A New Hope: The retro-styled X-Pro2 kicks off Fujifilm’s next generation of enthusiast X-series cameras, based on a state-of-the-art 24.3 MP X-Trans sensor and a much more powerful processor. At first, everything seems strikingly familiar, but a closer look reveals that quite a lot has changed.
A Fujifilm X-Pro2 after a few days of light use
Four years after the introduction of the X-Pro1, Fujifilm is finally ready to open a new chapter in their book of mirrorless cameras. At first glance, the X-Pro2 looks just like its predecessor. However, it’s a different story on the inside (click here for full camera specs and here for more than 150 straight-out-of-camera and Lightroom CC RAW conversion sample images).
After many hours of extreme X-Pro2 live blogging, I finally found the time to go through some of the plethora of first looks published about the X-Pro2… and each one is triggering my GAS more and more.
One of these was an interview with Fuji Manager Takeshi Ueno atbjp-online. The talk was about the X-Pro2, but at the end the journalist asked about Medium Format (rumored here), and Takeshi Ueno answered:
“We are in a very good position to make a medium format camera, as we make camera bodies, sensors and lenses. We already make the lenses for Hasselblad, so we have that expertise.
At the moment Fuji is not planning to launch a medium format camera, but we are conducting research and testing sensors in this area.
We have a good history in the medium format market, and I think we would be successful again. We have the technology to make a very modern and high quality camera, but right now we are only investigating.”
At the end the journalist said:
“Ueno agreed that now would be a very good time for Fuji to enter the market, but it seems that not everyone in the company is quite as convinced.”
Now add to this this rumor of one of our sources, who was right in the past, and we can start to be cautiously optimistic. In any case, if it ever becomes true, it probably won’t see the light that soon.
And just in case somebody at Fuji would be interested in our opinion (and you know they do, right?), then let’s say it in the comments and drop your vote in the Poll.
I don’t know you, but after looking at the first samples and reading the first reviews, I have the feeling that the X-Pro2 delivers so much more than some would have expected.
X-Trans III Rocks :)
RESOLUTION: Fuji said that the new 24 MP X-Trans III MP has the same resoution of 36MP Bayer sensor. And this might be true, since already dpreview tests show how the 16MP X-Trans sensorII has a “Bayer-equivalent” resolution of 24MP.
So that’s the first good news. But there is so much more
High ISO + AF: One of the big surprises was the high-ISO performance, which is just absolutely amazing. It has been pointed out in several reviews, and now also the very Popular German site Chip.de says it in this Video here: “High ISO is excellent, even at 12,800!” Moreover theypraise the AutoFocusand say that the X-Pro2 can convince all along the line and will satisfy the needs of every Pro photographer. And if we can trust jonasrask in his review here, the waxy skin tones are gone!
I remember launching a poll time ago, where I asked you if Fuji should go Bayer or keep the X-TransIII sensor. I voted for X-Trans… and after the X-Pro2, I’m even more sure of my choice.
More X-Pro2 links
First of: Rico Pfirstinger is working on the most amazing and comprehenisve X-Pert Corner First Look ever about the X-Pro2! So stay tuned, and in the meantime enjoy his Flickr images and images ISO range from 100 to 25600. For the official Fuji Samples click here.
UDPATE: Links are offline. Enjoy the Google Cached version: X-Pro2 / X70 / XF100-400 / X-E2s)
UPDATE 2: From the 100-400 Page: All Fujifilm X Mount camera bodies will require a firmware update to be fully compatible with the lens. The update is scheduled to be released on 4 February 2016 for X-T1, X-T10, X-E2 users.
SD memory card(up to 2GB) / SDHC memory card(up to 32GB) / SDXC memory card( to 256GB)
UHS-I/UHS-II(Only Slot 1)*1
Still image
JPEG (Exif Ver.2.3)*2, RAW : 14bit RAW(RAF original format), RAW+JPEG (Design rule for Camera File system compliant / DPOF-compatible)
File format
Movie
Movie File Format: MOD
Movie Video Compression: MPEG-4 AVC / H.264
Audio: Linear PCM/ Stereo sound 48KHz sampling
Number of recorded pixels
L: (3:2) 6000 x 4000 / (16:9) 6000 x 3376 / (1:1) 4000 x 4000
M: (3:2) 4240 x 2832 / (16:9) 4240 x 2384 / (1:1) 2832 x 2832
S: (3:2) 3008 x 2000 / (16:9) 3008 x 1688 / (1:1) 2000 x 2000
4 sec. to 1/8000 sec.(P mode), 30 sec. to 1/8000 sec.(All modes)
Bulb mode(up to 60 min), TIME : 30 sec. to 1/8000 sec.
Electronic Shutter*3
1 sec. to 1/32000 sec.(P / A / S / M modes)
Bulb mode : 1 sec. fixed, TIME : 1 sec to 1/32000sec
Mechanical + Electronic Shutter
4 sec. to 1/32000 sec.(P mode), 30 sec. to 1/32000 sec.(All modes)
Bulb mode(up to 60 min), TIME : 30 sec. to 1/32000 sec.
Synchronized shutter speed for flash
1/250 sec. or slower
Continuous shooting
Approx. 8.0 fps(JPEG : 83 frames Lossless compression RAW : 33 frames Uncompressed RAW : 27 frames)
Approx 3.0 fps(JPEG : endless Lossless Compression RAW : endless Uncompressed RAW : 36 frames)
* recordable frames depends on recording media
* Speed of continuous shooting depends on shooting environment and shooting frames
Auto bracketing
AE Bracketing(±2EV / ±5/3EV / ±4/3EV / ±1EV / ±2/3EV / ±1/3EV)
Film simulation bracketing(Any 3 types of film simulation selectable)
Dynamic Range Bracketing (100% · 200% · 400%)
ISO sensitivity Bracketing (±1/3EV / ±2/3EV / ±1EV)
White Balance Bracketing (±1 / ±2 / ±3)
Focus
mode
Single AF / Continuous AF / MF
type
Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
AF frame selection
Single point AF : EVF / LCD / OVF : 11×7/21×13(Changeable size of AF frame among 5 types),
Zone AF : 3×3 / 5×5 / 7×7 from 77 areas on 11x 7 grid,
Wide / Tracking AF : (up to 18 area)
* AF-S : Wide
* AF-C : Tracking
White balance
Automatic Scene recognition /
Custom1 to 3 / Color temperature selection(2500K – 10000K) /
Preset : Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Underwater
Self-timer
10 sec. / 2 sec. Delay
Interval timer shooting
Yes (Setting : Interval, Number of shots, Startinng time)
* Red-eye removal is active when Face Detection is set to ON.
Hot shoe
Yes (Dedicated TTL Flash compatible)
Viewfinder
OVF
Reverse Galilean viewfinder with electronic bright frame display
Coverage of frame area v.s. capturing area: approx.92% Magnifications approx x0.36 / x0.60
EVF
0.48-in TFT color viewfinder Approx 2.36 millions dots(4:3) Coverage of viewing area vs. capturing area : approx. 100%
Eyepoint : approx 16mm(from the rear end of the camera’s eyepiece) Diopter adjustment : -4 to +2m-1
Magnification : 0.59x with 50 mm lens (35mm equivalent) at infinity and diopter set to -1.0m-1
Diagonal angle of view : approx 29.1°(Horizontal angle of view : approx 24.4°)
Built-in eye sensor
LCD monitor
3.0-inch, aspect ratio 3:2, approx 1.62 millions dots
Movie recording
Full HD 1920×1080 60p / 50p / 30p / 25p / 24p up to 14 min.
HD 1280×720 60p / 50p / 30p / 25p / 24p up to 28 min
* Use a card with SD Speed Class with Class 10 or higher
AUTO, 100%, 200%, 400%
ISO restriction(DR100% : No limit, DR200% : ISO400 or more, DR400% : ISO800 ore more )
Advanced filter
Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple)
Wireless transmitter
Standard
IEEE 802.11b / g / n (standard wireless protocol)
Encryption
WEP / WPA / WPA2 mixed mode
Access mode
Infrastructure
Wireless function
Geotagging, Wireless communication (Image transfer), View & Obtain Images, Remote camera shooting, PC Autosave, instax printer print
Other functions
Exif Print, PRINT Image Matching II, Language(35 languages including JP / EN), Time difference, exposure preview on LCD during Manual mode, EVF brightness, EVF color, LCD brightness, LCD color, Mode effect on monitor, Customize
Terminal
Digital interface
USB 2.0 High-Speed / Micro USB
* connectable with Remote Release RR-90 (sold separately)
HDMI output
HDMI micro connector (Type D)
Others
Microphone / shutter release input: ø2.5mm, stereo mini connector
Hot shoe, Syncronized terminal *Mechanical release S1 button
Power supply
NP-W126 Li-ion battery (included)
Dimensions
Dimensions 140.5mm (W) x 82.8mm (H) x 45.9mm (D) / 5.5in. (W) x 3.3in. (H) x 1.8in. (D)
(Minimum depth: 34.8mm / 1.4 in.)
Weight
Approx. 495g / 15.7 oz. (including battery and memory card)
Approx. 445g / 17.5 oz. (excluding accessories, battery and memory card)
Operating Temperature
-10°C – 40°C / +32°F – +104°F
Operating Humidity
10 – 80% (no condensation)
Battery life for still images*4
Approx. 250 / 350 frames (EVF / OVF, When XF35mmF1.4 R is set)
Battery life for movies*4
single consecutive movie: approx. 110 min. (Face detection is set to OFF)
Starting up period
Approx 0.4sec.
* Fujifilm research
Accessories included
Li-ion battery NP-W126
Battery Charger BC-W126
Shoulder strap
Body cap
Strap clip
Protective cover
Clip attaching tool
Owner’s manual
Warranty+D66
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