So it happens that for all those, who wanted the X-E4, the only option now is to look around at the second hand market, where, as reported by asobinet, the price in some countries can be higher than what the X-E4 did cost brand new. And digitalcameraworld has an article up here, where they explain how they sold their X-E4 for more than what they originally paid for it new.
Now, recently Fujifilm France hinted that there is no market for the X-E line. But if that was the case, I wonder why people are buying it second hand and overpriced, similar to what is happening to the Fujifilm X100V.
Anyway, I strongly hope the X-E line will continue. It’s a great alternative to those who want an X100-alike experience (minus OVF) but with the possibility to change lenses. Although I don’t really change lenses much on my X-E3, where this lens lives glued on it.
I still love using my X-E3, as you can see in my video here, but it starts to show its age, especially now that I also own the X-T5 with a terrific boost in terms of autofocus and features.
I would probably jump on an X-E5 on day one if Fujifilm would ever make one, just to get access to the new autofocus power and more film simulations (Reala included). Better if with 40MP, but I could also live with the Fujifilm X-S20 solution, so the 26MP combined with the new X Processor 5.
So please, dear Fujifilm, don’t axe the X-E line. Give us an X-E5, produce it in decent numbers, and you’ll see you’ll be rewarded for that.
Fujifilm has shared their Fujifilm GFX100 II centric X Lab episodes.
All Japanese. Google struggles to translate. It’s a pain…
A pain you don’t have to go through. It’s enough if I went through it and summed it up for you.
X Lab Episode 40
after using the GFX100S (small and lightweight compared to the original GFX100), the developers knew they wanted also the new flagship GFX100II to be smaller and lighter
usually flagship cameras have an integrated battery grip. Fujifilm wanted to make sure that it does not “lose its dignity” as flagship camera even if it has no integrated battery grip
the original GFX100 being bigger also gave more design freedom
Fujfiilm designed the optional grip in a way that, when attached, it sticks very rigidly to the body (it has a little hook on the border of the grip that snaps into the camera body for solid integration)
main target are professionals
when designing, 3 Fujifilm designer held a design competition to develop and 3D print several concepts
they also interviewed photographers to ask about the various concepts
11 degree tilted top plate
Bishamon-Tex texture with tradition Japanese pattern inspired by Bishamon tortoise shell
people in the factory initially had problems to apply the new Bishamon texture to the camera
coating that does not scratch
larger top screen that displays differently if you are in video or stills. Especially the video display has been significantly revised
X Lab Episode 41
9.44mDot and 1.0x magnification EVF
designed in a way that even if you move the eye away from viewfinder, the image will not get distorted. That’s not mentioned in the specs, but is something engineers have put lots of effort into creating
if for users the EVF is too big, you can make the EVF image smaller in the settings. Might be useful for example for people who wear glasses
initially they designed the GFX100II with fixed EVF to keep it more compact, but they listened to people and realized it was quite loved by photographers to have the tilt EVF option
full size HDMI and Ethernet port
Ethernet port has quite an impact on the internal design of the GFX100II. It would be complicated to implement it on the X-H cameras.
The IBIS Unit had to be redesigned in order to fit in the Ethernet port
they struggled until the end to decide where to put the headphone jack, at the end due to space constraints they decided to put it on the grip side
grip is designed slightly more inwards towards the top
they needed to redesign the tilt mechanism of the screen to make it compatible with the cooling fan
created as a piece of equipment to be used by professionals
refinements on the buttons, the mode dial etc.
better placement of the MCS focus switch (easier to reach and operate with thumb and also with gloves)
X Lab Episode 42
First Fujifilm GFX50S was a mid-range machine and it took long to arrive to that shape (admin note: remember the protruding back)
they decided for medium format sensor (admin note: the true story on how they decided to go medium format instead of full frame can be read here)
medium format cameras up until then were very expensive and for business use
Fujifilm wanted to create a camera that can be used also by the general public
biggest factor was size and weight of GFX50S
Fujifilm wanted to make it as small as a full frame DSLR
the most important thing about designing the GFX50S was how to make it easy to hold in the hands, so they spent a lot of time talking about the grip
they argued also on how wide it should be to assure enough space between grip and a large lens, so that you can still handle it nicely without a large lens getting in the ways of your fingers
so they cut the side of the GFX50S and inserted several thin plates to make it larger and saw how much wider it had to be (see image here)
GFX100 there were a lot of challenges to overcome
First GFX with IBIS (and X-H1 was first X series with IBIS)
integrated battery grip allowed to put batteries on the bottom
once the GFX100 was done, Fujifilm thought they needed a way to make it smaller, and to make the shutter mechanism smaller (admin note: that takes a lot of space in the camera)
they created the GFX100S
smaller motors (see GFX100S shutter vs GFX50R shutter in this image)
smaller shutter allowed it to keep IBIS, a smaller IBIS unit
they also used a smaller and yet powerful battery, the NP-W235
smaller shutter, smaller IBIS and smaller battery made the GFX100S possible
GFX100II is undoubtedly a flagship model
optional battery grip allows for 3 batteries total
Fujifilm wanted to offer a great photographic experience
3 function buttons placed conveniently behind the shutter release button
top LCD has evolved to match the needs of photographers: larger, more pixels, changed shape to match the UI and just overall improved ease of use
X Lab Episode 43
they talk about the design of the grip again across various GFX models
they talk about the amazing resolution starting from the original GFX50S
initially models didn’t like it, because too much resolution, but then Fujifilm added the Skin Smooth Effect
