Fujinon XF56mmF1.2 II Additional Specs: 67mm Filter Size, Weather Resistant and No Linear Motor

When Fujifilm started to release the newest f/1.4 lens trinity, they all got the weather sealing, a new optical design to resolve the 40MP of the X-H2 and X-T5 and they also got a linear motor for blazing fast autofocus.

Well, according to our trusted sources, the Fujinon XF56mmF1.2 II will follow that path, but not completely.

We got told this by trusted sources:

So what the XF56mmF1.2 II will lack over the the latest f/1.4 lenses is the linear motor.

We remind you that the current version uses DC coreless motor (the smallest motor). Stepping motors are better but bigger. So I wonder (not rumor) if this version has a stepping motor.

Before we make any judgment on AF, let’s wait for the real world reports, which will all drop on September 8 and we will cover live here on FujiRumors

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“Cr@p Light, Cr@p Backlight and Everything is just There on GFX Medium Format Files” – GFX Roundup

2022 has been an X series year so far, and therefore we haven’t covered the GFX system as much as for example last year, when the stellar Fujifilm GFX100S and the affordable Fujifilm GFX50SII hit the market.

And let me say this: Fujifilm has no hurry at all to release new GFX cameras, as the Fujifilm GFX100S is a crazy seller, which is still more often out of stock rather than in stock.

So time for FujiRumors to remind us all that there is also the GFX system out there thanks to a dedicated roundup.

Blog Posts

Videos

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WHOOPS: DPReview Removes Their (Bad) XF150-600mmF5.6-8 Samples While Other Photographers Show Super Sharp Images at 600mm

Some guys were sure: it is simply impossible that the Fujinon XF150-600mmF5.6-8 is sharp at 600mm, due to mathematical calculations considering f/8 on APS-C combined with statistical elaborations on the effect of diffraction for a pixel pitch of ….

OK, I hear you, let’s keep it short: the XF150-600mmF5.6-8 it’s an unusable piece of junk at 600mmF8.

And looking at the sample gallery shared by DPReview (not to be mistaken with DPRTV) at launch day, which were the worst possible samples, one would agree with the above.

But now it looks as if somebody at DPR had the decency to pull off the sample gallery, as the original link to them is now broken, the sample gallery never loads and on the main page any reference to the sample gallery (still visible in cached version) is gone.

So what happened? I see two options:

  • the lens was used in hot condition with lots of hazy air that influenced IQ
  • the pre-production copy had an issue
  • UPDATE: suggested in the comments, the X-T4 used does not support the lens yet

UPDATE: According to information I have received, the prototype lens didn’t have firmware for X-T4 (which was the camera used for the samples).

Anyway, damage done: the sample were so bad, that some Fuji shooters looking forward to this lens were hugely disappointed and moved away from it.

But the questions remains open: how does the XF150-600 perform at 600mm?

Well, I put to together a series of links where you can see the samples by yourself. Some of them I already shared in the live blog, but others are new links that I did not share in the original live blog coverage.

Look for example at samples of Alan Hewitt below. They show the performance at 600mm with an additional crop to it.

If you ask me, that is actually an excellent performance!

But as usual, watch by yourself and make up your own mind.

Pre-Orders

Voigtländer Nokton 23mmF1.2 X Additional Specs and Images

Yesterday we reported how Cosina, in addition to the current Voigländer Nokton 35mm f/1.2 X, is about to launch also the Voigländer Nokton 23mm f/1.2 X.

Now Cosina has published the main specs and a new product image (see above) of this lens at their website in Japanese, which I now report here on FujiRumors machine translated.

A large aperture quasi-wide-angle lens with the latest optics using one double-sided aspherical lens and two abnormal partial dispersion glass. Although it is a compact size, it has excellent resolution from the aperture opening, and large blur due to the large aperture of F1.2 can be obtained.

Just as the 35mm version, also this one has electronic contacts to transfer certain information such as EXIF data.

I love the look of this lens, and actually also of the Voigländer Nokton 35mm f/1.2 X. And although I am tempted to get one, I so far have not treated myself with one, since I’d pay for features (the electronic contacts) that do not work on my Fujifilm X-E3.

This is why I got the much more affordable TTArtisan 23mm f/1.4, which you can see attached to my X-E3 here.

At the bottom of this article you will also find which Fujifilm X cameras are currently supported.

Specs & Supported Cameras

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Fujinon XF33mmF1.4 and XF23mmF1.4 II Coming with Linear Autofocus Motor and Weather Sealing on September 2

The Fujinon XF33mm f/1.4 and the Fujinon XF 23mm f/1.4 II will be announced on September 2.

Today we can tell you that both these lenses will have weather sealing as well as linear motor autofocus.

As explained by Fuji Guy Billy in this article, Fujifilm uses four different type of motors in their lenses:

  • stepping motors
  • linear motors
  • DC coreless motors
  • ultrasonic type of motors

Each motor has its Pros and Cons and you can read about it here.

Linear motors are certainly not the smallest, but they have two wonderful characteristics: they are fast and silent.

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Voigtländer Nokton 35mmF1.2: Electronic Contacts, Full Specs, Press Release and Official Sneak Peek

We’ve shared hands on images of the new Voigtländer Nokton 35mm f/1.2 for Fujifilm X mount earlier today.

Now we spotted an official teaser to this lens at the Voigtländer website. It’s in German, so I’ll share first the google translated version and then the original one in German.

Also, a Polish distributor has shared the full specs and press release, so we share that one too here on FujiRumors (google translated via optyczne).

Also in German you can find the full press release at photoscala (images below).

PRESS RELEASE and SPECS (translated)

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The f/0.95 Lens Battle: Laowa Argus 33mmF0.95 vs Zhongyi Mitakon 35mmF0.95 vs 7Artisans 35mmF0.95

There is a vast offering of third party manual focus only Fujifilm X mount lenses. We share a selection of them down below.

Among the most popular ones, there are the ultra fast Laowa Argus 33mmF0.95, the Zhongyi Mitakon 35mmF0.95 and the vs 7Artisans 35mmF0.95.

Now Richard Wong compared them all on his youtube channel. As usual, I’ll provide a summary for you guys in case you don’t have time right now to watch at the 22 minutes long video.

Summary

Design and Built Quality

  • all manual focus only with no electronic contacts
  • all full metal construction
  • they all feel very solid
  • Mitakon and 7Artisans size and weight is similar. The Laowa is quite a bit bigger and heavier
  • The Laowa feels a bit front heavy on X-T3
  • Mitakon and 7Artisans, when you change focus distance, the high of these lenses will extend a bit. The size of the Laowa always remains the same
  • Only Laowa comes with lens hood, a metal lens hood. But the lens cap is of plastic
  • 7Artisans and Mitakon have a focus throw of 90 degrees, while the Laowa has a much longer focus throw of 270 degrees
  • Laowa focus ring feels smooth but also a bit tight. Changing from closes distance to infinity, it will be hard to do it quickly on the Laowa. Not a problem with the other lenses
  • 7Artisans has a quite loose focus ring, so it can be tricky to focus very precisely when shooting at f/.095
  • all these lenses have an de-clicked aperture ring, which he hates. Non of his videographer friends ever changes aperture while shooting a video. He’d prefer a clicked aperture ring
  • he prefers the design of the Laowa

Field of view

  • Laowa has the widest field of view (33 instead of 35)

Sharpness

  • Center at f/0.95: Laowa is clearly the sharpest, followed by Mitakon and the last is 7Artisans
  • at f/1.4 all lenses improve contrast
  • corner sharpness at f/0.95: all quite soft, but Laowa is the sharpest and borderline usable
  • corner sharpness at f/1.4 is reasonably sharp, while you must stop the Mitakon and 7Artisans down at f/2 to get similar results of the Laowa at f/1.4

Chromatic Aberration

  • at f/0.95: Laowa is the best with only a little bit of aberration, and much better than the other two lenses. Mitakon still keeps chromatic aberration at a decent level. 7Artisans has noticeably more chromatic aberration than the other two lenses
  • LoCA at f/0.95: serious color fringing on the 7Artisans. Laowa is best. Mitakon only marginally worst than the Laowa

Vignetting

  • at f/0.95, the Laowa is worst, followed by Mitakon and 7Artisans is best
  • it’s surprising, as the Laowa is the biggest lens

Bokeh

  • at f/0.95: Laowa has smoothest and most creamy bokeh, Mitakon a bit of halo, on 7Artisans pretty noticeable halo which makes it look more nervous
  • bokeh balls: Laowa pretty round a bit swirly in the corners. Mitakon relatively round in the center, but in corners a weird triangle shape. 7Artisans bokeh a bit similar to Mitakon but not quite as extreme and corners have oval shape bokeh with pointy end

Distortion

  • overall similar and noticeable barrel distortion

Focus distance

  • similar minimum focus distance of 35/37 cm
  • at close distance, Laowa has softest sharpness, Mitakon in the middle, and 7Artisans is the sharpest at close distance

Flare

  • All have quite some lens flare and contrast drops
  • lens flare looks quite different
  • 7Artisans is best with least amount of lens flare, but the Laowa has the best and very cinematic looking lens flare with lots of character thanks to a red lens flare

Sun Stars

  • from f/8 to f/11: Laowa most beautiful. Also 7Artisans has nice sun stars. Mitakon not quite as clean sun stars
  • You can stop down the Laowa only until f/11, while 7Artisans and Mitakon go until f/16
  • Mitakon and 7Artisans have quite a bit of ghosting when shooting at f/16, so while the sun star is a bit sharper compared to Laowa at f/16, the ghosting can become a bit distracting
  • Laowa and 7Artisans are a good choice

Coma + Focus Breathing

  • Laowa Coma is at acceptable level. 7Artisans has slightly more coma. Mitakon is the worst
  • Laowa and Mitakon similar focus breathing, 7Artisans more focus breathing

Final Thoughts

  • Each of the lenses has Pros and Cons
  • 7Artisans best value for money, Mitakon overall balanced design and reasonably well in most areas
  • Laowa is his favorite. It’s the sharpness of all and has lowest amount of chromatic aberration, making it most usable at f/0.95
  • Laowa renders best bokeh and lens flare
  • Laowa has way too long focus throw
  • He would pick the Laowa, even if it is larger and heavier

Where to get them

Some Third Party X Mount Options

Nitecore NP-W235 and NP-W126S Batteries Announced

Nitecore has announced their new Nitecore NP-W235 batteries for Fujifilm X-T4 and Fujifilm GFX100S and their NP-W126S batteries for X-T3 and other X series cameras (except the older X100 models).

Nitecore NP-W235 – Coming soon to AmazonUS and at Nitecore

  • Voltage: 7.2V
  • Capacity: 2,250mAh
  • Energy: 16.2Wh
  • Operating Temperature:
  • Charge: 0~55°C (32~131°F)
  • Discharge: -10~60°C (14~140°F)
  • Weight: 78.2g (2.76oz)
  • Compatible Models: X-T4, GFX100S
    (Please refer to the original battery compatibility for more compatible models)

Nitecore NP-W126S – Coming soon to AmazonUS and at Nitecore

  • Voltage: 7.4V
    Capacity: 1,140mAh
  • Energy: 8.4Wh
  • Operating Temperature:
  • Charge: 0~55°C (32~131°F)
  • Discharge: -10~60°C (14~140°F)
  • Weight: 51.5g (1.82oz)
  • Compatible Models:
    X-H1, X-Pro3, X-Pro2, X-Pro1, X-T3, X-T2, X-T1, X-T30, X-T20, X-T10, X-T100, X-E3, X-E2S, X-E2, X-E1, X-M1, X-A7, X-A5, X-A3, X-A2, X-A1, X-A10, X100F, X100V, X-S10, X-E4
    FinePix HS50EXR / HS30EXR / HS33EXR
    (Please refer to the original battery compatibility for more compatible models)