NOTE :: HOW TO SEE THE IMAGES
To see, add and vote images click on “Photos” and then “See All“
↓ Once clicked “See all”, you will see all the images ↓
Here are the most liked images of the Fujirumors facebook page… and keep it up, share and vote your absolute favorite X or G shot… and here is how to do it:
1) SHARE & DESCRIBE: go to the Fujirumors facebook timeline and submit your favorite X-shot (and a short description) in the timeline by selecting “Photo/Video” .
2) VOTE & COMMENT: All the images will be displayed at the Fujirumors facebook photo page (click “See All”). You can vote, share & comment the images there.
NOTE: The next selection will start from those images shared starting from May 16!
This brief article is to share my Fuji X-T2 settings for wedding photography and I hope you’ll find it useful.
I switched from Canon to Fuji for my wedding work because I was looking for a lighter, more portable alternative to my DSLR’s that wouldn’t wear me and my back out during the marathons that have become wedding shoots. Weight was becoming a serious issue for me with my Canons and thankfully this last generation Fuji APS-C X-Trans sensor seems to perform well enough in terms of resolution, noise (lack of), latitude and high ISO capabilities to output excellent results in a light and compact package: small sensor means small lenses and all that comes with it. Also, with this last iteration Fuji X cameras have gotten a lot better in terms of controls (exposure compensation dial and focus point selection joystick above all), features (double memory slot) and software and have become great tools suitable for professional use during weddings.
What happened then is, I switched for the size and weight and got hooked by the shooting experience. These Fujis are really fun to use and – once you get used to them – they are also practical and quite functional. These cameras are very versatile and offer a lot room for customization. Depending on your style of shooting and type of photography, there’s a lot to work on as far as setting up the cameras to get them to perform in a way that is suitable to you, your work flow and the results you’re after.
German Fujifilm GFX 50S Review at Computer Bild TV Youtube. Absolut Top IQ. Even High ISO is extremely good until 12,800. AF is precise and quite fast. Actually quite affordable for Medium Format. Best compromise between price/performance.
Olivier Glod shared here
I simply love how the GFX renders the midtones :-D / GFX + GF63 @ f/2.8
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Idea Pix shared here
My first test shooting and Siberian spring!
Russia / Buryatia / East Sayan Mountains
Fuji GFX + Helios44-4, Sigma ART 50, TS-E45, 35/1.4 L II
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Alvah Reida shared here
So here’s the first test with a human subject. A quick shoot this evening using the Nikon 58mm 1.4G on the Fuji GFX almost the whole time and I think I shot a few with the LensBaby Edge 80 lens but I don’t think any of these samples were with the Edge 80.
As many of us, also Pete loves the Fujifilm film simulations. And as some of us, also he likes it to fine tune the in camera film simulations settings to taste.
But as an avid reader of photography books and inspired by the work of great photographers of the past and present, Pete tried to adjust the film simulation settings in a way that they resemble the main characteristics of their images.
So Classic Chrome becomes “Chrome Eggleston“, Provia becomes “Provia Sternfeld“, Acros becomes “Acros Ellen Mark” or “Acros Moriyama” (depending on the settings) and so forth.
Pete writes:
“It may seem a little arrogant, invoking these names. Honestly, I don’t think I’m anywhere near their level.
But what it does provide is an idea as to what to shoot for. For example, it’s a rainy summer’s Saturday night in the city. I’m working a project on nightlife on the streets. I reckon Daido Moriyama has the right idea – inky blacks and clipped highlights. And I stick with that look, for the duration of the project.
These custom titles are little messages to myself, when I raise the camera and scroll through them, wondering… what if I shot the nightlife like John Bulmer shot gritty Northern industrial landscapes? What if I shoot the beauty of the Gower Coastline like Daido Moriyama shoots the city streets of Tokyo? It becomes an exciting question, one as equally valid as wondering what lens to screw on the front of the camera. “
So how exactly are his film simulation settings? And how do the images look like? To discover that, read “Film & Vision – Making Fuji-X Simulations Work For You” at petetakespictures.
Get inspired. Check out the photography books of the masters mentioned in Pete’s article at Amazon:
Just Another Fuji Convert, From Trying Every Other System – Read here
Hello!
My name is Serge and I’ve written a guest feature before, about adopting the fuji system, in particular using the Fuji X-Pro2 my personal life, street photography, as well as concert photography.
This time I’ve had the chance to put it through an intensive, 1 week photo trip to Havana, Cuba. I paired my x-pro 2 with a fuji 23mm f2, creating a fast focusing, light, reliable, comfortable and even weather sealed combo.
What it created is really that feeling when youre not even thinking about the camera, when you can just be immersed into whats happening around you, which in turn appears to lead to better images. Gear annoyances can take you out of that zone, and fuji x-pro 2 with 23mm f2 allowed for an immersive experience. What is also interesting, is that i ended up using mostly SOOC jpegs or built in profiles for editing. Throughout the whole trip, I’ve only wished for a tilt screen for the x-pro 2. Now that I’ve purchased a fuji X100F, i still feel like the x-pro 2 combo was just a little more responsive and robust.
Although it sounds a little hokey, i really enjoyed walking around Havana with the x-pro 2 and 23mm f2, feeling as much of a bond as one can have with a piece of equipment :).
Michael Schnabl: image was made on one of my “Fine Art Portrait” workshops …
shot with Fuji X-T2 and XF 56mm
ISO 200 / f/2.8 / 1/200
Photo: Michael Schnabl photography
Model: Federica Martinazzi — at Fotopraxis-Fotoworkshops
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NOTE :: HOW TO SEE THE IMAGES
To see, add and vote images click on “Photos” and then “See All“
Here are the most liked images of the Fujirumors facebook page… and keep it up, share and vote your absolute favorite X or G shot… and here is how to do it:
1) SHARE & DESCRIBE: go to the Fujirumors facebook timeline and submit your favorite X-shot (and a short description) in the timeline by selecting “Photo/Video” .
2) VOTE & COMMENT: All the images will be displayed at the Fujirumors facebook photo page (click “See All”). You can vote, share & comment the images there.
NOTE: The next selection will start from those images shared starting from April 3!
Fujifilm sets its highest record with 17 products won the globally-prestigious Red Dot Design Award
In recognition of the designs and performance of diverse products including FUJIFILM GFX 50S, Medium-format mirrorless digital camera and FUJIFILM X-T2 the mirrorless digital camera.
Since the launch of the X-T2 last year, we have all learned how good the 4K video on the X-T2 is. Now, I will not bore you again with cold video tests and comparisons. At this point it’s far more interesting to see what creative photographers and videographers can produce with it.
He shared his experience and the videos in his blog post: “Shooting video with the Fujifilm X-T2, Zhiyun Crane and Blackmagic Video Assist” at kjetilkvienmadsen
TransIII Vs. Bayer
Fujifilm X-Trans III vs. Bayer (X-T2 with Fujinon 56mm f1.2 APD against the Sony A7II with Zeiss Batis 85mm f1.8) – Texture & Detail Comparison at thephotofundamentalist: “What I have personally concluded is that when a top quality 24MP Full-Frame sensor and the 24 MP APS-C X-Trans III are compared using vaguely comparable lenses, the results at low ISOs are very close indeed when using Adobe Lightroom CC.”
Fujifilm X-T1 WPJA Award
French wedding photographer Bogarte has been awarded by WPJA (wedding photojournalist association) with 2 pictures shot with his X-T1 and XF16mm 1.4. Here are the two pictures that you can view on the wpja website: Picture 1 and Picture 2. Last wedding season, he used 2 X-T1 (16mm and 56mm) and X100s then Sony A7s with 35 2.8
You can have a better view on his work at bogarte.fr