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Fujifilm X-H2 and Fujifilm X-H2S will NOT have In-Camera Active Sensor Cooling System

Ok guys,

just a few hours ago we reported about a patent that showed an in-camera active cooling system (as used by Panasonic GH6, Panasonic S1HCanon EOS R5C and Sony FX3).

Of course this generated a spyral of fake rumors claiming that this is for the Fujifilm X-H2 and Fujifilm X-H2S.

So once again let’s FujiRumors set things right and tell you that neither one of the two Fujifilm X-H2 cameras (one of them to be called Fujifilm X-H2S) will have the in-camera active sensor cooling system described in the patent and available on Panasonic S1H & Co.

So no huge fan bump on the backside of the camera with the grid to let the hot air out.

And you know what? Personally I am happy with it.

Speaking of fakes, a little warning: there is an incredible amount fake rumors about the X-H2, that goes from the one that said the X-H line had been canceled to the one we have debunked today. The only correct rumors I’ve read are the ones copied from FujiRumors without quoting FR ;).

I am aware that all these fakes could lead to confusion. And since nobody likes to deliberately get fooled and confused, I’d like to express my huge thanks to our sources, who make sure we don’t get mislead and that if we talk rumors, then at least reliable ones.

Two more things to look forward:

  • there will be lots more rumors here on FujiRumors
  • Nokishita is still active, just elsewhere. So when I am done with my rumors, I’ll hand over to Nokishita to share press release, full specs, etc

Until then, check out the updated X-H2 rumors below.

Fujifilm X-H2 Rumor Recap

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New Firmware for Fringer EF-GFX, EF-FX and NF-FX Smart AF Adapters Released

Fringer has released firmware updates for several of their Fringer AF adapters.

Down below you can find the full details and download links.

Fringer adapters can be ordered at B&H Photo, AmazonUS and Adorama.

Fringer Adapter Firmware

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Top 10 Fujifilm X Camera Flops and 10 Errors Fujifilm Should Avoid in Future

Top of the Flops

We did talk about the top 10 most important cameras of Fujifilm in the last 10 years.

But not all was successful that Fujifilm did.

So why did some cameras fail?  Bad timing? Bad specs? Too strong competition? Killed by Kaizen? Complicated usability?

Let’s look into it today, because knowing the errors of the past, will help to avoid to make the same errors in future.

Let’s start!

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Top 10 Most Important Fujifilm Digital Cameras of All Time

How can I start this article.

Maybe like this.

I was solo hiking through Eastern Europe. In my bag, a tent, food, water, a few clothes. And my DSLR gear.

One morning I woke up very early at the top of the Popluks mountain in Albania, left my tent and enjoyed the sunrise all alone on the mountain peak. It should have been my last day on one of the best kept secrets in Europe, the Albanian Alps. Next stop: a 12 hours long hike all the way to Montenegro through lonely mountains and valleys of rare beatuy.

And I tell you this: when I arrived at my destination, the town of Gusinje in Montenegro, I was exhausted and I promised myself: I need to travel lighter. I need lighter gear.

So I went mirrorless.

Panasonic, Olympus, Sony, you name it, I tried them all. But it became soon clear to me that I was not only looking for lighter gear, but also for gear that I had fun to use.

And exactly in that moment of my photographic journey, 11+ years ago, Fujifilm launched the Fujifilm X series. Then, 10 years ago, the Fujifilm X-Pro1 was announced, introducing the X mount in the photography world.

And that was it. That was exactly what I was looking for.

The rest is history. I fell in love. I needed to share this love. I started FujiRumors.

So I wondered, how can we sum up this long Fujifilm X journey (which is basically just as long as my personal journey with Fujifilm) best?

Well, since Fujifilm is celebrating 10 years of X mount this year, I thought I could make a list of what I consider the top 10 cameras of this Fuji-decade. But, shall it be allowed to me, I will start with the X100, which is technically older than 10 years. But I think you’ll agree it makes sense to add to this list.

Attention: we are not (only) talking about the most successful cameras, but also about what I consider the most important ones, beyond the success they had (or not).

  1. Fujifilm X100 – the original
    That’s the camera that started it all. And it gave us a clear indication on which way Fujifilm would go: great looking cameras with manual controls and overall vintage feel.
  2. Fujifilm X-Pro1
    This was Fujifilm’s first mirrorless camera with interchangeable lenses. Iconic. Beautiful. The start of X-mount.
  3. Fujifilm X-T1
    If you ask me, my heart, I’d say X-E1 (as I love the X-E series). But that line was never a huge seller. The real first big success for the Fujifilm X mount was the Fujifilm X-T1. It was the first camera that was able to go a bit more mainstream compared to X-Pro1 and X-E1.
  4. Fujifilm X-T10
    The X-T10 was a huge hit and helped Fujifilm to break through mid-range market in a way the X-E line could not. A very successful series for Fujifilm, started by X-T10.
  5. Fujifilm X-H1
    True, it was not a big success, but it set the base for a platform that will earn lots of success in future. That’s why I put it on the list. Guys, just wait to see what a beast the Fujifilm X-H2 will be, and then you’ll agree with me. Be patient, May isn’t that far anymore.
  6. Fujifilm X-T3
    A mega success for Fujifilm that not even the release of the Fujifilm X-T4 could stop. According to my knowledge, Fujifilm’s all time best seller.
  7. Fujifilm X100V
    Announced 8 years after the original X100, it was a terrific success for Fujifilm and it brings a much needed redesign of the lens as well as an “invisible” tilt screen. It’s my biggest GAS temptation along with these 2 more Fujifilm items. And please, don’t trigger my GAS further in the comments. I have a marriage to take care of ;)
  8. Fujifilm GFX50S
    Enter medium format: Fujifilm’s first digital medium format camera with a sensor about 70% fuller than full frame. Now that we arrived at the Fujifilm GFX100S, which is even smaller than some full frame mirrorless cameras out there, we can say that the GFX50S (hence skipping full frame) was an incredibly smart move by Fujifilm.
  9. Fujifilm GFX100S
    It has to be on the list, as it is such a terrific success for Fujifilm. Not even in their best dreams they’d have hoped for as many sales as the GFX100S generated. The only problem: Fujifilm has a hard time producing as many cameras as the market requests, yes, even now, 1 year after its announcement. And please, stop to say nonsense like “it should not have had IBIS” or stuff like that. This nonsense often comes from the same people praising OIS. So aren’t both, OIS and IBIS, serving the very same purpose. And more importantly, can’t you simply turn off both if you don’t like them?
  10. Fujifilm X-Pro3
    Arguably the most controversial on the list, as this camera is designed for the niche and therefore was never planed to make massive sales. But here is the thing: while Fujifilm has indeed released the X-S10 and GFX100S with more “mainstream” oriented ergonomics, the Fujifilm X-Pro3 shows that Fujifilm cares also about niche and does not run only after the mainstream. They still want to offer all sorts of different photographic experiences by changing the ergonomics among various camera lines. So don’t panic guys, Fujifilm ain’t dropping retro at all. Whoever creates panic about this, is just out for clickbait. The X-Pro3 is Fuji’s statement for their continuing commitment to retro and vintage controls.

So that’s my list. Feel free to change and modify it as you want in the comments.

  • Must Read for X100 Lovers – “Don’t Touch that Camera!” the Story About the Inspiration Behind the Fujifilm X100 Series Design

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Fujifilm GFX100S vs Canon R6: Is Medium Format Worth It? This Guy Says “No” (and My Thoughts)

Alex Barrera wonders: is medium format worth it?

In an attempt to figure out the answer, he shared a blind test using the following gear:

In the blind test, all images marked with “A” belong to one camera and all images marked with “B” belong to the other camera.

I did my the test myself, and honestly, right at the very first image comparison (see image below) I thought “oh please let “A” be the the Fujifilm GFX100S“. And lucky me, camera “A” is indeed the Fujifilm GFX100S.

Megapixel had not much to do with my preference. It’s a compressed youtube video, how could that matter. Megapixel matter more when you work with the files in post, or when you print.

My preference had more to do with the output of the Fujinon GF80mmF1.7 lens itself, which is very similar in terms of shallow depth of field to the RF 50mm f/1.2 L, but the bokeh looked just more pleasing in my eyes. Then there are other subjective elements like the colors (Provia in this case) and so forth. Overall, I mostly picked A (GFX100S).

But what about Alex? Is medium format worth it?

No, it’s not worth it, and here is why:

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IMPORTANT UPDATE Regarding Fujifilm X-H2 Teaser: Fujifilm Africa is Not an Official Fujifilm Account

A few days ago we reported how Fujifilm Africa shared on their Instagram page that the Fujifilm X-H2 is coming soon.

What a teaser, right?

Well, I have investigated and I can now say that the fujifilm_africa instagram account is not an official Fujifilm account. Yes, Kevin Mullins and other X photographers follow it, and I thought it is official. But is is not. And yet, if you like Africa and Fujifilm, you can always give it a follow.

Anyway, this is not an official teaser by Fujifilm. I feel I needed to make this clarification in order to be 100% accurate with you guys.

And look, right now when I am typing these words to inform you all, I checked again the account and I see they added “fan page” to their Instagram description, meaning it is run by a fellow Fujifilm lover who probably reads our rumors and looks forward to the Fujifilm X-H2 just as much as we do.

So the story is:

Fujifilm managers never teased anything regarding the Fujifilm X-H2.

Oh well, except for saying that…

Hm, it actually looks like Fujifilm said a lot already!

Fujifilm X-H2 Rumor Recap

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Top 10 Gear to Look Forward in 2022 and Your Top Wishes for 2022 (Anything Goes – Almost)

Coming 2022 (For Sure)

So what can we look forward to in 2022?

Well, here are the 10 things we can be sure to enjoy this year (even if some of them are “just” rumors until now).

  1. Fujifilm X-H2
  2. Fujifilm X-H2 – no joke, twice
  3. Fujinon XF150-600
  4. XF 56mm f/1.2 MKII
  5. XF 18-120mm
  6. Viltrox 13mm f/1.4 AF X Mount
  7. GF 20-35mm – possible aperture range shared here
  8. Sigma X mount lenses
  9. More AF X mount lenses from Tamron
  10. TTArtisan 32mmF2.8 X autofocus mount lens

Your Fujifilm Wishes for 2022

Ok, I can hear your questions:

Well, some of those questions I think Fujifilm managers quite categorically already answered in the past, such as the monochrome questions and full frame question. But hey, managers also categorically said that X mount is not compatible with IBIS, and look, at the end we got IBIS, and it is even one of the best in the industry.

I am also working on some other of those questions, and I already have first answers that I won’t share just yet as I want to have it not only twice, but multiple confirmed. I can’t go wrong when I share certain things ;).

But we will talk about all that soon enough.

What I would like from you now, is that you share your top wishes for 2022 in the comments. Anything goes, as long as it has something realistic to it. So for example, wishing for an X-E5 when we just got an X-E4 is not very realistic. Also a big and heavy Fujinon XF600mmF2 probably won’t make much sense, unless you would pay any amount for it and train a lot to be able to carry it around.

Other than that, from cameras to firmware or lenses… whatever your heart desires and wishes, feel free to share it in the comments down below.

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2021 Rumor Check: What’s Right, What’s Wrong and What’s Still to Come in 2022 (with Reliability Ranking)

In 2022 we will have for sure a very wild ride here on FujiRumors.

But before we jump on the 2022 rumor-rollercoaster, let’s look back at how things went in 2021.

And I tell you this: I will be BRUTAL to myself, because out of the 5 wrong rumors, I personally consider only 1 really wrong. Why? Well, read my notes at the bottom of the article and I think you’ll agree with me.

Note: if you wonder where the “Sigma X mount lenses coming in 2021” rumor is, well, that was a rumor we shared back in 2020, hence it is not in this list. The rumor however has been sort of confirmed a few months later by Sigma itself, who literally wrote on their social media “we may see some X mount Sigma lenses in 2021“. And after tons of teasers, even the Sigma CEO himself confirmed X mount glass is coming. Sure, I consider this a wrong rumor shared in 2020, but it is clear to me that once again it’s the parts shortage that forced Sigma to adjust their schedule.

With that out of the way, here is the 2021 rumor check:

  • 83 rumors shared in 2021
  • 13 rumors still to be verified (all rumors with high reliability)
  • 65 correct rumors out of 70 verifiable rumors
  • 5 wrong rumors out of 70 verifiable rumors
  • 92,8% correct rumors

Rumor Overview with Rating (about Gear coming in 2022)

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Top 3 Fujifilm Gear I’d Love to Buy in 2022

I think I can say that in 2021 I’ve done a decent part in supporting Fujifilm with my hard earned money, as here is the Fujifilm gear I’ve purchased:

For as much as Fujifilm made medium format accessible to the masses, buying into the 100 Megapixel GFX system still requires a significant investment. It’s worth every penny, but it’s not cheap.

So in 2022 I will try to contain my GAS as much as possible and be cautious with my purchases (do I hear you guys laughing?? ;) )

And yet, there is some gear I’d love to buy in 2022. And I mean gear that is either already announced, available or at least on the Fujifilm roadmap for 2022. So this is not about rumored gear.

  1. Fujinon GF 50mm f/3.5
    One of the main declared goals by Fujifilm is to make the GFX system smaller. A huge step in this direction was made with the Fujifilm GFX100S, which is already smaller than some full frame mirrorless cameras out there (see the Panasonic S1R) and about as big as the Canon R5. Sure, the GFX lenses are usually bigger, just as Full Frame lenses are usually bigger than APS-C lenses. Well, the Fujinon GF50mmF3.5 serves exactly the purpose to make the system smaller and mounted on my GFX100S, it could give me a very nice combo that I would probably end up carrying with me more often also for casual family stuff. And hey, I need 2 more GFX lenses to reach the average GFX shooters’ lens attachment rate* ;)
  2. Fujifilm X100V
    I mean, just look at it. It’s of a beauty matched maybe only by some Leica cameras. The only problem here is that I own the Fujifilm X-E3 with XF27mmF2.8 R WR, so the Fujifilm X100V would become a bit redundant in my lineup. And yet, it would not only be about its beauty. It also has the pull-up ISO dial from the X-Pro line that I totally love. Combined with WCL-100 II and TCL-100 II it would give me a compact and versatile leaf shutter mini-system. And just like the X-E4 it has that “invisible” tilt LCD screen that I could make good use of every now and then.
  3. Fujinon XF 70-300mm f/4-5.6
    You might know how much Iove my XF18-135mmF3.5-5.6, especially when mounted on my X-T4 (you can see the combo here on the Dolomites). But in 2022 I’d love to get a bit more into a photographic territory I haven’t explored much yet, wildlife photography. That’s why a bit more reach could come in handy then the one the 18-135 can offer me. There are some options here: from the XF200mmF2 to the XF100-400 to the XF150-600mm that is on the roadmap. And why not, also the Tamron 18-300mm f/3.5-6.3 could be a nice option. But taking into account prize and size, I think the  XF70-300mm f/4-5.6 could be a reasonable choice to start with. And for even more reach I could couple it with the XF 1.4x TC WR Teleconverter.

Bonus

Related Article

The Gear

*From the Interview “Fujifilm Manager: GFX Triumph and Full Frame Attack Strategy, Shrinking IBIS, AI Future, Fuji X-H2 Needs Breakthrough, COVID and More

  • 70-80% of GFX customers were coming from non-Fuji cameras. Most probably from full frame DSLR cameras
  • GFX sells 50% better than Fujifilm predicted
  • GFX lens attachment rate: about 3 lenses per 1 GFX camera
  • Fujifilm X system has a lower lens attachment rate than GFX system
  • read more in this article

Fringer EF-GFX Pro Smart AF Adapter Firmware 1.10 Released

Firmware v1.10 is released for Fringer EF-GFX Pro (FR-EFTG1). Updating your adapter is highly suggested.

Main improvements include:

2021/12/16

Version 1.10

  1. Added following lenses to the tested and optimized lens list:
  2. Issue fixed: Lens names recorded in EXIF for the following lenses are not accurate.
  3. Bug fixed for EF85/1.4L IS: In some circumstances AF search may be very slow.
  4. Software switch functions added. When connected to a computer through a USB cable, there is a file named SETTINGS.INI in the root folder of the adapter. It’s in format of ordinary INI files. Don’t modify it unless you know how to do that. If you want to restore it to default, just remove it. The adapter will re-generate it when the next time it works on a camera body.
  5. Focus bracketing support added. By default, it isn’t turned on. To turn it on, edit SETTINGS.INI and change the value of “FocusBracketing=” from 0 to 1.

Be noted:

  • When setting focus range and begin position, don’t manually turn focus ring! Always use AF to drive focus point to the position you want. Or the focus bracketing function may not work properly.
  • When “FocusBracketing=” is set to 1 in the SETTINGS.INI, the adapter is set to native mode and some functions of the camera may change, such as the 35mm auto mode will not crop automatically, IBIS may not work properly any more, etc.
  1.  User option for power-off behavior added. On one hand, some lenses with external focus design such as some STM lenses may not be convenient to be stored in a bag when its AF isn’t on infinity. Moving AF to infinity automatically when powering off (or switching to playback mode) is preferred. On the other, some of them, e.g. EF85/1.2L II, may have very heavy front elements so that the experience of moving it to/from infinity every time switching the camera to/from playback mode is really bad. Thus, it’s better to let the user decide. We have added an option item named “PowerOffInfinity” to SETTINGS.INI. Default value (0): only some STM lenses, EF50/1.4, Sigma 70/2.8 ART, etc. will be moved to infinity when powering off/switching to playback mode. Value 1: all lenses will be moved to infinity.

Please download the firmware file and its release notes from the Fringer website here. Follow the instructions in the release notes or users manual to update your adapter. To understand the new features better, you may also refer to the new version of users manual.

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