miXed zone: dcraw 9.18, best of… and reviews

 dcraw

Marius: “Hi Patrick, Just wanted to let your readers know that the latest dcraw (v9.18) has support for X20 and X100s. Thus far this is only solution for the few folks using Linux exclusively. It’s possible this support will be included in Darktable and RawTherapee soon. Thanks for all the interesting bits on your website.” They told me that interpolation for all X-Trans sensor cameras is much improved.

Best of…

– Who’s the king of the advanced compact cameras according to techradar? It’s the [shoplink 12883 ebay]X100S[/shoplink]. “Its image quality is also good, but it is surpassed by that of the Fuji X-Pro1, which is capable of producing pictures that aren’t far off those from some full-frame cameras.” Check it here.

– And techradar has also the answer to the following question! Which of these 6 high-end compact cameras is the best? The competitors are the [shoplink 12884]X20[/shoplink], [shoplink 13127]Sony RX100[/shoplink], [shoplink 13128 ebay]Panasonic LX7[/shoplink], [shoplink 13129 ebay]Nikon P7700[/shoplink], [shoplink 13130 ebay]Olympus XZ-2[/shoplink], [shoplink 13131 ebay]Canon G15[/shoplink]. Discover the winner here.

X100S

[shopcountry 12883]

– henrysmithscottage took his X100S and X-PRO1 to a trip in Baltimore. Read his considerations about these cameras here: “I have noticed, that compared to its predecessor the X 100, the X100s appears to have a decreased battery life.  This had been annoying to me before the trip, but I learned that if you keep the camera off (and not rely on the auto shut off feature), that the battery life was quite tolerable.  I did not need to change a battery over the three days of the trip (probably shooting 150 frames).”

NY ist the Mecca for street photography, and rileyjoseph took some shots there with the X100S and X-PRO1 that you can check out here. “So will I be selling my dSLR and only using my X00s + X-Pro1? No. I will keep it for the times that I need a full frame, faster AF camera with the availability of a tilt shift lens. Primarily for when I am going to make a specific photo that would require it. It is a great tool. Great and heavy.

Roel has the X100S since two months now. Did he regret selling his X100? “As I started off saying in this article, I don’t want to have any regrets in life. Although I regretted selling my original X100, I have no regrets in purchasing the X100S and I will keep it in my bag until one of us dies.  It is an excellent fixed lens camera and I am sure it will give me many years of great service and images. Fujifilm has done a good job with their X series cameras.  In the beginning, new products (X10, X100 and X-Pro1 specifically) had a number of problems that needed to be sorted out, but now it seems that recent releases (such as the X-E1, X20 and X100S) have very few, if any initial issues – plus the Fujinon lenses are exceptional.  That is good news for all of us in the Fujifilm camp and I encourage them to keep innovating and listening to user feedback.” Read the whole review and see his shots here.

lenses

Fuji XF 55-200mm [shopcountry 12892]

– Tom Grill posted his hands on review (with many downloadable hi res image samples) of the new 55-200 here:

“Looks like Fuji produced another winner with the 55-200mm for its line of zoom lenses. It shows true professional qualities: no distortion, solid build, high resolution, image stabilization, and quick focus. This is a lot for a lens with a $699 price tag, much better than most zooms I have tested in this price range, and even better than some costing several times as much.”

image courtesy: aboutphography

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– photogenykstudios posted his 55-200 impressions and samples here: “At $699 its not near as cheap as the 55-200 variations  from Tamron, Sigma and Sony. It is far better built though, and is stabilized. The IQ is also in a different league from the budget zooms. Its closest rival would be the [shoplink 13385]Canon 70-200/4[/shoplink].  The Canon is faster at the long end (barely), has less range,  and costs more, so again the Fuji wins here.”

– sgoldswoblog tested the Zeiss Touit 12mm lens here.

“The 12mm has some bad features compared to the Fuji 14, it has softer corners at wider apertures, it isn’t optically corrected for distortion and it is expensive. There is no question that fans of the 20-21mm focal length shouldn’t really go for the Zeiss. So it’s a Turkey? No way, it’s a very fine lens with some different design choices from the Fuji, that’s all. If you want the widest possible UWA then go for this lens. By definition it is wider but it is also a fine lens in its own right and I still suspect the centre is a hair sharper than the Fuji.[…] The only reason this lens doesn’t deserve superlatives left and right is the existence of the Fuji 14mm. If the Fuji didn’t exist or was a little bit more average, the 12mm would be a must buy lens, as it is it’s a very good lens that’s not as good primarily because of variations in sharpness in the corners. However there is no question in my mind that a person wanting the widest lens available shouldn’t hesitate in buying the Zeiss instead of the Fuji 14.”

image courtesy: sgoldswoblog

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Zeiss Touit 32mm in stock status check: USA: Adorama / BHphoto / AmazonUS / Uniquephoto / Pictureline / Europe: AmazonDE / ebayUK / PCHstore Brussel
Zeiss Touit 12mm in stock status check: USA: Adorama / BHphoto / AmazonUS / Uniquephoto / Pictureline / Europe: AmazonDE / ebayUK / PCHstore Brussel

the “unfair” comparison: X-E1 with 55-200 vs Canon 5D Mark III with 70-300 (and in stock at AmazonUK and US)

IN STOCK: A limited number of XF 55-200 is now in stock at AmazonUK here (shipped and sold by AmazonUK) and also three at AmazonUS, but via third party reseller here (you have to pay $100 more to purchase it).

Fuji XF 55-200mm [shopcountry 12892]  photo stacks_image_6736_zps6c4ee6df.jpg

image courtesy: martin-doppelbauer

Martin made a quite unfair comparison between the [shoplink 12881]X-E1[/shoplink] with [shoplink 12892 ebay]XF 55-200[/shoplink] and the [shoplink 13457]Canon EOS 5D Mark III[/shoplink] with [shoplink 13458]Canon 70-300 IS L[/shoplink]. “But yet, Fuji claims itself to achieve the image quality of a full-frame camera. So let’s see“. You can read the whole comparison here (available in English and German). Some extracts:

“In direct comparison, I could not detect any significant drawback in the focus speed compared to the Canon 70-300 IS L at least in static, high contrast scenes. To run the focus from infinity to close range takes similar time on both optics. I already have noted the limitations of the X-E1 when recording fast-moving objects (birds in the air, or motor cycling, but also: Crawling babies head from the front) elsewhere. Because both the focus point and the viewfinder image freeze after the first shot in continuous shooting mode, there are little to no chances to get a good picture in such situations. Here, the DSLR is still unbeatable (and the EOS 5D Mark III shines in particular with its uber-autofocus anyway).

Somewhat disappointing is the vignetting of the XF 55-200 at maximum aperture. At least you can correct this well by software.

For a comparison of system resolution, I have run the X-E1 and the XF 55-200 against the EOS 5D Mark III with the excellent 70-300 f/4-5.6 L IS USM. Not quite a fair comparison, as I admit frankly, because the Canon lens costs easily twice as much as the Fuji zoom. And we don’t even talk of the camera body […] Compared with the EOS 5D Mark III, however, Fuji’s zoom has a significantly lower resolution. The Canon 70-300 L resolves about a third more lines across the board, occasionally even 50% more. An equivalence to the Canon full-frame system is beyond question.

The XF 55-200 […] convinces with a very solid overall performance. Across all focal lengths and apertures it has a good sharpness with minimal chromatic aberrations without significant weaknesses. Sure, it can not keep up with a very good full-frame camera and lens. But this is outweighed by price, weight and size.

Fuji XF 55-200mm [shopcountry 12892]

image courtesy: martin-doppelbauer

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Zack Arias: “Life without DSLRs”… X100S follow up review

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image courtesy: Zack Arias

Zack Arias announced it a couple of weeks ago, when he tested the X100S: “DSLR is dead”. And now, how is his life without the DSLR? What changed in Zack’s photography after he switched to Fuji? See his shots and read the whole blog post here. And if you plan to switch too, check out the X-superkit deals.

“I was recently asked on my Q&A blog whether I was switching to Fuji just to be different and not because they are better. I replied saying it is part of the equation. Not a large part. Not even half of the part, but yeah, that’s part of it. Who has a DSLR these days? Everyone. Moms, grandpas, clients, kids, that guy in accounting, everyone. Nikon this. Canon that. […]

It’s mostly a mental departure from how I’ve done things for a long time and how much of the rest of the photography world works. It makes a difference with my clients and subjects as well. DSLRs are so generic these days that when you show up with something different like a Fuji or a medium format people take notice. They ask questions. These cameras start conversations. When I shot DSLRs I always heard about what camera my client or subject had. “Oh. You shoot Canon. I have a Nikon.” Etc. Etc. And then those conversations would take place. Not any more. “Wow. What is that? I’ve never seen one of those.” is now the opening line. […]

When you change those tools there’s a mental change as well. The retro styling of the Fuji cameras isn’t just for show. There’s a reason cameras have been set up like those for decades. There’s a very practical reasoning behind dedicated aperture dials on the lens and shutter speed dials. I can “feel” where my settings are.

I say all of this to say I’m emotionally connected to my Fujis. I’ve never been emotionally connected to a DSLR. Ever. That connection matters. It’s not on a spec sheet. It can’t be tested in the lab. I look at my Fuji cameras and I want to go shoot. I want to make photos. They don’t belong in a bag. They belong on in my hand.”

Fuji X100S: [shopcountry 12883]

Nikon A vs X100S (ISO) + Video comparison: X100S vs NikonA vs RicohGR

1) Cameralabs compared the [shoplink 12883]X100S[/shoplink] with the [shoplink 13071]Nikon A[/shoplink] and we have (again) a clear winner: the X100S with his X-Trans sensor:

“Compared with the COOLPIX A, at the lower ISO settings, the X100S looks a little sharper, but in noise terms there’s little to choose between them with the COOLPIX A’s 100 ISO crop a close match for the X100S’s 200 ISO. At 400 ISO it’s still a pretty close call, but at 800 ISO it looks to me like there’s noticeably more noise in the COOLPIX A crop. At 1600 ISO there’s clearly more texture in the wall, the text panel looks softer and the edge detail is beginning to crumble on the COOLPIX A crop where the X100S is still holding strong.

But read more and see all the ISO-comparison shots here at cameralabs.

No need to tell you which images comes from the X100S X-Trans sensor ;)

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2) Mike Kobal posted his video comparison of the [shoplink 12883 ebay]X100S[/shoplink], [shoplink 13071 ebay]NikonA[/shoplink] and [shoplink 13349 ebay]RicohGR[/shoplink] at his website here.

Zeiss Touit vs. Fujinon XF

by Rico Pfirstinger

Talk to Rico (open forum for questions & feedback)Rico’s Flickr sets – Touit 1.8/32 samplesTouit 2.8/12 samplesTouit vs. Fujinon comparative samples (Flickr Guest Pass) – Mastering the Fujifilm X-Pro1 reading samples (65 free pages)

DSCF7781 - f/2
Carl Zeiss Touit 1.8/32, Fujifilm X-E1 (ISO 200, f/2, 1/1200s), RAW, Lightroom 5, DxO FilmPack 4

Why would a business-savvy lens manufacturer like Carl Zeiss decide to introduce two prime lenses for X-Mount cameras that compete head-to-head with already existing, smaller and cheaper Fujinon offerings, while at the same time ignoring obvious gaps like a fast 23mm lens?

It’s a Sony

The answer is: they wouldn’t. And they didn’t! The new Zeiss Tout 1.8/32mm and 2.8/12mm prime lenses are quite obviously targeted at customers of Sony’s NEX camera system. They perfectly fit into Sony’s current lens lineup, and their design is pretty much in line with the sleek NEX appearance. A fast 23 mm lens to satisfy the cravings of the X-Mount crowd? No such luck, because Zeiss and Sony already offer such a lens (a 1.8/24) for NEX. This is apparently all about what Sony NEX customers want and need.

 
DSCF7301 - f/2.8 Carl Zeiss Touit 2.8/12, Fujifilm X-E1 (ISO 200, f/2.8, 1/480s), RAW, Lightroom 4.4

So the X-Mount versions of the Touit lenses were clearly one of those “me too” decisions. But why did Fuji go along with it and invite a formidable competitor like Carl Zeiss into their home, not only offering full technical support and cooperation, but even co-marketing the Touit lenses? I know the real answer but don’t want to spill the beans just yet, so let’s just say that Fujifilm is making money with each X-Mount Touit lens that’s sold. They also like the Zeiss brand’s premium image and the resulting image transfer to the Fuji brand. After all, Panasonic also loves to put a Leica logo on their cameras and MFT lenses.

** CLICK HERE to Read the Rest of the Article **