Fujifilm X-E4 Leaked: Images, Price and Press Release

And finally, after the leaked images of the Fujifilm GFX100S including a size comparison with full frame cameras, and after the leaked images of the GF80mmF1.7, XF70-300mmF4-5.6 and XF27mmF2.8MKII, we finally have also the images of the upcoming Fujifilm X-E4 thanks to nokishita.

We also have the press release and the full specs below.

X-E4 will cost $849 and $1049 if bundled with the XF27mm2.8MKII

All the goodness will drop on January 27 at 8AM New York time.

Press Release, Specs and Images

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What We Expect to See from Fujifilm in 2021… and What Not!

What we Expect from Fujifilm

I thought I make a quick list of cameras and lenses that we could see in 2021, and what we surely will not get in 2021.

ATTENTION: It’s a mix of rumors, speculations and hopes. So read carefully to distinguish one from another.

2021 will be full of rumors, so make sure to follow FujiRumors on Facebook, Facebook, RSS-feed, Twitter, Youtube and Instagram.

X/GFX Cameras 2021

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There is a Sensor, 70% FULLER than FULL FRAME and Here is Where it SHINES!

Promised!

There will be rumors, I tell you that!

We’ll talk about gear & specs. We will get mad at some, we will love others. But in any case, we are going to have fun.

And yet, that’s not how I’d like to start 2021 here on FujiRumors.

Nope, I’d like to start with an image roundup, because what I love most on my Fujifilm system, is not all the cameras and lenses that I have in my bag, but the images I was able to print big and put on my wall thanks to it.

And little it matters which gear you use, as long as it is fun to you.

May it be APS-C, full frame, or that sensor, that is actually 70% “fuller” or “bigger” than full frame and you find inside Fujifilm GFX cameras.

Every system has its strenghts, and the one of the Fujifilm GFX system is definitely portraits and landscape.

And that’s what we want to focus on today: the Fujifilm GFX.

You know, a new and amazing Fujifilm GFX100S is coming soon, so I thought we can give you guys a taste of its power, by sharing images fellow Fujifilm GFX shooters shared at our fantastic Fujifilm GFX group.

I hope you’ll enjoy the images as much as I did, and I wish you a fantastic weekend.

Fujifilm GFX Image Rounudp

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Nitecore FX3 Dual Battery Fast Charger for Fujifilm X-T4

As the Fujifilm X-T4 comes without a charger, the first investment I did along with my X-T4, was to get the Fujifilm BC-W235 Dual Battery Charger.

Since a few weeks now, also Nitecore offers it’s own dual charger for Fujifilm X-T4 batteries, the Nitecore FX3 dual battery charger for Fujifilm X-T4. It costs you about half the price of the original charger.

As of now you can get it in various combinations:

The Nitecore FX1 dual charger for NP-W262S batteries was one of the top 5 sellers on FujiRumors in 2018.

It will soon be available also at other stores:

But as said, it’s not the only option out there. There is for example:

Fujifilm 2021: Is This Really All? Or How Much New Gear We Could Get in 2021 Looking at Fujifilm’s Past Camera & Lens Releases

Fujifilm 2021 – Is This Really All?

Every week I get many emails from fellow FR-readers, asking me if this is really all.

They look at the current X mount roadmap and the latest G mount roadmap, and they see only 3 lenses in total. That’s meager.

Then they look at our rumors, see that we rumored only two cameras, the Fujifilm GFX100S and the Fujifilm X-E4 and wonder if that’s all for 2021.

I diligently reply to all of them, but it has become quite time consuming. So let me address this question one final time here on FujiRumors, so that in future I can just copy and paste the link to this article and send it to those, who inevitably will make me the same question again.

How Many Cameras Could we Get?

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Photokina GAME OVER: Suspended “Until further Notice”

The Photokina team just announced that photokina has been “suspended until further notice”.

Originally, due to the Coronavirus outbreak, Photokina 2020 had been canceled and postponed to May 2022. But apparently there won’t be any photokina in 2022, and probably never again at this point.

I have been to photokina a few times (2016 report here – 2018 report here) and I always hugely enjoyed it. It’s sad to see this show ending. But to me, the error was made when they dropped their 2 years cycle and decided to take place every year in May. It was the wrong answer to a real problem.

Topaz

What is not yet suspended, but won’t last very long, is the following deal:

TOPAZ has just launched a one-time-only mega bundle deal which allows you to save 60%+ on all Topaz Products.

You’ll get DeNoise AI, Gigapixel AI, Sharpen AI, JPEG to RAW AI, Mask AI, Adjust AI, Topaz Studio 2, and Video Enhance AI for just $299 instead of $1,000.

If you are not into video, you can remove Video Enhance AI from the bundle and hence get it all for just $199!

And if you already own at least one if not more Topaz products already, you’ll only pay for what you don’t own – meaning you still get to take advantage of some serious savings and Topaz will extract what you already own.

Check out the Topaz Bundle deal here.

Press Release

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The Power of Fujifilm Colors: Why I LOVE Fuji Colors and See Them in Action at Our Film Simulations Group

I don’t know you, but when I look at an image, the first thing I notice is not how sharp it is at 400% magnification or how grainy it is at 12800 ISO.

Nope!

What first grabs my attention are subject/composition and colors. Those are the main “WOW” factors for me.

And while for the first one (subject/composition) no Fujifilm camera can help you and it’s totally up to the photographer to compose a pleasing image, when it comes to colors, Fujifilm cameras can be quite a good support for us photographers, and certainly they are for me.

Since I switched to Fujifilm (after a long journey searching for “my” system), I have quite radically changed (and speed-up) my editing-workflow thanks to Fuji’s film simulations.

I still shoot RAW+JPEG, I still adjust exposure, add sharpening here and there and make some other tweaks. But the more film simulations Fujifilm was releasing over the years, the less I found myself in the need to laboriously edit the color part of my images in order to set the right mood.

Not to talk of all those times, when the JPEG is just right out of the box, and I don’t adjust anything at all.

So yes, for me, Fujifilm film simulation make a whole lot of difference and are one of the main reasons why I love Fujifilm.

In order to celebrate Fujifilm colors, I recently launched the Fujifilm Film Simulation group, which has reached 10+K members in a very short time.

In this group, images can be edited in all their parts (sharpening, shadow/highlight recovery etc), except for colors. The colors must come purely out of your Fujifilm camera (or be applied in post in Capture One / Lightroom).

It is also allowed to share images that use custom presets, which means take a film simulation and fine tune its settings in-camera (increase contrast, add grain etc), creating your own receipts to store as custom profile inside your Fujifilm camera. Those are very fun to try out!

Now, since I am in total lockdown again (see me here chilling with my dog and cat at home), I have a bit more time this weekend and I decided to use it to go though the images at our Fujifilm Film Simulation group and pick out some of the most liked shots for you.

You’ll see images taken with all kind of film simulations, but you’ll notice that Classic Chrome and Classic Negative turn out to be the most shared and liked ones (or receipts derived from those film simulations).

But also ACROS, Velvia, Provia and one of my favorites, Astia, are also present down below.

Feel free to check out the images below and to join the group if you want.

NOTE: if you join the group and share images, do not forget to tell us which film simulation you used in the description of the image.

I wish you a fantastic weekend,
Patrick

Film Simulation Images Roundup

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New Fujifilm Camera Registered and Coming October 16

Nokishita spotted the registration of a new Fujifilm camera, the FF200001.

Fujifilm’s digital camera “FF200001” has passed FCC certification. Equipped with Wi-Fi (802.11b/g/n) and Bluetooth (same RF module as X-Pro3 model number [WM-BN-BM-26 _A_ FF3 ]) .

he designated date for public disclosure of the certified material is October 16, 2020.

This is a list of model numbers of Fujifilm wireless parts, which is not very helpful

WM-BN-BM-26_A: X-E3
WM-BN-BM-26 _A_ FF2: X-H1/GFX50R
WM-BN-BM-26 _A_ FF3: X-Pro3/X-T3/X-T30
WM-BN-BM-26 _A_ FF4: X100V
WM-BN-BM-26 _A_ FF5: X-T4
WM-BAC-BM-25: GFX100
TYPE1FJ: X-A7/X-T200

It’s obviously not the Fujifilm X-Pro4, that I can say for sure! :)

If you want to know what it is, we invite you to stay tuned on FujiRumors.

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via nokishita

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DPRTV Fujinon GF30mm f/3.5 Review: “Impressively Sharp, Who Needs a Wildlife Lens Anymore ;). Totally Recommended, Except for One Thing…”

DPReview TV has now published their Fujinon GF30mm f/3.5 hands on review, which was filmed with a GF30mm F/3.5 mounted on a Fujifilm GFX100.

The lens is another winner, and can easily keep up with the 100 megapixel of the Fujinon GFX100.

At some point of the video, he took a video of the forest, with a deer far away in the distance, and then cropped in and says “who needs a wildlife lens anymore“. Of course he said it as a joke, and the GF30mmF3.5 can’t replace a proper wildlife lens, but it was also a statement made to underline that with the combination GFX100 and GF30mmF3.5 you are in photographic crop-heaven.

The biggest problem with the GF30mmF3.5? Well, there is the GF32-64mmF4 (compare both lenses specs & price here).

You can find the video above and summary of the video down below:

  • 24mm full frame equivalent
  • is surprises how compact it is: just over 500g
  • 58mm filter thread
  • very chunky aperture ring and two-step phase between aperture ring and focus ring means you are not going to confuse where your fingers are
  • a very nice tactile experience
  • basically no real chromatic aberration and longitudinal chromatic aberration
  • about 32 cm minimum focus distance, hence you can get fairly close to objects and with that 3.5 aperture get nice and soft background
  • flare is pretty average, lots of ghosting. Sometimes you see rainbow pattern, but that’s not the lens, it’s reflection coming from the sensor, which you can see on a lot of modern cameras
  • autofocus speed is fine, it is not super fast, but on medium format you don’t need ultra fast focussing lenses
  • bokeh is not Chris’ favorite, not the greatest out there, a little bit busy around the edges, and gets more busy if you stop down the lens, but that’s not the end of the world on a wide angle lens
  • it’s a very sharp lens, especially wide open Chris was quite impressed. Very impressive at f/3.5 from center to corner, and corners sharpen up more really nicely if you stop down
  • he took a shot of a deer from far away and cropped in and said “who needs a wildlife lens” (of course joking, but to underline how sharp this lens really is)
  • like the other GF lenses, also this one is optically excellent lens
  • it’s capable of supporting the 100 megapixel resolution of the GFX100
  • nice compact lens, balance nice on GFX50R
  • as for video, the GFX100 got a recent firmware update that supports ProRes Video
  • in video, the lens has very little breathing
  • the entire episode was shot on the GF30mm f3.5
  • compact, fairly wide aperture lens for your GFX system, Chris would totally recommend it, except for one thing: there is also the excellent GF32-64mmF4
  • the GF30mmF3.5 is a little bit better optically compared to the the GF32-64, but the IQ of the 32-64 is great, too
  • but if you like primes, or if you maybe have already the GF45-100mmF4, this could be your lens

The Fujinon GF30mm f/3.5 is now in stock.

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Astrophotography with Fujifilm: Get Stellar Results with Fujifilm APS-C and Medium Format Cameras

I have received an email from a fellow member of our Fujifilm Astrophography facebook group, which said:

I was thinking you could perhaps share some of the pics taken on the FB group “Astrophotography with Fujifilm” that you manage. Lots of awesome pictures there! We often hear you need an expensive full frame camera or big telescope, but that’s just wrong, as this group suggests.

That would be great to attract more Fuji shooters to this group, it’s a very nice community where we help each other and learn from our experiences.

Astro can be daunting for the newbie, but it shouldn’t. Also, there aren’t a lot of Fuji shooters in the astro community, so I’m sure it could spread the virus — the good one!

Oh well, here it is.

Have fun and may this post inspire you to try your luck with the stars, too :).

Images Roundup

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