FUJIFILM ANNOUNCES SECOND ANNUAL FUJIFILM FESTIVAL TO TAKE PLACE IN VENICE, CALIFORNIA
The FUJIFILM Festival 2018 will be an immersive, hands-on photography and videography learning experience; Open to photographers of all skill levels and styles
Jared Polin reviewed the Fujifilm X-H1 and compared it with the Sony A7III. The review is 33:19 minutes long. He uses firmware ver 1.10 (and not the latest ver 1.11, which fixes some bugs).
Just a few days ago, Fringer released ver. 2.20 of their smart adapters for the Fujifilm X and GFX system.
Now they are already working on the next firmware update ver.2.30,which will be released in mid-August.
As a teaser, Fringer posted a video showing the Tamron 150-600 F/5-6.3 autofocus on the Fujifilm X-H1 using the Fringer EF-FX adapter (see video above or on Fringer’s youtube here).
One of the main critics when looking at the Fujifilm system, is the lack of autofocus third party lens support.
Well, all those nice AF adapters that are now on the market (full list below), should definitely weaken these critics, since more and more Canon, Tamron, Sigma and soon also Nikon lenses will work just fine with AF on your Fujifilm camera.
So DO NOT sell your beloved Canon & Co glass to quickly, when you switch to Fujifilm. If there is a lens you abolutely love (and is not covered by native Fujinon lenses), you might get one of those adapters to make it work on your Fujfiilm camera.
When I initially began to integrate Flashpoint XPLOR H1200 into my workflow, HSS, portability and the long lasting lithium batteries were key factors in my decision to switch from Broncolor to Flashpoint/Godox.
With the release of the 600 PRO earlier this year, I began to add more units, enough to be able to light for any conceivable studio or location requirements. I may use as many as 20 lights for a setup, or just one, but for sure I like to always have a good number of spares available.
On a recent shoot with singer/actress Becky G for the cover of GALORE magazine, and another shoot for VOGUE, I needed to have various set ups ready at once. I used only a single 600 PRO inside a modified BRONCOLOR FLOOTER S for a series of dramatic sky shots in HSS mode, and also a late afternoon pool shot, but I needed 20 units to light a series of colorful, 2000s pop inspired studio shots.