According to our trusted sources, the fixed lens Fujifilm GFX camera will come within the end of this Japanese fiscal year.
We remind you that the Japanese fiscal year ends on the 31th of March 2025.
It will ship in 2027*
*just kidding, that would be way too fast for Fujifilm standards :D
Today we have a rather important update regarding the fixed lens Fujifilm GFX camera.
Our trusted sources have told us that the fixed lens Fujifilm GFX will be “about the size” of the Fujifilm X-Pro3.
NOTE: our sources said “about” the size, not “exactly” the size. This means there will be a size difference, but it won’t be that big. On the contrary, they will be quite close in size.
Recently we reported how on social media Viltrox wrote that the Viltrox 135mm f/1.8 LAB version will come soon also for Fujifilm X mount.
But do you remember what I wrote in that very same article? I wrote: “I certainly hope this wasn’t a typo or mistake. You can never be too sure how much the people managing the company’s social media actually know.”
Well, fellow FR-reader Andreas reached out to Viltrox via email asking about the X mount version of the Viltrox 135mmF1.8 LAB, and here is what he got told: “Currently, there are no plans to release the AF 135mm F1.8 for Fujifilm X-Mount.”
So we have some at Viltrox who say it’s coming, others who say it won’t come, or at least there are no plans for now.
At this point all we can do is to wait and see what’s going to happen.
We have told a while ago that Fujifilm is currently considering to launch the digital successor to the XPan/T-X series in 2028
For now we will simply call it the Fujifilm TX-3, as of the digital successor to the Fujifilm TX-2 film camera.
Well, in these days I am getting emails from fellow FR-readers pointing me towards two wide aspect ratio sensors offered by Sony: the 1.4″ 16.41MP IMX901 and the 1.1″ 12.38MP IMX902
Now, I don’t think it will be any of those sensors, because the specs sheet say these are C-mount compatible sensors.
But if our sources are accurate, the Fujifilm TX-3 will use a much larger sensor.
In fact, based on the last info we got, Fujifilm is deciding if they should use two stacked APS-C X-Trans sensors or a cropped GFX Bayer sensor.
So my answer to the question if the IMX901/2 could be the sensor used for the Fujifilm TX-3 is “I don’t think so“.
But of course this is an ultra-long term rumor. It’s hard to predict the precise specs of a camera that might come 4 years from now. So I just can’t rule out anything at 100% for now.
All the sensor details at sony-semicon.
Look guys,
the Fujifilm 1″ half frame camera is largely a mystery for me just as it is for you.
There is little I know about, except for the fact that it has a 1″ sensor and that Fujifilm will very likely market it as a half frame camera.
Will it be something like a digital version of the Pentax 17 half frame?
Or maybe look more like the Yashica Samurai X3.0?
I don’t know.
And since I do not know how Fujifilm is going to pull this off, it is complicated for me to judge this camera and especially if the term “half frame” is appropriate or not.
But I am doing my homework, and here is a little update I can give you guys.
From what I’ve heard, Fujifilm’s new half-frame camera will allow you to press the shutter twice to create a single image—essentially enabling diptych photography. You’ll press the shutter once for the first half of the image and again for the second half of the frame.
Diptych photography lets you get creative by placing two images next to each other, allowing for interesting comparisons or storytelling. You can show contrasts, highlight connections, or offer different perspectives, making it a great way to engage viewers and add depth to your images.
Down below I’ll share a few videos about diptych photography.
In film, half-frame cameras are traditionally well suited for diptych photography. However, with Fujifilm’s upcoming model, it’s unclear whether this effect will be achieved using a vertically-oriented 1″ sensor or if the camera will use a horizontal sensor, reading half of it with the first shutter press and the other half with the second, similar to how traditional 35mm half-frame cameras function.
My best guess is (not rumor) is that it’s done with a vertical sensor, but at this point I don’t really know that.
What I know is that the concept of this camera, which might focus on diptych photography, is a typical use case found in half-frame film cameras. Hence I guess that’s also why Fujifilm will market it mainly as a half-frame camera.
