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guest post by Philip Sutton: philipsuttonphotography.com or on instagram at fineartfoto
Monks playing “Chinlone”, early morning Hsipaw, Myanmar, 2017 (Fuji X-T2 and XF 18-135)
Myanmar Today
As I sit reflecting on my just completed photographic expedition, it’s been quite an amazing experience having spent a month photographing the wonders of Myanmar. I think for me the huge difference has been (compared to when I was there last five years ago – or especially 12 years ago), everybody now has a device in their hand. For weal or woe change is coming quickly to Myanmar. The changes are obvious as people rush to catch up to the rest of the world. It’s a shock to see everybody with a device in their hand – in a country where the average wage is only $2-$5 per day (sim cards and devices must be very cheap there). I preferred it to how it was on my last two visits but nobody can blame them for wanting to catch up with the new millennium. However, for now it’s still a very special place. I am not sure how long that will last, but at least for now I leave with some very special memories and 6 times 64gig SD cards filled with the evidence of those experiences.
I have travelled Asia now extensively for over a decade shooting street and environmental portraits. Even having been to Cambodia over 12 times, and countless times in Vietnam and other places, I can still say that Myanmar is the most special in all of Asia. I think it’s the combination of the lovely friendly people, the gorgeous little kids running around with the Thanaka paste on their faces, the men spitting their disgusting beatle-nut everywhere, and the gorgeous light – oh that light. It seems that every corner one walks around or every step one takes, another photo opportunity presents itself. Where I live in Australia is like a moonscape (photographically speaking), compared with the photographic opportunities in Burma – no wonder my cameras stay locked in their cupboard for most of the year!
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