Fujifilm & Adobe: New Way to Edit Fuji RAW files, How to Sharpen X-Trans files, Wormy Artifacts Evergreen and More
Here is a little Fujifilm & Adobe Roundup for you.
Check it out down below.
Here is a little Fujifilm & Adobe Roundup for you.
Check it out down below.
The Fujifilm GFX100 is surely a game changer for the medium format world, and as such the coverage is massive (and sales are excellent).
I had the pleasure to shoot with it, and I can fully understand the hype, and I think it deserves all the best success.
But as it happens often, when some new gear comes, we tend to forget about “older” gear… but not here on FujiRumors :).
So down below there is a roundup dedicated to the Fujifilm GFX50R and Fujifilm GFX50S.
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The GFX Community
DPReview published their full Fujifilm GFX100 review.
It’s not a perfect camera, but from the image quality point of view, it is simply the best camera DPReview has ever tested.
Senior editor Barney Britton says:
“The GFX 100 is the first medium format camera I’ve ever used – film or digital – which doesn’t feel like a compromise. In almost all respects, the GFX 100 handles like a professional DSLR, but with all of the benefits of mirrorless, plus excellent 4K video capabilities and the unimpeachable image quality offered by a cutting-edge sensor. It’s not perfect, and it’s not cheap, but if I was a working professional photographer I’d buy a GFX 100 in a heartbeat.“
Compared to other high resolution cameras:
“Having said that the GFX 100 significantly outperforms full frame cameras, we should still consider the Panasonic Lumix DC-S1R, since it’s able to shoot and combine multiple shots in order to offer resolution and light capture (and hence tonal quality) comparable to a larger sensor. But, while it does so in a smaller, lighter body and doesn’t have any phase detection elements to limit its usable dynamic range, its multi-shot mode only gets its best results when tripod-mounted, and applied to static subjects (and its use of electronic shutter limits its use with strobes). For most high-res applications, the GFX is the simpler, stronger, and yes, more expensive option. […]
If you need the quality it brings, the Phase One will outperform the Fujifilm, but if you can put up with the (sensational) image quality of the Fujifilm, then its smaller size, image stabilization, increased battery life, attractive JPEGs and video capabilities make it a much more flexible tool for considerably less money.“
You can read the full review at DPReview here.
Fujifilm GFX 100: B&H Photo, AmazonUS, Adorama, Focuscamera
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What we like | What we don’t |
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While 99,99% of Fujifilm GFX100 owners will buy the camera for its photographic virtues (the new king of the DPReview lab tests), at the GFX100 launch Fujifilm also highlighted the video capabilities of the latest medium format GFX camera.
And sure, on paper, also the Fujifilm GFX100 video specs are impressive (10 bit internal, 400 mbps, no crop 4K, IBIS etc).
But how does it work in real life for video?
DPReview TV has tested the Fujifilm GFX100 for videos, and here are their findings:
Jim Kasson has started his extensive and very technical Fujifilm GFX100 coverage, and it is definitely worth to check out.
He overserves some banding here.
Down below you find all the links:
And here are a few more GFX100 tidbits:
Fujifilm GFX 100: B&H Photo, AmazonUS, Adorama, Focuscamera
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The GFX Community