Fujinon 28mm f/1.0, 32mm f/1.0, and 35mm f/1.0 Patents
Fujifilm has patented the following lenses:
- Fujinon XF 28mm f/1.0
- Fujinon XF 32mm f/1.0
- Fujinon XF 35mm f/1.0
You know what I think about patents. 99,999% of them will remain forever on paper.
Fujifilm has patented the following lenses:
You know what I think about patents. 99,999% of them will remain forever on paper.
Back at the Fujifilm X Summit in September 2021, Fujifilm made several announcement which included a new G mount lens roadmap as well as a new X mount lens roadmap.
The X roadmap included the XF18-120mm, which FujiRumors was able to compare in size to other Fujinon XF lenses thanks to the technical sketch Fujifilm gave us during the X summit.
The only hint Fujifilm gave us about this lens, is that it will be “great for stills and video” and that it will come in 2022.
What Fujifilm did not tell us, was how fast Fujifilm would make this lens.
Well, that mystery has now been solved by our top trusted sources, who told us that it will be a Fujinon XF18-120mm f/4 lens.
Take a deep breath guys, as you are now entering a rollercoaster of rumors ;).
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The Laowa 0.7x focal reducer for one of the weirdest looking lenses ever, the 24mm f/14 2X Macro Probe lens, has been announced.
The options available for Fujifilm X mount are EF-X focal reducer and PL-X focal reducer
In March we share a curial rumor: the Fujifilm X-H2 in its 26MP version won’t use the current 26MP sensor, but a new 26MP sensor.
So no surprise that this huge rumor made the top of the list.
But there is definitely much more you should not have missed in March. So here are the top 10 articles.
Hint: make sure to read FujiRumors in April and May… huge rumors on the way ;).
Did I already say that the next few weeks will be huge?
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For the April edition of the #10YearsOfXMount theme, Fujifilm wants to know which one is your favorite film simulation.
So, if you want to let Fujifilm know which one is yours, make sure to share an image on social media, tag it with #10YearsOfXMount and with a bit of luck your image will be featured all over Fuji’s social media channels.
What is my favorite?
Well, that’s a tough question, as it kind of depends on my mood and what I shoot.
Overall, if I’d have to pick one, I’d go for Astia as it has the best balance between vivid colors and nice skin tones. But I also love to use Classic Chrome, or Acros, Velvia, Nostalgic Negative, Provia… the more film simulations I have, the better.
And sometimes it happens that I fall in love with film simulations that I mostly ignored so far.
It was the case with the ProNeg film simulations, which I rarely used overall, at least until I photographed the wedding of my best friend. Out of the 129 images I delivered to him and his wife, the majority of them were in ProNeg Standard or ProNegHi. They just worked so nicely for all the indoor shots.
And that’s actually the point.
I mean, I didn’t use ProNeg a lot before. But having access in post to the film simulation profiles, was a game changer for my editing. It drastically reduced my editing time as all I did was to scroll over the various profiles in Capture One and I could quickly see which film simulation gave me the best colors for each photo. And in many cases, I just noticed that ProNeg was the winner for indoor low light images.
Fuji colors can be a blessing also for RAW shooters sometimes.
Long story short: I shoot mainly Astia, and you?
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It’s the first of the month which means a new #10YearsOfXMount theme!
This month, we want to know which is your favourite Fujifilm Film Simulation?
Let us know below and tag us in your images by using #10YearsOfXMount. We’ll be featuring some of our favourites on our feed. pic.twitter.com/aHnHUFhovw
— FUJIFILM UK & Ireland (@FujifilmUK) April 1, 2022