Vassilis Pitoulis with Zarina Isakhan. shared here
Collecting that fruit
Shooting at the Baobab avenue with Zarina Isakhan
Fujifilm GFX Roundup
The Fujifilm GFX facebook members keep up sharing awesome work at the group, including images taken with pre-production GF110mmF2 and GF23mmF4 lenses. It’s is an incredible source for all things Fujifilm GFX, and a great joy to follow.
Holger Nitschke shared here
Portrait-test with the GF120. I was absolutely confused about getting the GF120 or the new GF110, but I came to the conclusion that the 120 with it’s OIS is more useful for me. I hate tripods and the focus-distance of the 110 can be a restriction. I’ve tested it yesterday and I was able to get non-blurry captures with 1/30 (and some with 1/15) – so I can say that the OIS is amazing. This image is the result of a short studio-test. No flash was used, just modeling light!
Handheld; RAW; 1/60; F4; ISO 500. Some Lightroom-adjustments and slightly Photoshop-retouche. http://www.instagram.com/holger.nitschke
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Jonas Rask shared here
An Icelandic outtake – part 2
Full res download here: d.pr/i/oqgT
GFX50s – GF23mm f/4 – ISO100 – f/32 – 0,4sec
Specs Comparison: 10 Main Differences Between the Sony A9 and Fujifilm X-T2 at mirrorlesscomparison. You can also read
Fujifilm delays earnings over NZ unit accounting problems at dailymail. More artilces abotu this also at marketwatch and nbr. The problem is with Fuji Xerox in New Zeland, but the FR-reader, who sent me this link, added the following comment: “If it forces the parent company to restate earnings, it could affect all divisions by depressing the stock price and reducing the availability of research capital.”
The End of DSLRs in 2020, Sony A9 Vs. Fujifilm GFX Specs Comparison and Answering Your Ultimate X-Camera Questions at fujirumors (in case you missed it)
More images taken with GF110 mm f2 at williamchua (William is GFX facebook member and shared his images also here. Join the group to interact directly with beta testers)
Coney Island: What’s Old Is New Again at mendelsonfineartphotography. In the GFX facebook group, the author says: “I know the 110 and 23mm are getting all the news, but here is an example of the Zeiss 135 APO used on the GFX – the 3D effect is really apparent…for more photos taken with the GFX (and A7RII for really wide angle shots)“
Fujifilm GFX / Prise en main du GF23mm par Pascal Bourguignon at Fujifilm France youtube (also Pascal is GFX facebook member)
The video above shows a basic specs comparison between the newly announced Sony A9 and the Fujifilm GFX 50s. However, all the specs comparisons do not answer the big questions, how good the image quality of the Sony A9 is, also compared to the one of the Fujifilm GFX 50s.
I think it’s safe to assume, that the Medium Format 50MP Fujifilm GFX 50s will deliver a superior image quality over the 24MP Sony A9. But let’s wait for the first lab test and real life comparisons before making any final conclusion.
The Stacked CMOS sensor, the Speed and the Megapixel
As usual, when Sony announces a new camera, the specs look quite impressive. And the Sony A9 just continues this tradition (specs & price here).
On paper, the strength of the Sony A9 is “speed“.
The new “stacked CMOS sensor” makes it possible to have impressive 20fps with no viewfinder blackout. However, in order to achieve this speed, the Sony A9 has to sacrifice Megapixel. Hence, it has 24MP, compared to the 42MP of the Sony A7rII. For wildlife and sports photographer, who might occasionally need to crop their shots quite a bit, this could be an issue.
(NOTE: in theory, as Fujica shows us here, also the X-T2 could be capable of 20fps, but not black-out free)
But you know Sony, maybe in 4 months they will release a successor with 42MP and stacked CMOS sensor :)
So let’s talk about speed:
It’s safe to assume, that nobody out there bought the Fujifilm GFX 50s for its speed. All what GFX owners want, is the ultimate image quality… and they are willing to sacrifize speed for that.
Who wants the ultimate speed in the Fuji world, has to go with the Fujifilm X-T2. And just last year, even the godfather of the Sony A7 series, Sony Manager Kimio Maki confirmed in this interview that the fast focussing Fujifilm X-T2 is a threat for Sony A7 series, since “we don’t have this weapon [speed] right now”.
Well, now Sony dropped this weapon on the market, and it’s called Sony A9. On paper, an amazing answer to the X-T2, in terms of speed. Well done Sony.
And it’s good that Sony keeps up innovating their sensors… because you know, also Fujifilm buys them from Sony :).
Read also this article: “Fuji Fun Vs. Sony Specs…. a Story about my 3 days Flirt with the Sony A7rII and why I now Love Fujifilm even more!”
Now, my Inbox is exploding with questions regarding the ultimate X (last rumor summary here). I get especially one question: will it have a stacked CMOS sensor, too?
The answer is simple: I do not know it…. yet ;)
Sure is, that Sony sells its sensors to Fujifilm. And if Sony will implement the stacked CMOS sensor technology also on APS-C sensors, then Fujifilm will be able to buy it. Of course with the usual rule, that other companies have to wait a couple of months after the first Sony camera featuring the new sensor technology has been announced, before they can use it on their own cameras. This gives Sony a little time advantage. But if you are willing to wait a bit, then you will get the same sensor also on other cameras.
So, it is possible, that the Ultimate X will have a stacked sensor. But for now, I have no information about it. I will share an update, as soon as I know something more… in the meantime, asking me this question in the comments and via email might not help much. I just can’t answer it now.
Another question I often get, is when the Ultimate X will be announced. And again I have to say that I don’t know it. It’s a bit too early to have any sure and final release date. The camera is still under development. I will let you know when time has come :)
Innovation in mirrorless cameras is fast. And now the last DSLR bastion is falling: speed!
Two years ago Canon (or was it Nikon?) released a video, showing how annoying the black-out during continuous shooting in mirrorless cameras is. Their goal was to demonstrate, that for sports and wildlife, you still have to go with a classic DSLR.
Last year, the Fujifilm X-T2 already made a nice step forward in this regard and its speed makes tracking using the EVF so much easier. However, the new stacked sensor technology now allows blackout-less EVF experience even at super-high frame rates. That’s better than any DSLR can do.
The ultra fast sensor readout made possible by the stacked sensor will improve the overall speed of mirrorless cameras so much, that you won’t miss a DSLR for sure :).
But the stacked sensor is not enough, to declare the death of DSLRs.
“[Answering the question when mirrorless will completely replace DSLRs] It will happen around 2020: Tokyo Summer Olympics feature the global shutter in mass market cameras –> end of DSLR technology as mass market technology. DSLR hybrid cameras will probably continue to exist in the high-price segment (Canon EOS 1X Mk3?).”
It’s almost done… mirrorless will completely replace DSLRs. And kudos also to Sony, for improving sensor technology so much to make this possible… and to Fujifilm for making that technology such a pleasure to use in cameras ;)
And now I do hope that also Canon and Nikon will take the mirrorless market segment seriously and give us some great mirrorless cameras soon. The more offers we have, the better it is for us customers :)
We are pleased announce version 2.1 of RoboSHOOTplus. It is available NOW for MX-20 and MX-15 upgrades! This version adds Studio Strobe and additional flash support, High performance with CH/CL manual mode, In-Camera Control improvements, and more. Also, by virtue of expanded Nikon speedlight compatibility, this release enables Nikon support even on the lower cost ‘X-15 units. As a result, the MX-20 and MX-15 make great companions, as with that combination you can upgrade both over-the-air!
