The Future of GFX: Which Sensor Do You Want for GFX100 Replacement – VOTE NOW

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Fujifilm GFX100 Replacement

Until now it always worked like this in the Fujifilm world: Fuji’s APS-C series cameras get the latest and greatest technology and then the same sensors and processors are used on Fuji’s GFX cameras.

With two differences, of course.

  • the GFX sensor is about 4 times larger than the APS-C sensor
  • the GFX sensor has a Bayer filter array instead of X-Trans

But other than that, the silicon wafer used to make these sensors is exactly the same.

This means that for example the 26MP BSI X-Trans IV sensor is the very same we find on the GFX100/S, just Sony cuts a 4 times larger part out of it for the GFX sensor, hence 102 MP.

That’s great for Fujifilm, as it saves them R&D if they can use the same platforms over several systems and, for example, simplify the transfer of their APS-C firmware into their GFX system by using the same processor and sensor technology.

And what this mean for the rumored Fujifilm GFX100 replacement?

Well, if Fujifilm will continue doing what they always do then I see 3 options.

And I say 3 options, because the Fujifilm X-S20 shows us that Fujifilm is still considering that 26MP BSI sensor part of their lineup and hence to be potentially used in future cameras.

The Best Sensor is…

The three most obvious options at this point are:

  • 102 MP non-stacked BSI sensor (same of X-S20)
  • 102 MP stacked BSI sensor (same of X-H2S)
  • 158 MP non-stacked BSI sensor (same of X-T5)

But of course, there are also other sensors that Sony has available. We reported here about:

  • 162 MP stacked BSI sensor (in GFX format)
  • 123 MP global shutter sensor (in GFX format)

Sure, a 162MP stacked medium format sensor would be extremely expensive. And as far as global shutter goes, it’s not usually Fujifilm who uses breakthrough technology for first. Those sensors come from Sony and my guess is that before we don’t get it on a Sony camera, we also won’t see it on a Fuji camera.

That’s why for now I will not include the latter two options in the survey. But if sources tell me crazy things are going to happen with the GFX100 replacement, then you can bet I will let you know first here on FujiRumors.

The Survey

And now to the survey… and the question could not be easier than this one: which sensor do you want on the Fujifilm GFX100 replacement?

Which sensor would you like on the Fujifilm GFX100 Replacement?

View Results

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Fujifilm FF230002 Registration Found – Expect X-Pro4, X-E5, X-S30, X-T6, X-T40, X-H3, X-H3S, X80, X100VI (X200) and GFX50R Successor Rumors to Magically Appear ;)

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Fujifilm has registered the FF230002, so we now have a total of 2 registrations:

  • FF230001
  • FF230002

One of them will certainly be the Fujifilm GFX100 successor, which we already rumored months ago here.

Now, I can see the “rumors” about the Fujifilm GFX50R successor, the Fujifilm X-Pro4, Fujifilm X-E5, Fujifilm X-T6, Fujifilm X-T40, Fujifilm X80, Fujifilm X-H3, Fujifilm X-H3S, Fujifilm X100VI or X200 and more pop up. But those “rumors” appeared also ahead of the X Summit on May 24, and of course none of it materialized. But I guess misleading readers for traffic and good SEO is a great deal for them.

FujiRumors will let you know what the real deal is… clickbait and misleading free as usual ;).

  • FF230002
  • 5.8GHz/5.1GHz/2.4GHz
  • ≤20ppm
  • 5725-5850MHz 5150-5350MHz 2400-2483.5MHz
  • 2023-06-19

The patent has been found at cmiitid by the Japanese website asobinet.

Fujifilm Facebook Groups

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Mitakon Zhongyi CREATOR 28mm f/5.6 and Creator 135mm f/2.5 for Fujifilm GFX launched

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Chuichi Optics has launched the Mitakon Zhongyi CREATOR 28mm f/5.6 and the Mitakon Zhongyi Creator 135mm f/2.5 G mount lenses.

  • Focal length: 28mm (35mm format equivalent: equivalent to 22mm)
  • Focus: MF
  • Lens configuration: 8 elements in 7 groups (1 ED, 3 ultra-high refractive index, 2 ultra-high transmission)
  • Minimum shooting distance: 0.35m
  • Maximum shooting magnification: 0.11 times
  • Aperture: F5.6-F22
  • Aperture blade: 5 pieces
  • Filter diameter: 37mm
  • External dimensions: φ77 x 38mm (excluding the mount part)
  • Weight: about 157g

Pre-Orders

Other Mitakon lenses for Fujifilm can be found here:

via dc.watch

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How good is FUJIFILM’s Camera-to-Cloud? A CineD Documentary

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CineD tested the Frame.io Camera to Cloud integration on the field.

The video is 17 minutes long but so pleasing to watch, that I strongly invite you to check it out right now.

As for how well it worked, I will only say:

  • in a very busy WiFi environments (the NAB show) with thousands of people connecting to all sorts of different WiFi networks, the connections struggles to be stable
  • in less busy WiFi environments or if you use your cellphone LTE for the upload, it works flawlessly even in remote locations (they tested it in the Las Vegas desert)

Fujifilm manager Victor Ha, also present in this CineD docu-review, said that he tested the C2C Frame.io integration over many months under all sorts of conditions, and that the one of the NAB show was definitely the most challenging by far.

I can imagine that those, who use it as an instant backup during a wedding or for an on-set video production, hence will not have thousands of people getting access to hundreds of WiFi networks simultaneously, will definitely have a much smoother experience.

In fact, the CineD team is overall positive and says it takes away a lot of the “legwork” now that their team in Argentina, Italy and elsewhere can edit videos immediately and this that this Adobe-Fujifilm cooperation gives us a glimpse into the future.

So it’s not perfect for now, but in a less challenging environment than the NAB show, the system seems to work well.

We remind you that the system only works with the Fujifilm X-H2 and Fujifilm X-H2S when used with the FT-XH file transmitter grip.

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