The Fujifilm X Summit on May 16 is getting bigger and bigger.
Not only will we get the Fujifilm X-T50, the Fujinon XF16-50mmF2.8-4.8 and the Fujifilm GFX100S II, but according to our sources also the Fujinon GF500mm f/5.6 will be announced on May 16.
And we also have the price for you.
The Fujinon GF500mm f/5.6 will cost €3,899 in Europe. So far I have no indication about the price in US Dollar.
Shocked?
Well, that’s actually a bargain compared to what other brands charge for equivalent lenses.
I was there, when Fujifilm launched what would become their all time bestseller, the Fujinon XF18-55mm f/2.8-4.
I was there to blog about it, to talk about… and to buy it for myself.
And actually, I bought two of them.
The first one I destroyed it when I had to jump into the Mekong river (story here – only the legendary Fujinon XF35mm f/1.4 survived that adventure, the rest of my gear broke).
I loved the XF18-55 so much that I bought a new one after destroying the first one.
The second sample did stick with me until I decided to sell it along with my XF55-200mm, in order to replace both of those lenses with the king of versatility, the Fujinon XF18-135mm.
I have had wonderful years with my Fujinon XF18-55mmF2.8-4. It has taken some of my favorite images. And I am sure it has given great joy to many other fellow X shooters out there.
But now it is time also for this glorious lens to retire.
In fact, according to our trusted sources, Fujifilm will announce also the Fujifilm X-T50 and the new kit lens, the XF16-50mmF2.8-4.8, at the X Summit on May 16.
Now the first batch of firmware updates has been released for the first cameras, and it includes autofocus improvements, touch to track AF in video, red frame indicator in video and more. All details below.
To see what else will come for which cameras in the near future, check out the dedicated article here.
Fujifilm has released firmware updates for Fujifilm GFX100II, Fujifilm X-H2S and the Fujifilm FT-XH file transmitter grip.
At the last CP+, the French Website Phototrend had the opportunity to talk to Japanese Fujifilm manager Jun Watanabe about the X series and to Japanese Fujifilm manager Makoto Oishi about the GFX series.
Down below you can find a quick summary. For the full French version check out the articles at Phototrend here (X series) and here (GFX series). Plus a little rant at the end.
X series
Fujifilm can not confirm if X-Pro4 will arrive soon or not
X-Pro line is not stopped
X-T and X100 series do not satisfy all customers who want a “pure photography” experience
Fujifilm is studying different possibilities
feedback and expectations are high for the next X-Pro
X-E line is not stopped
sports photography is a difficult market
other brands are long established there and for Fujifilm it’s new terrain
Fujifilm can not confirm anything about eventual future lenses for sport photographers
Fujifilm has received great feedback about the latest autofocus system, but they will continue to improve
renewing older lenses is something that Fujifilm has in mind
XF16-50mmF2.8-4.8 [admin note: will replace the XF18-55mmF2.4.8]
Fujifilm is not considering any option other than X-Trans for their APS-C cameras
its unique matrix offers the advantage of combining high definition and suppression of moiré and chromatic aberrations
for X100VI, Fujifilm has developed the smallest and thinnest IBIS unit to date
the X100VI IBIS wiring has been moved to the side – see here
IBIS system uses data from the image in addition to the gyroscope (motion blur is analyzed from the live-view image)
the grip of the X100VI is a tenth of a millimeter deeper than X100V for a better grip
GFX series
GFX100II market return (sales) is very good, not only among professional photographers, but also filmmakers and directors
GFX100II sales exceed Fujifilm’s expectations
GFX100S is still very popular because Fujifilm has lowered its price
GFX100S still very popular in some markets like China
professionals go for GFX100II, enthusiasts for GFX100S
Fujifilm never looked at its market share in medium format segment
other manufacturers have no announced so many new products, so Fujifilm thinks they are Nr.1
some expect a faster 50MP GFX. But Fujifilm thinks high definition is more popular
there are lots of FF cameras offering 50/60 megapixel, so offering 50MP now has become almost banal
Fujifilm focuses on improving the 100MP sensor performance
for professionals ergonomics are very important
first GFX cameras had dedicated dials but now they switched to a easier to operate PSAM dial layout
normally APS-C lenses are compact than FF and MF (hence also smaller AF motors)
but regarding telephoto lenses, size primarily depends on diameter and aperture. Regardless of whether it’s for APS-C, FF or MF, the fundamental construction of telephoto lenses, particularly on the front lens side, is the same
Fujifilm tries to make the GF500mm as small and light as possible to obtain faster autofocus
tilt-shift lenses are the most difficult to design
why not retro? High end high speed cameras need to be operated quickly, hence PSAM. Also good for hybrid shooters for video
Let me just say that I strongly, vehemently, vigorously and fervidly disagree with Fujifilm in regards to what they said why they stick with PSAM on their GFX lineup.
First: the GFX system is not know to be blazing fast and immensely popular among high end sports photographers. I actually feel the GFX system would be the ideal system to use a retro layout.
They will find out that one can operate their retro styled cameras exactly as any PSAM camera out there. It’s a marvellous and ingenious design that gives us photographer the best of both words: retro if I want to have fun shooting or want to actually operate the camera already before turning it on, and PSAM if one needs to make lots of adjustment all the time on the fly.
Retro Fujifilm cameras offer both options. PSAM cameras force you into one way to operate the camera.
And in my opinion not offering retro styled GFX cameras anymore is one of the all time biggest mistakes Fujifilm is doing.
C’mon Fujifilm, look at what is selling best in your X system. You’ll see that retro X cameras outsell PSAM cameras by very far. And Nikon had a colossal success with the Nikon Zf lately. It’s clear that in times where every camera is just so good, what people really look for is to have a different photographic experience thanks to dedicated vintage dials.
The joy of shooting sells better than any specs boost you can show off on paper.
An example?
The X100VI sells like hot cakes. The revolutionary global shutter ultra modern high speed blazing fast Sony A9III is selling way below Sony’s expectations (you could always find it in stock everywhere all the time because demand is not high… ask your local retailer).
With all the talk about the Fujifilm X100VI in these days, we can now report also something interesting for those of you, who are not into the X100 line (thanks to Mistral!).
In a session with journalists, Fujifilm shared 10 lenses that were “under study” and also talked about future X/GFX cameras, as reported by the French website lesnumeriques here, who also is to credit for the images.
10 Lenses “Under Study”
(Images at the Top of the Article)
Fujifilm did display 10 lenses currently “under study” by Fujifilm. But please guys, don’t take this as any sort of “roadmap”, for the reasons I’ll explain below.
Super-Telephoto Prime lens XF 400mm or longer
– 11-110mm diameter
– weight 1,300-1,400g
XF120mmF2 (in between XF90mmF2 and XF200mmF2) – Size 140-160mm
– 90-110mm diameter
– 900-1,000g
Super Wide-angle Fast Lens for Astro Photography
– Size 80-100mm
– 70-80mm diameter
– weight 400-600g
It’s not the first time that Fujiflm gave us a list of “lenses under study“. It happened also back in 2019, when they even wanted us to vote on those lenses (as they wanted the journalists to vote on the lenses we display today). And if we look at the list, except for some MKII lenses, not much on that list ever materialized in a real product.
So don’t take it as a solid indication on anything.
