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List of Fujinon XF Lenses that Get Maximum Benefit from Fujifilm X-H2 (and X-T5) with 40 Megapixel Resolution

What’s Best on 40MP

Let’s be clear: more or less every single Fujifilm XF lens will perform better on the 40MP sensor. So even if an older lens can’t really resolve all the 40MP, they will still perform better than on the current 26MP sensor. Some might resolve 30MP, others 33MP, others more or less.

In short: the new 40MP sensor will make every single XF lens perform at its best possible in terms of resolution.

And yet, not all take full advantage of the new 40MP sensor. And Fujifilm was kind enough to provide us with a list of lenses, that will get maximum benefit from the X-H2 40MP sensor.

The lenses are:

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New Fujifilm Patents: Fujinon GF 20-30mmF4, GF 24-50mmF3.5-5.6 and 50-380mmF3.3, 35-280mmF3.3 (Cine Lenses?)

I was debating with myself if I should stop to report about patents at all.

Why?

Because in 10 years of blogging I have shared hundreds of patents on FR, and none has ever seen the light of the day. What I have seen once or twice, is a patent surface only after the real lens had been already announced (making the patent “leak” useless)

The problem?

I notice that when I report about patents, people think this means the patented item will surely come, it’s just a matter of time.

And that’s a problem, because:

So I don’t want to create false hopes by sharing patents, as those are concepts written on paper, and they remain such in 99% of the cases.

On the other hand, this is a rumor site. Those patents exist, even if the products in those patents will never see the light of the day.

So I decided that I will report about patents, but I will put my disclaimers hoping people will read more than just the mere headline.

And today we talk about a couple of GF and probably Cine lens patents surfaced on the web and brought to us thanks to the Japanese website Asobinet here and here.

So let’s look at them one by one below.

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Fujifilm X-H2S Autofocus Tracking vs X-T4, for Wildlife and Performance on Older XF Lenses (XF56mmF1.2 Included)

The French channel Les Guides Fujifilm has published a video about the Fujifilm X-H2S autofocus performance under many different scenarios.

It’s a 40 minutes video where he tests:

  • X-H2S vs X-T4 eye/face tracking
  • X-H2S tracking a running dog
  • X-H2S tracking kids (running and on bicycle)
  • X-H2S for Wildlife
  • X-H2S at 40fps and 30fps tracking (dog and kids)
  • how good several Fujinon lenses work on X-H2S
  • low light stills tracking in a circus
  • low light video tracking in a circus

Lots of stuff, right?

You don’t have time right now to watch it all?

Well, for your convenience I’ve made a summary down below and I’ll also give you time stamps so that you can jump to the section that interests you most.

NOTE 1: when he scrolls very quickly through the images you see them unsharp. This happens because his computer is not rendering at full res. When he stops on an image it gets rendered and it becomes sharp.

NOTE 2: I speak four languages, but sadly French is not one of them (although I understand it a bit). In case any French FR-reader notices an error or wants to add something, feel free to let me know in the comments.

Video Summary

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The Power of Fujifilm Colors: Leaving Fuji for Nikon Z and Back to Fuji for the Colors – A Story and an Image Roundup

FR-reader Gerben’s wrote me an email that haunted me for several weeks and finally motivated me to do something that I hardly have time to do anymore for the reasons I’ve explained on my birthday: an image roundup.

So what did Gerben write me? Well, in short, he left Fujifilm for Nikon Z but then switched back to Fujifilm for one main reason: colors!

Dear Patrick,

I have been using the xpro3 for some time, i quite liked it except the small grip, and rear LCD (I noticed i take quite a few quick shots of my daughter via the rear LCD) and some other things. Therefore I decided to look around and try Nikon. I read color rendition was about the same and face detect was better.

So i traded in my X-Pro3 and bought a Nikon Z6 and the 50 1.8s. Almost everything i liked: comfy grip, nice buttons, highly detailed EVF and LCD, top LCD, fast AF and face AF, great high ISO and so on.

But to my horror I noticed one thing was off quite often, the colors.

This was probably due to WB, but i shoot mostly family and JPEG and the skin tones either looked greenish in low light or to saturated red in good light.

Then i picked up the original X100 and shot a few scenes. BOOM, the colors and WB were right without any tweaking. Just sooc provia jpeg. Wow. I always thought fuji jpegs were great but that Canon and Nikon have good jpegs to.

It seems Fuji is still better. I really wanted to like the Z6, but if all factors are awesome but the colors are meh then its a no go for me. So i turned back the lens and body. Now waiting for my refund. Luckily my trusty 35 1.4 wasn’t sold yet. I am probably getting the X70 and X-T1 as i like the colors an X-H1 for low light and video. Ow yeah i also have the old D700. This older sensor renders sooc jpeg colors much nicer then the Z6 and are quite similar to my X100.

So i had a quick flirt with Nikon mirrorless but am back now at the Fuji camp. Guess ill be reading your post more often.

And in order to help to make non-Fuji-shooters understand what Fuji colors mean, I looked at the images shared at our Film Simulation group and picked a few of them for all of you to enjoy.

One important note: some images ARE edited.

Editing is allowed in our group. But it’s allowed, as long as one does not start to fiddle around with the colors in post. So you can add/recover shadows/highlights, sharpen, edit out disturbing elements from your image, add some contrast and whatever you want to do. But the colors must be Fujifilm colors, hence the film simulation profile must be selected in post. No other filters applied and don’t play around with the color tools in the RAW converter of your choice.

We have this rule, because SOOC is great, but here on FujiRumors we believe that also RAW shooters profit from great Fuji colors, as it shortens their editing time.

And I know what I talk about, because when I edited the tons of images I took at the wedding I photographed, just scrolling over the film sim profiles in Capture One and in a matter of seconds see which film simulation gave me the best mood for that particular picture, was a true time saver! I just focused on editing other aspects of the images, as Fuji took care of the colors for me.

Final note: members of our group also often fine tune their film simulation and make recipes out of them. If you are curious to know more details about the specific recipe just ask them in the comments of their post about it.

Images

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Avatar 2 First Official Photos Taken with Fujifilm X Series Gear

Behind the scenes of 20th Century Studios' AVATAR 2. Photo by Mark Fellman. © 2022 20th Century Studios. All Rights Reserved.
Behind the scenes of 20th Century Studios’ AVATAR 2. Photo by Mark Fellman. © 2022 20th Century Studios. All Rights Reserved.

20th Century Studios has published the first official photos of one of the most anticipated movies of 2022: Avatar 2.

Well, if you give a look at the EXIF data, you can see that the images have been taken by Mark Fellman (IG: markfellman) with Fujifilm X series gear (found via the German website n-tv.de)

In the images where the EXIF data is available, the gear used is:

Congratz to Mark for having his images spreading over the entire world to tease one of the most important movies of 2022.

Long times FR-readers know it: Hollywood loves Fujifilm ;).

P.S.: send this article to those moaning about Fujifilm not being Full Frame ;).

Behind the scenes of 20th Century Studios' AVATAR 2. Photo by Mark Fellman. © 2022 20th Century Studios. All Rights Reserved.
Behind the scenes of 20th Century Studios’ AVATAR 2. Photo by Mark Fellman. © 2022 20th Century Studios. All Rights Reserved

Fujinon Patents for XF 90mm F1.6 and XF 77mm F1.6 Spotted

The Japanese website asobinet spotted a couple of Fujifilm patents, but some of them are old and we shared them back in 2020 already.

Some belong to lenses we already got or that Fujifilm planed at some point but canceled:

The new ones are the following:

  • Fujinon XF 90mm F1.6
  • Fujinon XF 77mm F1.6

You know what I think about patents.

Recently a patent has been spotted about an XF35mmF1.4 MKII, which won’t come. There was the patent about the XF16-55mmF2.8 OIS, which also won’t come. Back in March 2020 we reported about two Fujifilm patents showing a Fujinon XF300mmF4 and Fujinon XF500mmF5.6. But also here we told you not to expect any of these lenses in the near future.

And then there were the patents about… well, you got the point!

So, FujiRumors is here to advice you to take every patent with a grain of salt. 99% of those never see the light of the day.

via asobinet

Fujinon XF 18-200mm F3.5-6.5 Patent Spotted in 2014 gets Patent Revival in 2021

A patent has been spotted for a Fujinon XF 18-200mm F3.5-6.5. Now, I remember that a patent about a Fujinon18-200mm F3.5-6.5 has been spotted also back in 2014, and the optical design is similar indeed.

From the patent details we see that this lens has a higher optical magnification than the XF16-80mm F4 and the XF18-135mm f/3.5-5.6 and covers the angle of view equivalent to “25.5-300mm” in full size. The patent does not mention OIS.

But…

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Focus on Glass: Fujinon XF 70-300mm Takes Advantage from APS-C Size and FujiXPassion Review

I like the Focus on Glass series of Fujifilm: short, to the point, with a right mix of quick technical insights as well as field on experience by photographers.

And while today we will focus on the brand new Fujinon XF70-300mmF4-5.6 lens, which I believe will become a terrific best seller for Fujifilm, we invite you to check out also the previous Focus on Glass episodes:

And here is what they have to say about the Fujinon XF70-300mmF4-5.6:

Summary + Fuji X Passion Review

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BREAKING: Fujifilm Currently NOT Working on Fujinon XF35mmF1.4 MK II

Just recently we shared the news about a patent showing a Fujinon XF35mmF1.4 MKII.

I did warn you already in that article: attention, don’t get too excited about it, as this is just a patent, and as many other patents, it might never see the light of the day (remember XF16-55mmF2.8 OIS anyone?)

Well, after the article, multiple trusted sources immediately reached out to FujiRumors and told me that Fujifilm is currently not working on a Fujinon XF35mmF1.4 MKII.

Pay attention: “currently not working” does not mean Fujifilm will “never ever” make a XF35mmF1.4MKII. What it means is that right now Fujifilm is investing zero money and time into a XF35mmF1.4 MKII, and 100% of their X-mount lens R&D goes into other X glass.

What will really come?

Surely the XF18mmF1.4. Fujifilm is also working on a Fujinon XF150-600mm.

What else?

Well, I’ll let you know on FujiRumors soon enough ;).

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