Sony Presents New BSI 100MP Medium Format Sensor (for Fujifilm GFX?) to Be Launched in 2018

Share

The news spotted by mirrorlessrumors today got posted on March 31. We can only hope Armdevices didn’t try to fool us by posting it one day earlier to make it sound more credible.

They video shows a new 100MP back illuminated Sony’s medium format. mirrorlessrumors summary of the video:

1) New 100MP 44x33mm Medium format Back Illuminated sensor would be announced in 2018 (for the kind of cameras like the Fuji GFX and X1D)
2) New 150MP 55x41mm Medium format Back Illuminated sensor would be announced in 2018 (for the kind of cameras like the Phase One 100XF).

Share

X-T2 Video with Zhiyun Crane and Blackmagic Video Assist :: X-TransIII (X-T2) Vs. Bayer (A7II) Texture & Detail Comparison (miXed zone 2/2)

Share

Fujifilm X-T2 Videos
USA: BHphoto / AmazonUS / Adorama

Since the launch of the X-T2 last year, we have all learned how good the 4K video on the X-T2 is. Now, I will not bore you again with cold video tests and comparisons. At this point it’s far more interesting to see what creative photographers and videographers can produce with it.

One of those photographers is Kjetil Kevin Madsen. He made a series of videos using a Fujifilm X-T2 with a Zheyun Crane and Blackmagic Video Assist.

He shared his experience and the videos in his blog post: “Shooting video with the Fujifilm X-T2, Zhiyun Crane and Blackmagic Video Assist” at kjetilkvienmadsen

TransIII Vs. Bayer

Fujifilm X-Trans III vs. Bayer (X-T2 with Fujinon 56mm f1.2 APD against the Sony A7II with Zeiss Batis 85mm f1.8) – Texture & Detail Comparison at thephotofundamentalist: “What I have personally concluded is that when a top quality 24MP Full-Frame sensor and the 24 MP APS-C X-Trans III are compared using vaguely comparable lenses, the results at low ISOs are very close indeed when using Adobe Lightroom CC.”

Fujifilm X-T1 WPJA Award

French wedding photographer Bogarte has been awarded by WPJA (wedding photojournalist association) with 2 pictures shot with his X-T1 and XF16mm 1.4. Here are the two pictures that you can view on the wpja website: Picture 1 and Picture 2. Last wedding season, he used 2 X-T1 (16mm and 56mm) and X100s then Sony A7s with 35 2.8
You can have a better view on his work at bogarte.fr

& more

Share

Fuji Guys X-T2/X-Pro2 Firmware Overview :: I’m a Bit Jealous of the GFX :: Cameralabs X-T20 Review in Progress (miXed zone 1/2)

Share

New X-T2 and X-Pro2 Firmware

Fuji Guys – FUJIFILM X-T2 (FW 2.0) and X-Pro2 (FW 3.0) Firmware Overview at Fuji Guys Youtube. All details about the new FW and download links here

Fujifilm GFX / X-T20
USA BHphoto, Adorama, AmazonUS

Fujifilm X-T2, X-Pro2 & More
X-T2: BHphoto / AmazonUS / Adorama

  • Travelling around the world with the X-Pro2. A rundown of the X-Pro2 and lenses at yearofsundays
  • Fujifilm X-T2 vs. Nikon D750: Shooting extremely high dynamic range at Ming Cai youtube
  • The X-Pro2 and the Passenger Terminal at adamnbonn
  • A year in the life – Fuji camera’s for family life at iso800
  • TTL and HSS with Godox for Fujifilm X cameras (beta preview) at J.L. Williams Youtube
  • Light and Movement: Performance Photography with the X-Pro2 at fujilove
  • Interview with X-photographer Martin Hülle “My North” in German at qimago (translation)
Share

GFX Technologies #6 – The New Color Chrome Effect: Both a Goal, and a Beginning :: GFX Vs. Sony A7rII & More

Share

Color Chrome Effect

The 6th episode of the GFX technologies series is now online. This time it’s about the new color chrome effect:

  • The development of Color Chrome Effect is derived from a reversal film: fortia. The film was introduced to the market in 2004 with the catchphrase “Higher contrast and more vivid color than Velvia“
  • no matter what you do in Velvia mode, it will never turn into fortia
  • When expressing colors such as red, orange, yellow, or yellow green in high contrast, high brightness tends to exist. If contrast and brightness both reach their peaks, there is no room for tonality. As a result, the image becomes very flat. But by analyzing the light and information received on the sensor surface, one can detect slight gradation. Color Chrome Effect uses this to create tonality while maintaining high contrast. As a result, an image is achieved without losing its depth.
  • Side effect: processing power is required. Even the X-Processor Pro needs about 1.0 sec. to process the Color Chrome Effect. If you are single shot user, then this is not a problem. But you cannot shoot continuously or set it to AF-C mode.

Read the whole story at fujifilm-x

All GFX Technologies episodes:

GFX Roundup

Mike Leung share at the GFX group here
Sim City 2017 #GFX #GF32_64 @49mm
full size image here on Flickr

100% crop

Share

Nissin Postponed High-Speed Sync. Support for FUJIFILM to Mid-May (Firmware Update only via Nissin Official Service Center)

Share

Press Release 1

Nissin Marketing Limited announces the High Speed Synchronization function (HSS) will be available for existing Nissin flash users in mid-May of 2017 (for Nissin Speedlight Di 700 A, Air 1, i 60 A, i 40 )

We noticed a high-demand from our customers regarding the use of HSS function in Nissin products on Fujifilm cameras. Therefore, we have planned to provide firmware update service to existing Nissin flash owners in enabling the HSS function*.

For more details, please contact the local Nissin products distributor in your region. Their contact information is listed on your Nissin product packaging and/or your guarantee card.

*The firmware update process can be performed in the Nissin official service center only. Customers who are unable to bring the Nissin products to our service point may need to bear the delivery expense, this depends on the sales condition of reseller / distributor in the different regions.

via Nissin

Press Release 2

Notice and apology of postponement of high-speed sync. Support for FUJIFILM

We are informed that the high-speed sync schedule for Nissin Speedlight Di 700 A, Air 1, i 60 A, i 40 Fujifilm will be coming soon, but we will inform you that it will be postponed to mid-May.

The reason for postponement is that it took time to prepare for development of compatible firmware and because there was a significant change in specification during development. We apologize deeply for the inconvenience caused to our customers waiting for correspondence.

I would like to apologize again for the delay of the guidance of this case greatly.

We will strive to be sincerely able to respond as soon as possible.

via Nissin

a question at the Fujirumors facebook page here

Share