Nikon i-TTL on Fujifilm Cameras? Check out RoboSHOOTs’ review by Mehrdad!

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Serene Automation has just announced support for select Nikon Speedlights, off-camera, with full TTL. Plus, for a short time, you can use your Nikon Speedlight with your X-series camera for about the same price of a new Fujifilm Flash! Check out their website for details, including which SB units are supported.

In his review Mehrdad Samak-Abedi said “I have a very positive experience with the RoboSHOOTs. Everybody who looks for wireless TTL flash for their Fuji X-system should have a close look at the MX/RX line.” Most of us in the X community know and respect Mehrdad’s work and contributions, including his interview in Fujifilm Magazine here.

Be sure to take a look at Mehrdad ’s great review of the RoboSHOOT system at www.qimago.de

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Fuji Fun Vs. Sony Specs…. a Story about my 3 days Flirt with the Sony A7rII and why I now Love Fujifilm even more!

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I guess it’s my time to say something about the SonyA7rII. I was reluctant to write anything about it, even though I’ve tried the Sony A7rII for several days.

But today I could not resist for two reasons:

  1. I have a bit of spare time & and I’m slightly drunk at home after an X-T1 Vs. Canon M3 shootout with Steve of CanonWatch.
  2. I’ve read a very interesting article at Fujifilm X World.

You’ll read about the Canon M3 at CanonWatch later on, so let’s go directly to point 2, the Fuji X World post, which was the real trigger for this article.

“Image quality” over “Specs”

The article is about one of the most loved lenses amongst us X-shooters: the XF 35mmF1.4. It shows Fuji’s approach when they design a new lens, which can be summed up in this sentence:  “Image quality” over “Specs

And it’s not just a good sounding slogan, it’s Fuji’s philosophy. Go and read it here… I’ll just quickly come to the point of the article:

When Fuji designed the XF 35mmF1.4 they had 2 choices: create the lens in a way that it will perfectly match the test criteria used for MTF charts, or don’t care about specs & charts and design the lens thinking at the real life use… and Fuji went for the latter one.

That’s why, today, looking at the MTF charts, the XF 35mm doesn’t seem much of a lens, but looking at the pictures X-shooters (including me) take with it every day, it’s pretty clear that Fuji has created a hell of a lens! Because, as Fujifilm said:

There is something more than just the catalog spec.”

And that brings me to the Sony A7rII.

Fuji (X-T1) Vs. Sony (A7rII)

Prologue

These are just my very personal considerations. People with different ways of shooting, priorities & workflow will come to completely different conclusions… and that’s good so.

I don’t want to sound like a Sony hater, so let me say it clearly: the Sony A7rII has terrific specs, it’s a good camera, and overall I absolutely like the innovation Sony brings to the digital camera technology. They make the arguably best & most innovative sensors out there (sorry Canon)!

But today I won’t join the A7rII siren songs of the internet, and since I can’t cover every single spec (that would mean writing a book, not a blog post), I’ll focus on those aspects that I prefer on Fujifilm and try to explain why I’ve quickly lost my interest in the A7rII.

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** CLICK HERE to Read the Rest of the Article **

Battle of the Portrait Lenses: X-T1 + 56mmF1.2 Vs. A7II + Zeiss Batis 85mmF1.8 … “The Fuji Colors Shine”

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Admiringlight compares the X-T1 + Fuji XF 56mmF1.2 and the A7II + Zeiss Batis 85mm f/1.8 (with the Contax G 90mm thrown in for fun)!

Admiringlight says, that these are all “stellar” optics and there is no clear winner (“we’re sort of splitting hairs at this level“). Here are some of hits findings:

Both, the Fuji 56 and the Zeiss Batis 85 are “exceptional” lenses. Thanks to the X-Trans sensor, the samples taken with the 56mm show less moire. Wide open the Batis is sharper in the corners. And what about the bokeh:

Well, I think the Fuji’s bokeh looks nicer here. It’s subtle, but it’s smoother and the lower contrast is very pleasing, and the Fuji colors shine.”

XF 56mmF1.2 APD (save $300)AmazonUS / BHphoto / Adorama / Pictureline
XF 56mmF1.2 (save $100): AmazonUS / BHphoto / Adorama / Pictureline

NEW FUJIFILM lens & camera rebates

CAMERAS

X-T1 + 18-55 (save $100): AmazonUS / BHphoto / Adorama / Pictureline
X-T1 Black Body (save $100)
AmazonUS / BHphoto / Adorama / Pictureline
X-T1 Graphite Body (save $100)AmazonUS / BHphoto / Adorama / Pictureline

LENSES

XF 16mmF1.4 WR (save $150): AmazonUSBHphoto / Adorama / Pictureline
XF 56mmF1.2 APD (save $300)AmazonUS / BHphoto / Adorama / Pictureline
XF 56mmF1.2 (save $100): AmazonUS / BHphoto / Adorama / Pictureline
XF 14mmF2.8 (save $200): AmazonUS / BHphoto / Adorama / Pictureline
XF 23mmF1.4 (save $150)AmazonUS  / BHphoto / Adorama / Pictureline
XF 50-140mmF2.8 WR (save $150):  AmazonUS / BHphoto / Adorama / Pictureline
XF 10-24mmF4 (save $150):  
AmazonUS / BHphoto / Adorama / Pictureline
XF 35mmF1.4 (save $200):  AmazonUS / BHphoto / Adorama / Pictureline
XF 16-55mmF2.8 WR (save $150):  AmazonUS / BHphoto / Adorama / Pictureline
XF 27mmF2.8 (save $200): AmazonUS / BHphoto / Adorama / Pictureline
XF 18mm (save $150): AmazonUS / BHphoto / Adorama / Pictureline
XF 60mm (save $200):  AmazonUS / BHphoto / Adorama / Pictureline
XF 18-135mm (save $150):  AmazonUS / BHphoto / Adorama / Pictureline
XF 55-200mm (save $150):  AmazonUS / BHphoto / Adorama / Pictureline
XF 18-55mm (save $100):  AmazonUS / BHphoto / Adorama / Pictureline

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Fujifilm, Panasonic & Toshiba to make common announcement before mid-September: New Sensor to be Announced?

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There is a rumor relating to Fujifilm, from the Chinese forum dc.home (translation). It has been spread by joofei, whom you probably still remember from the Wild Rumor Series (wild rumors 1, wild rumors 2 and wild rumors 3).

Joofei says, that Fujifilm, Panasonic & Toshiba are going to announce something before mid-September 2015… and once more, wild guesses started, related to organic sensor or the rumored Medium Format camera.

Everything joofei shared so far, has still be verified. So take it with the mandatory grain of salt.

WHAT WE KNOW

TOSHIBA: Fujifilm is already cooperating with Toshiba… they make the Fuji X-Trans 2/3 sensors

PANASONIC: Fujifilm is cooperating with Panasonic on the Organic Sensor

WHAT COULD BE

Is it possible, that these 3 companies joined forces to break Sony’s sensor hegemony? I don’t know, and we will probably soon see if joofei is reliable or not.

But today I want to share with you an older rumor, which I never shared in the past (yeah, I know, my obsession for beeing as reliable as possible ;) ).

The rumor I’ve received said, that the next generation of X-Trans sensor will be made by Toshiba (until now, Fuji’s APS-C sensors are made by Sony). This partnership change should be the reason for the delay of the X-PRO2.

It’s anonymous, so take it with a grain of salt. I share it today, because it could be another element of discussion in addition to what joofei said at the Forum. Anyway, since I’ve shared the Toshiba rumor, I’ll include it now into my big rumor check.

So, time again for wild specualtions !

stay tuned,
Fuji X Forum, Facebook, Google+, RSS-feed and Twitter

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Sony A7000 coming soon: with RGBW + New Backlit sensor for Best in class low light performance! – X-PRO2 specs?

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PREFACE

1) Current APS-C Fuji cameras feature a Sony sensor (with special Fuji X-Trans design).
2) Fuji can use the latest generation of Sony sensors only about half a year after Sony itself implemented it in one of their cameras.
3) Therefore, any Sony A7000 sensor rumor could potentially be interesting also for the X-PRO2
4) No rumor until now says, that Fuji is going to use the Sony A7000 sensor for their X-PRO2

The Rumor

Ok, then let’s talk about the rumor SonyAlphaRumors just shared. According to the rumor of SAR, the Sony A6000 successor will hit the market soon…. very soon, maybe on the first half of September.

And here are the sensor specs:

– Best in class low light performance (backlit sensor and RGBW pixel array)
– internal 4k video recording with full sensor readout in 60fps
– extremly fast autofocus system

There is a Sony press-release of 2012 that explains how the RGBW Coding works.

The built-in “RGBW Coding” function which adds W (White) pixels to the conventional range of RGB (Red-Green-Blue) pixels has realized higher sensitivity, enabling high-quality shooting with low noise even in dark indoor or night settings. While the addition of W (White) pixels improves sensitivity, it has the problem of degrading image quality. However, Sony’s own device technology and signal processing realizes superior sensitivity without hurting image quality.

Also a Fuji patent of 2012 shows a sensor with enlarged green and  white pixels (see here). So Fujifilm at least investigated the possibility to make it. If it will become true soon, we will see.

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CONCLUSION

– If it’s true, that the X-PRO2 will feature the same sensor of the A7000 (just with special X-Trans array)
– If it’s true, that Fuji has to wait about half a year before being able to use that sensor
– If it’s true that the A7000 will be announced early September

then this means that the Fuji X-PRO2 could hit the market around February/March.

stay tuned,
Fuji X Forum, Facebook, Google+, RSS-feed and Twitter

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