Epic Rumors from Epic Landscapes – My YouTube Journey in February

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I’ve been a bit tied up in February, hence I had to record a couple of videos from my little home.

And yet, looking back, I am happy that I could bring you at least some of the rumors from beautiful spots around my home.

The four spots I could show you in February were:

Remember: all you get on my channel are rumors and nothing else.

A final message to the 80% of you who watch my videos, but are not yet subscribed.

Subscribe! It’s free. It’s easy. It’s literally just one click.

And maybe I should not tell you this… but…

… unsubscribing is just as easy and free if at some point you are sick of rumors and mountains. And you can do it without having to explain anything to anybody.

And just because the question keeps popping up: no tourism board is paying me. The reason I do this is that I think some of you might like it to discover new locations. And the time I invest into these kind of videos is my way to express gratitude for the time you decide to dedicate to FujiRumors.

Top 10 Videos

 

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Fujifilm X-Pro4 Rumor :: X-T40 Rumor :: Three Cameras in First Half 2024 :: X100VI Announcement and More – Top 10 February Articles

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Here are the top 10 articles for February.

  1. Fujifilm to Launch Three Cameras within First Half 2024
  2. Forget About Fujifilm X-Pro4, X-E5, GFX100SII, X-T40, X80 & Co: the Only Camera Coming February 20 is the Fujifilm X100VI
  3. Fujifilm X100VI Additional Specs: 3.69 m-Dot EVF, 6.2K30P, Made in China, UHS-I slot and More
  4. Fujifilm X100VI Announced – Reviews & Pre-Orders Now! LIVE BLOG
  5. Don’t Get Fooled: Fujifilm X100VI Lens Identical to X100V
  6. First Leaked Fujifilm X100VI Images
  7. First (Pixelated) Images of Fujifilm X100VI Unveil no D-Pad
  8. Fujifilm X100VI to Cost €1,799 (and $1,599?)
  9. Fujifilm X-Pro4: Here is the Truth!
  10. BREAKING: This is Fujifilm’s Next APS-C Camera (after X100VI)

Fujifilm X100VI in Stock Check

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This Independent Movie was Shot on Fujifilm X-T4 – Do We Really Need a Dedicated Fujifilm Cinema Camera?

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Johnnie from CineD is probably one of the nicest persons I have had the pleasure to e-meet in all these years of blogging.

And I know he truly loves Fujifilm and uses Fuji cameras for his personal and professional work.

But there is one thing where I respectfully disagree with him: Fujifilm does not need to make any dedicated video camera, as Johnnie also recently asked Fujifilm for. And I tell you why.

The absence of a dedicated video camera in Fujifilm’s lineup, allows Fujifilm to pack everything they can in terms of video specifications into their hybrid mirrorless cameras. This strategy avoids any potential internal competition with a separate cinema camera lineup. In contrast, companies like Sony and Canon may restrict certain specs and features in their hybrid cameras to safeguard the sales of their dedicated cinema cameras.

In short: if Fujifilm would offer cinema cameras, you could forget the X-H2S and X-H2 to be such powerful hybrid cameras. Or in future the Fujifilm X-H3 and Fujifilm X-H3S.

Indeed, the Fujifilm X-T4 already proves to be an exceptionally robust hybrid camera, as demonstrated today, thanks to an email I have received from fellow FR-reader Angel, which I share below.

by Angel Alvarez

My name is Angel Alvarez, my team and I just finished post production on an indie feature that we shot entirely on the Fujifilm X-T4 (save for 1 drone shot). A camera that I got excited about because of your website.

I could write pages on how I find the color rendering from Fuji much better than that of Blackmagic or even RED cameras, but to summarize; the X-T4 performed greatly and far exceeded my expectations. Granted, I encountered a few problems with it, but it was to be expected given the amount of stress we put it through.

I’d like to share with you a few frames from our film as well as a couple BTS stills that I’ve attached to this email.

You can also find the trailer below.

This film is a labor of love that took three years to complete. I hope I’m not overstepping, but if you enjoy what you see, and you think it’s worth your time, we’d be extremely grateful if you could do a post about it.

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Fujifilm X100VI Silver beats Black (on FujiRumors)

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Just a curiosity.

Before the announcement of the X100VI, I asked you guys which colors you prefer for the Fujifilm X100VI: black or silver!

The result was basically a head to head race between black and silver.

But what did most of you guys really go for at the end?

Well, BHphoto marks the silver Fujifilm X100VI as #1 seller and the black X100VI as Top Seller.

So I have looked up the affiliate pre-orders you guys placed at BHphoto, and, at least here on FujiRumors, so far 58% of you went for the silver X100VI and 42%for the black X100VI. (and btw… thanks to everyone who decided to support FujiRumors by using our affiliate links).

Interestingly, WexPhotoVideo in UK contacted me and told me that in terms of FR-sales, the black version prevails with 61% over the 39% for the silver version.

Both cameras and colors are wonderful, so there is definitely no right or wrong choice. I guess the choice is between a bit more vintage touch (silver) and a bit more elegance and stealth (black).

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Fujifilm Wins X-Pro3 Lawsuit

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Back in 2022, Fujifilm started to face a lawsuit filed for allegedly falsely advertising ‘Reliable Durability’ on the Fujifilm X-Pro3.

Now the entire case has been dismissed.

when the listing is read in full and in context, Plaintiff’s cherry- picking of certain words does not lead a reasonable consumer to that conclusion. There is nothing “unambiguously deceptive” about Defendant’s Product listing.

[…]

Plaintiff alleges that the subject representations are that Product’s construction from titanium, when combined with certain advanced features, “create a camera that can be relied upon to perform in any situation,” and is made “for photographers on the move who want top-level features, a low-profile, and reliable durability.”

But that language simply does not tell “consumers [the Product] would function reliably and be free of flaws, damage, defects, and deficiencies subject to normal and intended use, although even when the camera is in excellent condition and never dropped or banged, the sub monitor and LCD become non-functional because of the defective ribbon cables.”

The Amended Complaint does not draw any connection between ribbon connector cables and the Product’s “body design [that] features a top and base plate constructed from titanium” thus making it more durable than stainless steel.

A representation that the Product’s top and base plate is made of durable titanium simply does not lead a reasonable consumer to believe that the Product’s ribbon connector cable would never require repair.

At the end it looks like the whole evidence where mostly a couple of screenshots taken from forums.

In my experience, when the issue is real and widespread, Fujifilm does take action, as for example with the Fujifilm X-T1 light leak. But evidently this was not the case with the X-Pro3.

You can read the full ruling here.

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