DPReviewTV Fujifilm XF 70-300mm F4-5.6 Review
DPRTV posted their Fujinon XF70-300mmF4-5.6 review.
If you are in a hurry, the summary can be found below
- XF70-300mmF4-5.6: BHphoto / AmazonUS / Adorama / Focuscamera / Moment
DPRTV posted their Fujinon XF70-300mmF4-5.6 review.
If you are in a hurry, the summary can be found below
Matt Granger tested the brand new Fujifilm GFX100S along with the Fujinon GF80mmF1.7.
Here are his thoughts from his various videos covering it.
We continue covering Fujifilm’s Focus on Glass series, this time with the Fujinon GF80mmF1.7. Down below is a summary.
Also down below you can find the final review of the Fujinon GF80mmF1.7 by Dustin Abbott and ZP Productions (videos + summary).
A few days ago, DPReview has added the Phase One XF IQ4 150 Megapixel camera to their studio test scene database.
So how does this $50,000 monster compare to our humble Fujifilm GFX100 (and hence also to the brand new $6,000 Fujifilm GFX100S)?
Well, I don’t know you, but I frankly can’t see any noticeable difference, in some cases I even think the GFX100 looks better.
At high ISO on the other hand, the GFX100 clearly performs better than the Phase One XF IQ4, even though the sensor is the same (just cut bigger on the Phase One).
This might be in part merit of the excellent Fujinon GF lenses, which have no issue to take advantage of all 100 megapixels offered by the GFX100(S). On the other hand, it might also be that both cameras just resolve basically everything possible out of the DPR studio scene.
I did also add the two current highest resolution mirrorless full frame cameras to the comparison, the 61MP Sony A7RIV and the 47MP Panasonic S1R to the chart.
Where both medium format cameras simply have no issues to resolve everything out of the chart, we can see that the full frame cameras definitely show up with more false colors, moiré and artifacts in the fine details.
Just for fun I added one comparison with the Fujifilm X-T4 vs Sony A7RIV and Panasonic S1R.
Of course the Sony and Panasonic have more resolution power, but when details become really fine, and hence when all those megapixel would be really needed, in some areas the Sony A7rIV as well as the Panasonic S1R have the tendency to show more moiré, partially ruining the megapixel advantage they have, where the X-T4 shows no moiré.
As an X-Trans lover, I do hope Fujifilm will stick with it in their APS-C cameras and offer us something around 32+MP or so in the future, maybe with the Fujifilm X-H2. I am sure it would give great results.
Down below you can see some of the screenshots I took. You can head over to the DRP studio comparison tool and make your own comparisons.
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The Fujifilm X-E line was always on the brink of extinction.
Several times Fujifilm considered to kill the line, as it is not really profitable. But it was saved by the rather loud voices within the Fujifilm community to keep that line alive, and also a small but stubborn minority inside the Fujifilm management, who believes the X-E has its raison d’être.
The first to risk never to see the light of the day was the Fujifilm X-E3. But as Fujifilm managers told us in this interview, they took note of the strong requests for an X-E3 and finally they decided to deliver.
Later on, and you can be sure of that, Fujifilm decided to drop the X-E line again. And yet, once again, the pressure build up inside Fujifilm and also outside by its customers, to keep the X-E line alive.
And once again, we won :). The X-E4 is here and down below we can share a mini-roundup about the X-E4.
A little side note: for what it’s worth, it is the by very far best selling X-E camera among the FujiRumors community, and it has now officially beaten the X-S10 in terms of pre-orders (always just here on FujiRumors).
However, it should be noted that out there in the real world, the X-S10 outsells by far the X-E4. But it’s already great to see that the response for the X-E4 was very positive at least among the FR community.
With that said, here is a bit more content X-E4 content for you.