Latest and Greatest vs. Oldie but Goldie: this Fujifilm Roundup Has it All

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Mixed Zone

I guess it is a bit normal that we are drawn to the latest and greatest, the newest and most shiny stuff.

But truth is: there is PLENTY of wonderful gear out there that has its age, but still delivers wonderfully.

And look guys, I know what I talk about, because I did just photograph a family day trip on the mountains with my X-E3 today ;).

So I thought about making a roundup of a different kind: include all the latest and greatest stuff (the 5th generation cameras and the newest lenses), but also the older gear we hardly ever talk about now (4th gen. cameras or older and older lenses).

I hope there will be something among it that you’ll appreciate as much as I did.

Latest & Greatest

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Tamron Patents Big Zoom Lenses

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The following patents for Tamron big zoom lenses have been spotted by asobinet:

  • Tamron 400-1000mm f/10-11.5
  • Tamron 250-700mm f/6.5-13

Asobinet does not specify if these are designed for FF or APS-C (but likely for FF).

The approach is similar to the one of Canon with the Canon RF200-800mm F6.3-9 IS USM: keep costs and size contained thanks to a slower aperture.

As far as long telephoto zooms goes, we Fujifilm shooters are currently covered by the Fujinon XF 150-600mm f/5.6-8 R LM.

Last but not least: if you look at Tamron lenses specifically designed for APS-C, then these are the current patents:

Down below the full details.

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Capture One Adds Reala Ace Support

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Capture One has announced that REALA ACE support has been added in Capture One 16.4.4 for the following Fujifilm cameras: GFX100II, GFX100SII, X100VI, X-H2, X-H2s, X-S20, X-T5, X-T50.

You can download the latest Capture One 16.4.4 here and view the release notes here.

Of course I have the perpetual license, so no Reala Ace for me.

At the end I’ll have to give up on the idea to stick with perpetual licenses. I will start to rent my editing software. But I am not sure it will still be Capture One.

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This is the Lens of the Fixed Lens GFX Camera Coming in 2025

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Today we have an update to a rumor we shared earlier this year.

So, we told you that Fujifilm is working on a fixed lens GFX camera.

Of course there are lots of questions we are investigating with our sources, and probably one of the biggest question is which lens it will use.

I told you a while back that I got conflicting reports regarding the lens it will use and that I want to give you an answer only once I am sure about it.

Well, guided by our sources (THANKS), we can now say with certainty that it will be a 28mm equivalent lens.

So the lens itself will give you a wider field of view than what you find for example in the lovely Fujifilm X100VI.

As far as the aperture goes, also here I do not have 100% solid confirmation. But I got contacted by a source, who was right in the past (message to source: yes, you used that nickname in the past, so keep using it in future if you decide to contact me again. Thanks!).

According to that source, it will be an f/3.2 lens. I guess the source ment f/3.2 on GFX, hence f/2.5 depth of field equivalent in full frame.

But again, this time I share the aperture without having it multiple confirmed by trusted sources. However, if the source is right, it will be elevated to the “trusted source” status. But until then, please take it with a grain of salt.

I’ll give you updates on the aperture as soon as I have them.

Another message to the source: I hear announcement will be in 2025. I will look again into it. If you want, you can also contact me 100% anonymously via Signal. I will also try to get the other info multiple checked as soon as possible. Thanks so much again for the help.

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Fujifilm GFX50S II Kits Start to be Discontinued – The End of 50MP GFX?

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The first stores in Japan are now marking the Fujifilm GFX50SII as discontinued, as reported by the Japanese website asobinet.

In the US we can see the kit version is out of stock at BHphoto (with the “request assistance” note) as well as unavailable at Adorama.

Given that it is now discontinued in Japan, I don’t have high hopes for at least the kit version to be back in stock anywhere else.

The Fujifilm GFX50SII was announced back in September 2021.

Fujifilm did lots of things right with the GFX50SII, but one thing wrong.

They did give us a nice and relatively compact body, with IBIS and 4th generation processor. The price was quite good back than in 2021. But the one thing they got wrong is the sensor. They used the identical 50MP sensor in use in the original Fujifilm GFX50S and also in the even older Pentax 645Z of 2014.

Make no mistake: the sensor itself delivers wonderful files. But the readout is slow. And you can put in the best processor in the world, but in terms of autofocus speed and rolling shutter performance there is only that much you can do when your true bottleneck is in the sensor (non-BSI and contrast detection AF only).

Now, I get it. For many GFX50SII shooters “autofocus speed” might not be the top priority. I think at all those who shoot landscape photography for example. But for many, like me, who also document family life with GFX, a decent autofocus is definitely welcome. That’s why I went for the GFX100S (with BSI and phase detection).

I get it that Fujifilm can only use Sony sensors, and that there is no 44×33 BSI 50MP sensor out there. So Fujifilm has to use what Sony offers. But at the end I think that the life-cycle of that ancient 50MP sensor should have ended with the GFX50R in 2018. Re-proposing it again in 2021 in the GFX50SII was just one iteration too much for that sensor.

Where do we go from here?

Well, I don’t know if this is the end of 50MP GFX. I still hope (not rumor) that somehow a 44x33mm 50MP BSI and Phase Detection sensor will appear one day. Or maybe something in between 50 and 100 megapixel. But that is more in the hands of Sony semiconductors rather than in Fujifilm.

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