Fujinon XF50mmF2 Admiringlight Review: “It Continues Fuji’s Excellent Reputation for Creating Quality Optics.” + Kevin Mullins’ Suprising Gem

 

FUJINON XF 50mm F2 WR Reviews

Earlier Articles shared today on FujiRumors:

  • Sony Officially Shows the New 100 Megapixel BSI Medium Format Sensor for Fujifilm GFX 100s – More here
  • Fujifilm GFX: See FLM L-Bracket Mounted on GFX (+ 2 More GFX L-Brackets), Touchy Feely, Experience in Mongolia – More here

Kevin Mullins: Fujifilm 50mm F2 ~ A Surprising Gem at f16.click: “This is where the little lens has taken me surprise; I’m using it all the time when shooting weddings and guess what? I’m really enjoying using it. The 50mm F2 is a brilliantly built, epically quick and phenomenally fast lens. I love it.”

Admiringlight: Fujifilm Fujinon XF 50mm f/2 R WR Review at admiringlight: “The 50mm f/2 provides great value and high-end imaging in a small package, and continues Fuji’s excellent reputation for creating quality optics.”

Pros

  • Very solidly constructed and compact lens
  • Wonderful haptics on the aperture and focus rings
  • Reasonably fast and very accurate autofocus
  • Quite sharp at any aperture, even into the image corners
  • Very pleasing bokeh
  • Good control of lateral chromatic aberration, flare and vignetting
  • Affordable

Cons

  • Longitudinal CA can cause a magenta or green fringe in front of or behind the focus point
  • A touch of pincushion distortion

Fujifilm XF50mm: USA BHphoto, Adorama, AmazonUS EU: AmazonDE, AmazonUK, WexUK, ParkCamerasUK, PCHstore AUS: CameraPro

Fujifilm GFX: See FLM L-Bracket Mounted on GFX (+ 2 More GFX L-Brackets), Touchy Feely, Experience in Mongolia

Fujifilm GFX Roundup

L-Brackets

Fujifilm GFX facebook member Bruce bought the FLM L bracket and shared the images here on the group. He writes:

“Trying to come up with a decent L bracket for the GFX, given the massive battery door I can’t see a custom one working. I bought this FLM L bracket which is likely as good as it can get. If you find something better let me know. I mount the bracket with a gap so I can access ports for the remote release. A bit of a kludge“

Other L-brackets in the works for GFX and that will come out soon are the Custom Kir L plate and the one made by Really Right Stuff.

Fujifilm GFX: USA BHphoto, Adorama, AmazonUS EU: AmazonDE, AmazonUK, WexUK, ParkCamerasUK, PCHstore AUS: CameraPro

Mixed Links

Fujifilm GFX experiences the harsh winter in Mongolia at williamchua

 

Getting all Touchy feely with Fuji’s Medium Format camera at Palle Schultz youtube

X-T2 Video with Zhiyun Crane and Blackmagic Video Assist :: X-TransIII (X-T2) Vs. Bayer (A7II) Texture & Detail Comparison (miXed zone 2/2)

Fujifilm X-T2 Videos
USA: BHphoto / AmazonUS / Adorama

Since the launch of the X-T2 last year, we have all learned how good the 4K video on the X-T2 is. Now, I will not bore you again with cold video tests and comparisons. At this point it’s far more interesting to see what creative photographers and videographers can produce with it.

One of those photographers is Kjetil Kevin Madsen. He made a series of videos using a Fujifilm X-T2 with a Zheyun Crane and Blackmagic Video Assist.

He shared his experience and the videos in his blog post: “Shooting video with the Fujifilm X-T2, Zhiyun Crane and Blackmagic Video Assist” at kjetilkvienmadsen

TransIII Vs. Bayer

Fujifilm X-Trans III vs. Bayer (X-T2 with Fujinon 56mm f1.2 APD against the Sony A7II with Zeiss Batis 85mm f1.8) – Texture & Detail Comparison at thephotofundamentalist: “What I have personally concluded is that when a top quality 24MP Full-Frame sensor and the 24 MP APS-C X-Trans III are compared using vaguely comparable lenses, the results at low ISOs are very close indeed when using Adobe Lightroom CC.”

Fujifilm X-T1 WPJA Award

French wedding photographer Bogarte has been awarded by WPJA (wedding photojournalist association) with 2 pictures shot with his X-T1 and XF16mm 1.4. Here are the two pictures that you can view on the wpja website: Picture 1 and Picture 2. Last wedding season, he used 2 X-T1 (16mm and 56mm) and X100s then Sony A7s with 35 2.8
You can have a better view on his work at bogarte.fr

& more

Fuji Guys X-T2/X-Pro2 Firmware Overview :: I’m a Bit Jealous of the GFX :: Cameralabs X-T20 Review in Progress (miXed zone 1/2)

New X-T2 and X-Pro2 Firmware

Fuji Guys – FUJIFILM X-T2 (FW 2.0) and X-Pro2 (FW 3.0) Firmware Overview at Fuji Guys Youtube. All details about the new FW and download links here

Fujifilm GFX / X-T20
USA BHphoto, Adorama, AmazonUS

Fujifilm X-T2, X-Pro2 & More
X-T2: BHphoto / AmazonUS / Adorama

  • Travelling around the world with the X-Pro2. A rundown of the X-Pro2 and lenses at yearofsundays
  • Fujifilm X-T2 vs. Nikon D750: Shooting extremely high dynamic range at Ming Cai youtube
  • The X-Pro2 and the Passenger Terminal at adamnbonn
  • A year in the life – Fuji camera’s for family life at iso800
  • TTL and HSS with Godox for Fujifilm X cameras (beta preview) at J.L. Williams Youtube
  • Light and Movement: Performance Photography with the X-Pro2 at fujilove
  • Interview with X-photographer Martin Hülle “My North” in German at qimago (translation)

GFX Technologies #6 – The New Color Chrome Effect: Both a Goal, and a Beginning :: GFX Vs. Sony A7rII & More

Color Chrome Effect

The 6th episode of the GFX technologies series is now online. This time it’s about the new color chrome effect:

  • The development of Color Chrome Effect is derived from a reversal film: fortia. The film was introduced to the market in 2004 with the catchphrase “Higher contrast and more vivid color than Velvia“
  • no matter what you do in Velvia mode, it will never turn into fortia
  • When expressing colors such as red, orange, yellow, or yellow green in high contrast, high brightness tends to exist. If contrast and brightness both reach their peaks, there is no room for tonality. As a result, the image becomes very flat. But by analyzing the light and information received on the sensor surface, one can detect slight gradation. Color Chrome Effect uses this to create tonality while maintaining high contrast. As a result, an image is achieved without losing its depth.
  • Side effect: processing power is required. Even the X-Processor Pro needs about 1.0 sec. to process the Color Chrome Effect. If you are single shot user, then this is not a problem. But you cannot shoot continuously or set it to AF-C mode.

Read the whole story at fujifilm-x

All GFX Technologies episodes:

GFX Roundup

Mike Leung share at the GFX group here
Sim City 2017 #GFX #GF32_64 @49mm
full size image here on Flickr

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