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Fujifilm Managers Interviews: About Competition and Alliances, Dreams of Modular and Fixed Lens GFX and More

image courtesy - phototrend
image courtesy – phototrend

There have been two interviews with Fujifilm managers, one in French (the more comprehensive one) and one in Japanese (short).

I will sum up both of them, but the Japanese one only because it involves Koji Matsumoto, the president of Fujifilm Imaging. It does not say much at all, but if we hear from his mouth that X-H2 and X-H2S are selling better than Fujifilm thought, than it has its value.

The French manager was definitely much more talkative and if you don’t speak French, our summary below will cover it all.

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So What, Did FujiRumors Fall in Love with Fully Articulating Screens? Would a Fujifilm X-T5 with Selfie Screen be a Dealbreaker for You? POLL

3 Times I Loved the Selfie Screen

I lately shared a couple of posts on my Instagram page, showing images of myself making good use of the Selfie Screen on my Fujifilm X-T4.

So what, did I join the “dark side” and fell in love with fully articulating screens as some have suggested?

Well, not really.

The whole point of these posts was just to show that, in rare cases, a fully articulating screen really simplifies the composition of an image.

So here are 3 times I loved the fully articulating screen on my X-T4 as it allowed me to take a picture that would have been much more complicated and cumbersome to take with any other screen.

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Fujifilm Designer Talks about GFX: “I would Love to Evolve the GFX50R Rangefinder Series” and More on GFX Series Development

Fujifilm design manager Mr. Masazumi Imai (the guy we are all very grateful to because he designed the original X100 – read the story of his inspiration here) gave an interview in Japanese to MapCamera.

As usual youtube struggles with live video translations, but down below you can find a summary in English of both videos as well as the videos themselves.

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AstrHori to Launch a Tilt Shift Lens for Fujifilm GFX in 2022/2023

I have been informed that AstrHori will launch a tilt-shift lens for Fujifilm GFX. The timing could be (if all goes well) within 2022, but also 2023 is a possibility.

Fujifilm has already announced two tilt-shift lenses for 2023, the Fujinon GF110mmF5.6 Tilt Shift Macro  and the Fujinon GF30mmF5.6 Tilt Shift. In fact, B&H Photo has them already listed at their website:

We have shared hands on images of the Fujinon tilt-shift lenses here.

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RUMOR, NEWS and COMMUNITY

Kipon Medium Format Focal Reducer for Fujifilm GFX Available Now

Announced a few months ago, it is now finally available: the Kipon medium format 0.8x focal reducer for Fujifilm GFX.

The version available are:

GFX Gear

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RUMOR, NEWS and COMMUNITY

AstrHori Teases More Fujifilm GFX Lenses Coming September 23

The AstrHori 75mm f/4 for Fujifilm GFX has been officially announced recently and is available atAmazonUS here.

But that’s not going to stop here.

AstrHori is teasing more GFX lenses coming on September 23.

You can see the two teased lenses in the image above.

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RUMOR, NEWS and COMMUNITY

Fujifilm X-H2 Look Up Table (LUT) for F-Log and F-Log 2 Now Available

This LUT file is to edit the movie data below when the data is edited by a movie editor on your PC or Mac.

<LUT file for F-Log>
* F-Log movie data recorded with GFX100S, GFX100, X-E4, X-S10, X-T30 II, X-T30, X-T2, X-T3 , X-T4, X-Pro3, X-H1, X-H2S, X-H2 and X100V
<LUT file for F-Log2>
* F-Log2 movie data recorded with X-H2S and X-H2.

Download

F-Log 3D-LUT file / F-Log Data sheet

Last updated: 9.9.2022
F-Log_LUT_E_Ver.1.23.zip [10.9MB]
*Decompress the “F-Log_LUT_E_Ver.1.23.zip” file and launch “.cube” file from a movie editor.
Last updated: 6.16.2022
F-Log_DataSheet_E_Ver.1.1.pdf [192KB]

F-Log2 3D-LUT file / F-Log2 Data sheet

Last updated: 9.9.2022
F-Log2_LUT_E_Ver.101.zip [1.7MB]
*Decompress the “F-Log_LUT2_E_Ver.1.01.zip” file and launch “.cube” file from a movie editor.
Last updated: 6.16.2022
F-Log2_DataSheet_E_Ver.1.0.pdf [120KB]

Pre.Orders

Fujifilm Managers Talk 100 Megapixel GFX-R, XF56mmF1.2 MKII, How to Train the New Autofocus, Updated Camera Remote APP and More

image credit - Dave Etchells at imaging-resource.com
image credit – Dave Etchells at imaging-resource.com

Dave Etchells from Imaging Resource met five Japanese Fujifilm managers: Yujiro Igarashi, Makoto Oishi, Jun Watanabe, Kuniko Åo and Shu Amano.

And when 5 managers are needed to answer the questions of 1 single person, you know it’s going to be a very in depth and technical talk.

In fact, it ends up in a 8,000 words interview that I have summed up down below in 1,470 words.

Some notes and considerations ahead of it:

  • Fujifilm says they are working on updating the camera remote App, especially to make it work better with older cameras. They did NOT say they are working on an all new App. But FujiRumors has already shared a rumor that there will be an all new App!
  • Fujifilm aimed to make the GFX system smaller, and the GFX50R served that purpose. Now the GFX100S is perceived as small enough, and so they see “less need for something even more compact“. But they also add “we always look at the market to see if there’s a need to introduce something“. My impression based on this interview is that they currently have no plans for a GFX100R, but they don’t entirely want to rule out this possibility. And in fact, given how well the GFX100S is selling, Fujifilm has no hurry at all to take decisions right now.

These are just two personal notes on what you’ll read below. But there is really a lot more interesting stuff… like how Fujifilm did work to train the new AF and much more.

The Interview

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A Tale of a Hiking Fuller than Full Frame, a Sony Shooter Lusting after Fujifilm Colors and a Rumor Storm to Come

I Was Gone… Fuller than Full Frame!

This summer my Fujifilm APS-C X gear dominated and found its way in my camera bag most of the time.

May it be my X-T4 used during my holidays on the Elba island in Tuscany with my wife and son, or my top-combo X-E3 with XF27mm2.8 R WR used in many of my short 1 day family friendly mountain hikes.

But not this time!

In fact, I just came back from an extensive multi-day mountain hike in the Dolomites, and this is what I packed:

So how did it go?

Well, the reason I mostly instinctively grab my X series gear is because, in addition to offering a great image quality, compared to my GFX gear it is simply lighter and more compact, plus there are some lenses I truly love in that system, like the XF35mmF1.4 R (which never stops to stun me), the Fujifilm X-E3 with XF27mmF2.8MKII (my go to combo to document my everyday family life) and the XF18-135mmF3.5-5-6.

But the lightness and sheer perfect balance of the APS-C X system made me forget one thing: how portable and flexible actually also Fujifilm’s medium format system is!

As you can see, this is how I hiked for several hours a day: a medium format camera and lens on my hip, the tripod most of the time in my camera bag as IBIS took care to compensate for my tired and shaking hands… and in my heart the certainty that no matter how tricky the light will be, no matter how challenging the conditions, no camera will be able to handle it better than my Fujifilm GFX100S does (unless you use one of those monstrous digital MF cameras, but good luck hiking with those… if you can afford it!)

So we can only be grateful to Fujifilm for making medium format so accessible in terms of size and price.

A Sony Shooter Lusts after Fujifilm Colors

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AstrHori 75mm f/4 for Fujifilm GFX Announced and More to Come

The AstrHori 75mm f/4 for Fujifilm GFX has now been officially announced and is available at AmazonUS here.

Interesting to note that despite being an f/4 lens, the unmarked point on the aperture actually indicates an f/2.8 maximum aperture. I don’t know the reason why it’s not marked f/2.8.

You can read more in the specs below (from the dedicated product page).

  • Excellent Optical Structure: The lens structure is 11 elements in 8 groups, which can satisfy the 100 million pixel body, and can cover 33*44 sensors, with excellent center image quality.
  • Unique Aperture Design: The aperture range is F4-16, and there is an unmarked reserved yellow point F2.8 large aperture,which can be adjusted by yourself to create more shooting possibilities. It not only has high optical quality and good depth of field control, but also has a certain blurring ability, which can better highlight the subject.
  • Excellent in-focus High Resolution Performance: This lens with 9 aperture blades and good build quality,and its minimum focusing distance is 0.82m,which provides sharp images at 0.82m and infinity with a natural center-to-edge transition.And this lens has an optical and two high-refractive glass quality,and ED lenses suppress chromatic dispersion for a high level of image clarity across the entire frame.
  • Exquisite Workmanship and Compact: It has a special appearance design,the details such as paint filling process, yellow paint characters, focus ring hob pattern, etc. make the lens look exquisite, the overall coordination with the Fuji GFX body and the focusing process also more comfortable.
  • High Quality Manual Lens: Its size is about Φ75mm*L76mm, the filter size is 67mm, and the weight is about 634.5g. It is very suitable for portrait street shooting, and compatible with FUJIFILM GFX50SII, GFX100, GFX100 IR ver,GFX50S, GFX50R, GFX100S,etc. Note:Due to the special design, the lens hood must be installed before the filter is installed, and an additional lens hood is shipped with each lens (Not in the same package as the lens & No additional order is required).

A first review is out:

Also, more lenses are teased to come, as you can see below

via asobinet via camerabeta

Product and Sample Images

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