Don’t be XF Obsessed: Let’s Look Beyond Fujinon Glass

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Third party lenses are fantastic!

I have manual focus X and G mount lenses and one day I’ll also get some third party AF lenses (especially this upcoming one sounds sweet to me).

But truth be spoken: I almost exclusively use XF/GF lenses, so much so that one could call me almost an “XF obsessed” or “Fujinon purist” if you want.

And there is one main reason for me using almost exclusively Fujinon lenses.

What I am most addicted to on my Fujifilm systems are:

  • retro look/controls (love aperture ring on the lens and dials on the camera)
  • Fujifilm colors (the film simulations)

And while I own some wonderfully vintage looking third party glass, what is really hard to emulate and to perfectly match for third party lenses, is the color rendition of my Fujinon lenses!

And as a film simulation lover myself, this is a big deal!

In practical terms this means that for example an image taken in Velvia on my Samyang 12mmF2 just does not look like the Velvia I am used to get with my Fujinon lenses.

But don’t get me wrong.

I like Samyang and shot some of my most loved images with it. And I can always tweak the colors in post to get closer to the look I want.

But in my experience XF/GF lenses are just incredibly consistent in terms of colors and I know they will deliver the best results in terms “film simulation rendering” over any third party lens (this also helps my editing workflow).

With that said, I am also convinced that third party lenses massively enrich the Fujifilm X and GFX system.

And I’d dare to say that third party glass is even vital and essential for the Fujifilm system.

Third party lenses can be much more affordable, offer interesting focal range not covered by Fujifilm glass (like this lens), have different design choices that some might prefer (like clickless aperture ring) and have their own lens character that might appeal to some (like the lovely sunstars of this lens).

And because I am convinced about how important third party lenses are for the Fujifilm X/GFX system, I am going to do two things now:

  1. next week I am going to take picture only using my third party X and G mount glass
  2. I will share this roundup dedicated only to third party lenses

So let’s rock it now :)

Third Party Lens Roundup

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ON1 Photo RAW 2023 Coming October 10 – Most Significant Upgrade Ever!

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The new ON1 Photo RAW 2023 will be officially released on October 10th. This is the most significant upgrade to ON1 Photo RAW ever!

For price, full features and demos check out this page (with the image they show being from the Dolomits in Italy, South Tyrol… which is my home).

New technologies in Photo RAW 2023 will change how people edit their photos. There are so many time-saving tools in this release! No more tedious methods of masking, layering, brushing, or adjusting when working on specific areas of photos.

The introduction of AI-powered semantic masking to the ON1 Photo RAW workflow will change your approach to editing photos. New tools like Super Select AI, Mask AI, and AI Adaptive Presets will save you an enormous amount of time and put the joy back into editing your photos. Using AI models removes many of the difficulties of traditional editing without taking away the creative flexibility photographers want. These new tools will enhance the creative eye we all have, and it’s going to be so much fun to edit photos and achieve the results you envision in a fraction of the time it used to take. I couldn’t be more excited about getting this version into your hands,” says Craig Keudell, ON1 President.

Here are the key features in version 2023:

  • Super Select AI Tool
  • Mask AI
  • AI-Powered Adaptive Presets
  • Quick Mask AI
  • Tack Sharp AI
  • Keyword AI
  • Content-Aware Crop
  • Full-Screen Preview of Presets
  • Enhanced Sky Swap AI
  • Auto Color Fringe Reduction
  • New Cameras and Lenses

You can pre-order ON1 Photo RAW 2023 here.

Video Demos

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LEAKED Internal Fujifilm Document Shows Name of New new Camera Remote “X-App”

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I have received an internal and confidential document about the Fujifilm X-H2 and X-H2S.

It shows a list of specs that are known to us, but towards the bottom you can read “new remote X-App”.

This confirms our previous rumor about the fact that new camera remote App would be called X-App (at least that’s Fuji’s plan at this point in time).

I explained already why the fact that it will get an all-new name is also an indication that it is a totally re-written App.

When will it come?

I don’t know. Certainly the fact that it is circulating in internal documents means that Fujifilm is at an advanced stage regarding its development.

My hope is that they will at least announce it during the Fujifilm X-T5 launch very soon. But that’s not a rumor at all, just a mere speculation. And my speculations are just as valid as any of yours. Only when sources tell me something we will have something more solid.

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Iridient Developer 3.8 and X-Transformer 2.6 Updates Released with Fujifilm X-H2 Support and More

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Iridient Developer 3.8 and X-Transformer 2.6 updates have been released with RAW support for the new Fujifilm X-H2. These updates also include updated Iridient camera profiles for the X-H2S/X-H2 and the latest default color/white balance calibration metadata from Adobe’s latest DNG Converter 14.5 release.

Fujifilm X-H2 pixel shift multi-shot mode merging is not yet supported by either application. These RAF images can be opened individually, but they will not be combined into a extra high resolution image.

X-Transformer 2.6 for macOS 10.10-13 and Windows 7-11 can be downloaded here.

Iridient Developer 3.8 for macOS 10.10-13 can be downloaded here.

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