Fujifilm GFX100S Firmware “Still Being Evaluated” and GFX50SII Firmware 2.01 Released

Fujifilm has released the new firmware for the Fujifilm GFX50SII, which fixes the bug with the exposure compensation button.

The Fujifilm GFX100S suffers the same issue after the latest firmware, but so far it has not yet received the bug fix firmware. Fujifilm writes:

Revised firmware for FUJIFILM GFX100S is still being evaluated, although it was planned to be released on May 31.
We will release the revised version A.S.A.P. We apologize for the inconvenience and appreciate your patience.

In the meantime, here is the workaround (which some might even prefer).

Firmware Details

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Fujifilm Finds Temporary Work Around for GFX100S/GFX50SII Exposure Compensation Bug (via FujiRumors ;) )

Yesterday Fujifilm released a statement, where they acknowledge the exposure compensation bug introduced on Fujifilm GFX100S and GFX50SII with the latest firmware and they said a fix will be out on May 31.

Of course FujiRumors reported about it yesterday, but we also suggested a temporary workaround based on a recommendation that came from one of our fellow Fujifilm GFX users members here.

Well, it looks like Fujifilm read our article and has now updated their statement suggesting the very same workaround.

The exposure compensation can be used by changing the [EXPO. COMP. BUTTON SETTING] to [ON/OFF SWITCH], which will be the temporary workaround until the revised firmware is released.
*The menu flow to make the above setting is as follows.
[SETUP MENU] ➔ [BUTTON/DIAL SETTING] ➔ [EXPO. COMP. BUTTON SETTING] ➔ [ON/OFF SWITCH].

Always happy to help, Fujifilm :)

And thanks again to our amazing Fujifilm GFX group and Carlos in this case! You made it into an official Fujifilm press note.

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Fujifilm Removes New Firmware for GFX100S and GFX50SII and Promises Fix on May 31 (and Work Around Solution)

Yesterday Fujifilm has released lots of firmware updates for 13 Fujifilm cameras (including some major updates!!).

Two of those cameras were the Fujifilm GFX100S and the GFX50SII.

Sadly, after updating, many FujiRumors readers started to report to me that they were now incurring in issues with the new firmware.

Well, Fujifilm has now pulled off the firmware for those two cameras and said they will release a firmware fix on May 31.

Fujifilm writes:

We have confirmed a problem with the exposure compensation function not working properly.
Therefore, we have removed the download button for this version.
We will release fixed firmware on May 31.

As soon as the new firwmare is online, I will report about it on FujiRumors.

Also, fellow Fujifilm GFX group member Carlos shared a workaround and he shared it in our group.

“I found a solution or “work-around” to Firmware (FW) 2.0 disabling the Exposure Compensation button on my GFX100s. The solution “is in the manual”, as some repeatedly and annoyingly say.
Go to the menu, and instead of choosing “+/- when pressing” (which was the default setting from the factory set-up), now choose “ +/- on/off switch”.
With this option, you will press on your camera the +/- Exp Comp button, then turn the back wheel to make a change, and then press the +/- Exp Comp button to deactivate the back wheel from altering the ExpComp. If you don’t deactivate it, turning the back wheel will not alter your shutter speed. “

We remind you that Fujifilm removed also the XApp from the App stores due to issues with the display. A fix is on the way also there, but you can continue to use the App with no problem if you have already installed it.

DPRTV Declares Fujifilm GFX100S Best Camera for Landscape Photography


Which are the best cameras for landscape photography?

DPRTV looks at three different price points and makes its recommendations.

There is also a Fujifilm camera among the winners, the Fujifilm GFX100S, in the “money is no object” category.

DPRTV says:

There is no disputing that the Fujifilm GFX medium format cameras are the best option for landscape. Our choice is the Fujifilm GFX100S. What is not to love: you get that amazing 100MP sensor clearly well suited for landscape photography. We also prefer the GFX100S body over the GFX100 because it is more compact. You get nice ergonomics. The Fuji style tilt screen is certainly nice for landscape when you are at awkward angles and it is just easier to travel with.

Fujifilm also has an excellent line of lenses, including the GF20-35mmF4, which is very rare in medium format to have an ultra wide range like that and it’s also a very sharp lens.

It has IBIS and it’s very effective.

If you need more megapixel, you can shoot in multi-shot and get 400MP images.

There is simply no better pick for landscape photography than the Fujifilm GFX100S, if money is no object.

SIMPLY the BEST: Messi and Ronaldo Meet the Fujifilm GFX100S of Annie Leibovitz

Apparently Annie Leibovitz is not really following the photography forums and certain gear youtubers, otherwise she would know that the Fujifilm GFX100S is a completely useless tool because:

Limited by her gear, Annie stucks with minor gigs like photographing the two most iconic soccer players of the last 15 years, Ronaldo and Messi, for an insignificant company like Louis Vuitton in the context of a negligable event like the FIFA World Cup.

If only she would listen to certain big YouTubers, she would get rid of her GFX gear and finally be able to shine artistically by recording selfie videos in a basement.

The day will come, when wisdom will finally illumiate her. Until then, you can see a video of her working with GFX, Messi and Ronaldo as well as the final image below.

And btw… the gear Annie uses, is now heavily discounted.

NOTE: this is a satirical post… we don’t take life too seriously on weekends, right? ;) And thanks to our Greek friends at pttl.gr who spotted the news and shared it with us.

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Sony A7rV vs Fujifilm X-H2 vs Fujifilm GFX100S – The Complete Specs Comparison

Sony just announced the Sony A7rv, a 61 megapixel camera without stacked sensor.

In the Fujifilm world the non-stacked high resolution competitors would be the Fujifilm X-H2 and the Fujifilm GFX100S.

You can check out the complete specs comparison at the B&H comparison page here.

With the Fujifilm X-H2 costing just half the price of the Sony, to me this shows once again that the best balance is offered by APS-C. Also considering that the 40MP Fujifilm X-T5 will come in at an even lower price.

But if price does not matter and resolution as well as ever so slight increase in dynamic range is what you need, then you can also pay 50% more than the A7rV and get 67% more pixels and plus better dynamic range on the Fujifilm GFX100S.

It’s just nice that we have so much choice these days.

But Specs…

But specs alone don’t tell the whole thing and in some cases they can be even a bit misleading.

The Fujifilm GFX100S might beat the Sony A7rV when it comes to resolution and dynamic range, but the Sony A7rV and of course the latest Fujifilm APS-C cameras have superior autofocus and better video features.

Another example… the Sony A7rV has a 9 Million dot viewfinder as opposed to the 5 million dot EVF of the Fujifilm X-H2. But the EVF of the X-H2 has all new optical elements that give an incredible corner to corner sharp view.

And once you go at 5+ million dots and beyond, it gets harder and harder for the human eye to notice any difference. In fact, I have read statements of journalists who used both viewfinders, the one of the new Sony A7rV and the Fujifilm X-H2, and they said that they honestly can’t see any difference. So I guess it’s up to companies to decide if customers have to spend more money on even higher resolution EVF’s that bring no real life benefit, but that allow them to brag on the specs sheet, or use a more affordable EVF that gives just the same results.

What on the other hand makes much more influence on the real life shooting experience of the Sony A7rV is the new tilt screen, which is similar to the one Fujifilm already used many years ago on the Fujifilm X-T100, and here on FujiRumors we said that this is actually one of the two features Fujifilm should take from their entry level line and implement in higher end cameras.

So, as in everything, there is much more than just specs that define a camera. But specs are a good start, and you can compare them here at BHphoto.

Fujifilm X-T5 with AF Joystick of X-T4 (not X-H2/S or GFX100S)

Fujifilm X-T5

One of the questions you guys asked me, was if the Fujifilm X-T5 will use the joystick design we find on the Fujifilm X-T3 and Fujifilm X-T4 or if Fujifilm will move to the newer design they use on the Fujifilm GFX100S and Fujifilm X-H2 and X-H2s.

Well, according to our sources, the Fujifilm X-T5 will use the “older” design we have on the X-T4.

I have cameras with the “old” joystick design (X-E3 and X-T4) and with the newer one (GFX100S). Personally I am fine with both designs. As long as I have an AF joystick I am happy. But feel free to let us know in the comments which one you prefer.

Fujifilm X-T5 rumors recap:

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Fujifilm GFX100S vs Hasselblad X2D Dynamic Range Test

The web is full of professional reviewers suddenly discovering how amazing the Hasselblad X2D is, how gorgeous its dynamic range, the flexibility of those files. It’s all so amazing. Forget full frame, medium format is the future!

Sadly many of those reviewers have since now totally ignored that the Fujifilm GFX100S exists. And by the way, they also ignore the Fujifilm X-H2 and X-H2S. Fujifilm simply does not exist.

Luckily for us, Bill at Photon to Photos did not forget that Fujifilm makes digital cameras and has them all in his database.

And he also added the Hasselblad X2D now.

How you can see, the Fujifilm GFX100S matches the Hasselblad dynamic range at base ISO, but starting from ISO 400 and beyond there is not competition and the GFX100S beats the X2D in terms of dynamic range.

So Fujifilm is able to take out more of the sensor than Hasselblad.

You can access the data here at Photon to Photos.

UPDATE: Jim Kasson, a very respectable and competent fellow GFX shooter, has a different view on the chart. He writes:

Bill’s PDR tests don’t take sensitivity into account. My tests show that, at base ISO (64 for X2D, 100 for GFX 100S), the two cameras are within 0.2 stops of having the same sensitivity. Once you correct for that, Bill’s curves for the two cameras are nearly on top of each other. So the Fuji Rumors claim is at best misleading, and at worst just plain wrong. C’mon folks, these cameras have the same sensors, albeit operated slightly differently. How far apart can the DR be?

You can read more at blog.kasson here.

Fujifilm Firmware Updates for X-T4, X-T3, X-S10, X-Pro3, X-T30II, X100V, GFX100S, GFX100, GFX50S and GFX50R

Fujifilm has released new firmware updates for ten Fujifilm cameras.

Down below all the details and download links.

Rumors and Discussions

Firmware Details

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Fujifilm GFX100S Dynamic Range Data by Photons to Photos

Photons to Photos has published the dynamic range data for the Fujifilm GFX100S.

Sure, all modern digital cameras give you plenty of dynamic range. But if you are looking for the one that gives you a bit more than the others, then that’s the Fujifilm GFX100S. If you want, you can access  the data at photonstophotos here.