Fujifilm X-H2S Snaps Gold Award at DPReview
The Fujifilm X-H2S snapped the Gold Award at DPReview. Here are their Pros and Cons from their X-H2S review
What we like
The Fujifilm X-H2S snapped the Gold Award at DPReview. Here are their Pros and Cons from their X-H2S review
What we like
DPRTV published its review of the Fujifilm X-H2S (production model with final firmware).
As to expect, lots of the things they complaint about in their pre-production review were completely fixed and improved.
Here is the summary:
CineD and Gerald Undone recently published a video where they talk about how they make their lab tests.
It’s a one hour video I invite you to look in its entirety.
What I will highlight are 6 minutes towards the end of the video where they talk about the excellent test results of the Fujifilm X-H2S (starts minute 48:35).
They talk about how different and pleasing noise actually looks on the Fujifilm X-H2S (not the first to say this and actually that’s a peculiarity of X-Trans sensors, I mean the more film-like grain at high ISO and the less color noise).
So it seems that when Fujifilm advertises the X-H2S as having 14+ stops of video dynamic range, they are totally honest about it. In CineD tests, it beats even the full frame Sony A1.
But even more importantly, if you want to get rid of noise, for some “secret language” reason (as Gerald would call it), it seems that at least noise reduction applied in post is able to clean up noise with an ease he has never seen before.
Also, CineD mentions a strategic advantage Fujifilm has over Sony and Canon. Which one? You’ll find the answer in the short summary down below.
DRPeview has added the Fujifilm X-H2S to their lab test comparison tool. Their findings:
You can read it all and play around with their comparison tool here.
Maybe you have noticed that lately we tried to highlight also reviews from smaller youtube channels, along with the usual big ones.
Now, I won’t enter the discussion on why it seems that at least some of the big channels have a conflictual relationship with the Fujifilm managment, leading them to either ignore Fujifilm cameras (some never reported about the launch of the X-H2S) or to review Fuji gear… how can I say that… to review it not with the same care as they do with other brands.
But that’s not the article, where we want to talk about it.
What you need to know now is: we will keep covering the reviews of huge channels (in case they cover Fujfiilm, but highlight when they make errors like here and here), but also highlight smaller channels every now and then.
Small channels might not have the best studios, lights and audio, but they are often run by truely passionate photographers, who probably shoot more pictures with their gear out on the field than many of the huge channels combined. So their opinion, at least in my eyes, has just the same value the one of massive youtube channel.
So today we talk about TC, who owns the Sony A7IV and lots of lenses, but after his comparison with the Fujifilm X-H2S, he decided to sold off his entire Sony full frame kit. If you want to know why, you can find the video below as well as a summary.
Why are You Scared of PSAM? ;)
Before we go ahead, just a little consideration of myself. Why are you scared of PSAM?
Look, TC switched back to Fujifilm among the others because it has a PSAM dial and he loves it. So now we have a former Sony shooter coming back to the Fujifilm camp thanks to the Fujifilm X-H2S.
And isn’t that what we want? And what Fuji needs? More people shooting with their gear?
What damage does it do to us retro lovers?
Fujifilm has basically already said that there will be a Fujifilm X-T5, X-E5, X-T40, X-Pro4, X100V successor… and all of them with the retro feel we all love. That’s plenty of options that will continue to exist for us.
And now let’s see what motivated TC to sell all his Sony gear to switch to Fujifilm.