm f/1.8 is an old-school look cheap lens made in China that can now be pre-ordered for the Fuji X-mount at Adorama for $175 here. ephotozine tested it on the [shoplink 13887]Olympus OM-D E-M5[/shoplink]. Read the whole review here. The conclusions:

“This is an interesting take on the fast prime lens for Micro Four Thirds and NEX cameras, and the solid metal construction of the lens is re-assuring, although with the lens’ relatively low price, it’s clear that the optical quality of the lens isn’t likely to be the strongest feature. However, saying that, this lens performs better than other lenses we have tested (cough Holga, Toy-Lens, Pinwide cough), and with a sharp centre, bright aperture, and soft edges, this lens may be ideal for anyone looking for a good compact lens for portrait photography, low light, or creative control over depth of field.

If you want a manual, compact lens, then the reasonably price and high build quality would make this a good choice, however, for landscape shots and situations where image quality is more important, it may not be the ideal lens, but for low light, wide-open shooting, and portrait shots, it could be ideal.”

Image Quality: “why DPReview may be sometimes wrong” + “I was a skeptic but now I’m a believer” (Iridient vs Adobe)

 photo asd_zps548e1e27.png

image courtesy: thevisualexperience

The good news is, Fuji X-photographers now have various options to process their X-Trans files and get decent results out of it. The most popular options are Lightroom, Silkypix, Capture One and Aperture. But there are other software programs like Raw Photo Processor (based on DCRAW), AccuRaw… (check out this X-Pert Corner RAW-comparison post).

But in the last weeks I told you several times of Iridient Developer (Mac 0nly). This is an option which you should seriously consider to add to your workflow (try the demo version). Does the details extracted from the RAW by IRIDIENT really blow out ACR? Could this be the software that finally unlocked the full potential of the X-Trans sensor?

Now, I’d like to share with you the following articles. The first one at thevisualexperience analizes the way dpreview tests the image quality of the different cameras, while in the second post, “I’m a beliver”,  Activatedfx talks of his conversion from LR4.4 to Iridient 2.1.1!

1) Why DPReview may be sometimes wrong

This is how dpreview tests the image quality of cameras (source thevisualexperience):  a) Load RAW file into Adobe Camera RAW (Auto mode disabled) b) Set Sharpness to zero (all other settings default) c) Open file to Photoshop d) Apply a Unsharp mask: 100%, Radius 0.6, Threshold 0 d) Save as a TIFF (for cropping) and as a JPEG quality 11 for download

DPReview paved the way for “scientific” comparison of camera performances, guiding passionate and professionals in understanding “what is worth to buy” and what is not. […] So ACR is the “meter” used to compare cameras for what concerns RAW. You can jump to the “Image Quality” of each review and use the tools to compare RAW performances.

But now that Iridient delivers such great results with the X-Trans files, thevisualexperience suggest to DPreview:

[…] please start taking into account different RAW processors or, at least, make some claim that the RAW results people are inspecting may be not representative of the REAL POTENTIAL a camera may have (since the meter you’re using is, somehow, not the best).”

2) I was a skeptic but now I’m a believer

And here there is another photographer that was blown away by the Iridient results and posted his comparison… at the great dpreview forum (check it here)!

“The Iridient image has more DR, richer colors, more detail in the sky, and a noticeably SHARPER image with no halos or artifacts. To my eye, it doesn’t looksharpened” at all. In particular, look at the detail in the background of the road sign at 100%. The pattern is much more distinct in the Iridient image. And it’s not because of more contrast.”

Do you consider to swich or add Iridient to your workflow and you do not own a Mac? Apple just released the new MacBooks with an incredible battery life! [shoplink 14128]Check them here at your Amazon[/shoplink].

all the best
Patrick

Should Fuji find a firmware solution to allow us to control ISO values with front/rear dial?

View Results

Loading ... Loading ...

“the amazing evolution of the X-PRO1” (henrysmithscottage)

 photo kaizen_zps3ccb0769.png

image courtesy: henrysmithcottage

A couple of weeks ago I posted an article where fujifilmxseries explains how Fuji is adopting the idea of Kaizen to constantly improve its products via firmware update. The “old” X-PRO1 is a good example. The camera has deeply changed from the launch to now. Firmware after firmware Fuji was able to speed up autofocus, improve manual focus and start up time, add 3x magnification and the auto-ISO 6400 option, improve writing speed to the memory card and more. Who owns the X-PRO1 from the very first day can confirm what Henry Smith said:

“Over the history of this product, Fujifilm has managed to transform the X Pro 1, through software, in a profound way. I don’t recall any series of firmware upgrades, offered by any manufacturer that has so completely transformed a piece of electronics or a camera.”

But Fuji has not rested on its laurels. Now the arrow-down button works as a second Fn button (with AF field selection option) and the next firmware update in July will bring a long expected feature to the X-PRO1/X-E1: focus peaking! And also the AF-speed will be improved again.

Henry Smith seems to appreciate Fuji’s Kaizen business philosophy and wrote this article here. The new FN arrow down buttonfor an autofocus guy, this essentially fixes any problem I had previously. It is now fast and easy to quickly choose a focus point. If I loved the camera before, I really love it now.” At the end he says:

I am delighted that I invested in this system. As a long time (and sometimes disappointed) user of their photography products, I perceive that Fujifilm is really hitting its stride. Other companies take note: this is how you treat your customer base.”

So any suggestions to Fuji for future firmware improvements? I know you’d like to be able to set minimum shutter speed in auto ISO. It’s possible on the new [shoplink 13828]X-M1[/shoplink], but Fuji didn’t promise this feature in the upcoming X-E1/X-PRO1 firmware update. So, write your firmware wish list in the comments… I’m sure somebody at the Fuji headquarters will read it!

feel free to share your wishes

sayonara
Patrick

Lightroom 5 or Photoshop? + LR5 up to speed (in-depth look at the new features)

– “Which One? Adobe Photoshop CC or Lightroom 5: An Intro For the Completely New Photographer“. Read this phoblographer review here.

– LR5 arrives, is it worth? Read the answer of fixelpix here. “Having played with the beta and now the full version could I survive without this upgrade. Well, probably but at the cost of time. I see the new tools considerably reducing the time I spend in additional applications. Could LR5 mean I no longer need the additional power of Photoshop?

– photograper Piet Van den Eynde published his book “Lightroom 5 Up to Speed. Everything You Need to Know About the Adobe Lightroom 5 Upgrade” at Craft&Vision here. It costs just $5 and most of the images in the eBook were shot with Fuji gear! “This eBook walks you through the installation of Lightroom 5, the new Advanced Healing Brush, Upright, Radial Filter, Smart Previews (offline editing), the improvements to Book and Slideshow modules, and almost 30 other changes, big and small. It also gives you tons of suggestions on how to exploit the potential of these features; plus a bonus chapter about the new and improved Lightroom plug-ins.

 photo click_zps68a483ff.jpg

“Every shot has to count”: switching from analog photography to the X-PRO1 (Jockum Klenell)

 photo DSCF5313-1-72_zps9c15bc27.jpg

Sven Oskar Jockum Klenell

by Sven Oskar Jockum Klenell

Being a die hard analog fan and slow process photography it would seem highly unlikely to work with a camera such as the Fuji x-pro1. When I travel I always bring, [shoplink 14068 ebay]rolleiflex 66[/shoplink], [shoplink 14069 ebay]Hasselblad CM500 66[/shoplink], [shoplink 14070 ebay]Pentax 67[/shoplink], Nikonos (if I want to go in the water), [shoplink 14071 ebay]Canon Ftb[/shoplink] and a horrible but fun little [shoplink 14072 ebay]Leica C3[/shoplink]. For work I use a Canon 5d M2 and a Canon 1Ds M2. These two I very rarely use for my own work.
It seems to be a moment for every camera and every film and every format. Among the things I appreciate greatly with analog photography is the fact that on one roll of film you have 36 shots, 12 or 10. Meaning, unless you bring a shopping bag of film with you, every shot has to count. So for my 5 days together with the Fuji x-pro1 I was able to go to Calais in the north of France for some location scouting for a client of mine. I went there for a day and I brought one memory card of 2 G and no possibility of charging the digital negatives to my computer. This left me with only 72 shots in RAW. Same thing for the other short surf-trip to Zeeland in the Netherlands, one memory card, 72 shots. This way every shot has to count.

These here are the shots I like the most from those 2 days at the coast. I used the x-pro 1 like I use my analog cameras but this time I had all of them in one. The x-pro 1 combines all the the great things of modern digital specs with a robust classic feel. The digital images are very good and for some strange reason they invite me to experiment with different effects in photoshop. This is something which I very rarely do with my Canon 5d M2. Perhaps this is because the x-pro1 is a far more playful camera to work with. When slow is needed, its slow. When snappy, its snappy.

On a last note, I love the small ‘imperfections’ of analog photography and even more the idea of being at some remote place with a pocket full of undeveloped rolls of film. The excitement of going to the shop to get your dia-films and searching for that one gem of a photo is to be compared to the excitement of a child by the christmas tree. The x-pro1 is like most other digital cameras but its robust like body, its weight and rangefinder tricks one in a lovely way into believing that your shooting on film. It makes you look a little longer, search a little more to snap the shot that you want.

Fuji X-PRO1: [shopcountry 12882]

Check out my work on www.jockumklenell.com

 photo DSCF5368-72-low_zpsfbe05a69.jpg
 photo DSCF5377-2-72-low_zps04b16406.jpg
 photo DSCF5380-low_zpsecf82da2.jpg
 photo DSCF5297-1-72_zps6f35ca16.jpg
 photo DSCF5286-1-2-72_zps23f3d314.jpg
 photo DSCF5284-1-72_zps08887818.jpg