Fujifilm X-E3 Review

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Introduction

The Fujifilm X-E3 is Fuji’s fourth iteration of the X-E series camera. It was the X-E1, X-E2, X-E2S and now the X-E3 (although I stand corrected if I missed one). I’d love to say my journey started with the X-E1, but back in those days, I was in Nikonland oblivious to the world of mirrorless. Some hardened Fujifilm users would say I haven’t paid my dues. My journey in the X-E series started with the X-E2s and despite it being a great camera, it’s been a little frustrating for me, in part because I also had an X-T2. I liked the image quality but I wasn’t using it much for a couple of reasons:

  1. The AF was not great coming from DSLR’s, it’s only really with the arrival of the X-Pro/X-T2 that we saw DSLR like AF performance.
  2. The button layout was poor compared to the X-T2 – It was probably good at the time it was released, I think I was spoilt by the X-T2 and that made the X-E2s experience seem substandard. It was simply too hard to do what I wanted coming from the X-T2.
  3. I miss Acros whenever I use it – Acros is one of my favourite film simulations so having access on the X-T2 and no Acros on the X-E2S meant more often than not I’d be reaching for the X-T2 over the X-E2S despite it’s smaller size.
  4. I miss the joystick from my X-T2 – For AF, the joystick is a pleasure to work with and having worked with the X-T2, I find it hard to shift back to my X-E2S or X100T.

When I started looking at a replacement for my X-E2S, I looked at the X-T20, but the joystick was missing from the camera.

For a period of time, I was stuck on the choice between the X-T20, another X-T2 and perhaps even an X-Pro2 as a second body. I’d given up on the X-E3 as the X-T20 didn’t have a joystick so why would the X-E3 have one?

Fortunately it turns out I was wrong but the choice still wasn’t a foregone conclusion: It came with the joystick, but minus the tilt screen and minus the D-Pad. The lack of tilt screen I could live with as I could use my X-T2 for that, the lack of D Pad I wasn’t so sure about. As I started looking at the videos of the X-E3, I realised it may not be that big an issue if Fujifilm was right about their implementation of the touch screen so I decided to give it a try.

Fujifilm X-E3 - XF35mmF2 - 1/1000s - f7.1 - ISO200
Fujifilm X-E3 – XF35mmF2 – 1/1000s – f7.1 – ISO200

Pricing

The US retailer price is US$899 or about AUD$1300 in Australia (where I live). I picked mine up at CameraPro who seemed to be one of the first with stock of black X-E3’s. It’s fairly reasonable pricing given the specs and performance. The X-E3 also comes with two kit lens options, a XF23mmF2 or XF18-55mmF2.8-4 option, both of which are very good lenses and not “kit” lenses in the conventional sense of the word. I’d highly recommend considering one of these options if you don’t have either lens.

Packaging and Contents

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Fujifilm X-H1: Steve Huff Review + One Month with X-H1 + The Good, Bad and Lovely + Fringer Pro with X-H1 + Trackside with X-H1… & More

Athol’s customized Fujifilm X-H1

Fujifilm X-H1 Roundup

Here is a little Fujifilm X-H1 roundup for you guys. Lots of reviews and also a new series started by the Fuji Guys, “Trackside”, with a total of 3 videos for now.

Fujifilm X-H1: BHphoto, AmazonUS, Adorama, Focuscamera

Cover Stories

& More

Accessories

  • dc.watch – For the “FUJIFILM X-H1” on GRAMAS liquid crystal protective glass supervised by Silver
  • scvphotoideas – New Dedicated QR Plate for the Fujifim X-H1 from Hejnar Photo

FujiRumors is everywhere: Facebook, RSS-feed, Instagram, Youtube and Twitter

Fujifilm X-H1 News, Rumors and Discussions
Fujifilm X-H User Group
Fujifilm X-H Page

image courtesy: blickwechsel

First Look Review: Fujinon GF250mmF4 R LM OIS WR

Reaching Out: GF250mmF4 R LM OIS WR

The new GF250mmF4 R LM OIS WR and the optional GF1.4x TC WR teleconverter lens bring genuine telephoto capability to the evolving Fujifilm GFX medium format system. Featuring impressive detail resolution and three-dimensional subject rendering, the rather moderately priced GF250mm equals a 198 mm lens in 35 mm “full-frame” terms, and its reach can be stretched to 350 mm by attaching the new 1.4x teleconverter. Fujifilm’s GF product introductions are completed by two macro expansion tubes that work with almost all existing GF lenses and can turn the GF120mmF4 into a true 1:1 macro lens.

So is it all worth it? You should be able to decide for yourself after reading this first-look review based on pre-production samples of the GF250mmF4 R LM OIS WR, GF1.4x TC WR, MCEX-18G WR and MCEX-45G WR.

_ _ _

Fujinon GF 250mm F4: BHphoto, Adorama, AmazonUS
Fujinon GF 1.4x Teleconverter: BHphoto, Adorama, AmazonUS
18mm Macro Extension Tube: BHphoto, Adorama, AmazonUS
45mm Macro Extension Tube: BHphoto, AdoramaAmazonUS

_ _ _

by Rico Pfirstinger

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Fujifilm Announces GF250mmF4, New Firmware for GFX, X-H1, X-T2, X-E3, X-Pro2, X100F, Download New X-T20 Firmware – LIVE BLOGGING

FUJIRUMORS LIVE BLOGGING
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Pre-orders Available
Fujinon GF 250mm F4: BHphoto, Adorama, AmazonUS
Fujinon GF 1.4x Teleconverter: BHphoto, Adorama, AmazonUS
18mm Macro Extension Tube: BHphoto, Adorama, AmazonUS
45mm Macro Extension Tube: BHphoto, AdoramaAmazonUS

Press Release + Product Pages/Samples

Fujinon GF 250mm F4
Press Release / Product Page / Samples / Owners Manual

Fujinon GF 1.4x Teleconverter
Press Release / Product Page / Samples / Owners Manual

18/45mm Macro Extension Tubes
Product Page / PDF file with magnification data

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FujiRumors at Facebook, RSS-feed and Twitter
Facebook User Groups for Fujifilm X-T, GFX, X-H, X-Pro, X-E and X100 line

First Look Reviews + Hands on Photos

X-T20 and XC 15-45 Firmware Updates Download

GFX 50S, X-H1, X-T2, X-E3, X-Pro2, X100F Firmware Update Announcements

GF 250mm & Co Videos

Video focus is on first looks and hands on. Go to Fujifilm Global Youtube, fujifilm-x and Fuji Guys Youtube to see all promo videos

Fujiflm GFX 50s Composit Showdown: Nikkor 105/5,6 VS Sinaron 105/4; LR VS X-Transformer; Helicon Focus VS Affinity Photo

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guest post by Nathan Wright

Note: a mate of mine asked what Helicon Focus did, which RAW processor I used, and why I wasn’t clear about anything in the above video. I’m new to YouTube. Lots to learn. Many thanks for the constructive criticism. The RAW processors I used were Lightroom and XTransformer. Helicon Focus and Affinity Photo handledthe compositing.

Before we get started, Patrick has been kind enough to allow me to publish the following articles on Fuji Rumors.

I’m a still life and event professional based near Tokyo Japan. I specialise in jewellery, audio and camera gear, and ho humming the latest Star Wars movies. Some of my work can be seen at the following links:

web: ohm-image.net
500px: ohm image
YouTube: Fauxtaku Lounge

Prior to purchasing the GFX I was using a Hasselblad digital back duo (CFV-50 and CFV-50c) attached to a Linhof M679cs via a sliding back. Great camera, stability like Gibraltar, amazing results. The backs were great, but accurately focusing a digital back on a slider or in live view was slow, fraught with computer-back-and-forthing, and in the end not worth it. The GFX’s EVF, LCD, and wireless tethering, as sub-optimal as they can be, are giant usability steps up from the system I previously used.

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