Fujifilm X-H1 Lab Test Shows Improved Results. “More Like a Complete Rule Breaker” – Imaging Resource Comparometer

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Pixel Peeping Time

Imaging resource just updated their comparometer with Fujifilm X-H1 images.

This is a controlled lab test, and as imaging resource writes:

Controlled lab images are not the real world, but they are the very best way to compare one camera’s image quality to another, in order to ensure you are giving yourself the best chance out in whatever world you do happen to shoot“.

So how does the Fujifilm X-H1 compare against the rest of the world?

I will do a more in-depth pixel peeping by myself later on (I have to go back to the hills now, where I probably lost my XF27mm lens cap yesterday while shooting, before it gets dark).

But for the start, though, I compared it to the Fujifilm X-T2. I was expecting the same results (same sensor and processor), and yet, the higher you crank up the ISO, the better the X-H1 looks. At ISO 51,200 the difference is noticeably in favor of the X-H1.

However, you have to keep in mind, that imaging resource now switched from the XF60mmF2.4 to the XF90mmF2 for their lab test, and the 90mm is in part responsible for the sharpness improvement. But overall the lab test shows less grain over the X-T2 at high ISO. Fujifilm might have improved image processing on the Fujifilm X-H1.

Mostly the X-H1 comes out as the winner when compared to other Fujifilm X-Trans III cameras. There are some parts, where the X-T20 & Co show more details than the X-H1, like in the wool thread, shared at the very bottom of this post. The EXIF says the X-T20 was shot with the 60mm at F11 and 1/2500, whereas the X-H1 with the 90mm at F8 and 1/4000.

The Fujifilm X-H1 also beats the Nikon D500 at ISO 51,200, as you can see below.

Imaging resource writes here:

In my general experience analyzing images at Imaging Resource for more than five years, I’ve found ISO 3200 to be about as comfortable as I get with APS-C sensors. Of course, that is just a generalization, and there are exceptions to every rule. The Fujifilm X-H1 seems to be more than just an exception to the rule, more like a complete rule breaker.

The image above [admin note: below in this aritcle] has plenty of fine detail where it counts, such as in the mosaic tile pattern, and yet doesn’t introduce a great deal of noise in areas like the shadows behind the bottles. As most of you know, that is the real trick, getting the detail without introducing the noise inherent at higher gain settings. The shadow areas in our target are traditionally prone to plenty of noise depending on the camera and the chosen compression algorithm, and the above combination is a very good one for this sensor size.”

So happy pixel peeping at the Comparometer here.

Fujifilm X-H1: BHphoto, AmazonUS, Adorama, Focuscamera
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Fujifilm X-H1 Coverage: X-H1 facebook group + X-H1 facebook Page

ISO 6400 comparison (The two white specs in the mosiac tile on the X-H1 image are a new lab reflection artifact. It is not a product of the X-H1, as we found through a deeper dive into the phenomenon with another test camera.. We're still working to resolve the issue.)
ISO 6400 comparison (The two white specs in the mosiac tile on the X-H1 image are a new lab reflection artifact. It is not a product of the X-H1, as we found through a deeper dive into the phenomenon with another test camera.. We’re still working to resolve the issue.)
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The Fujifilm GFX 50S Goes To The Mekong

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GUEST POST FEATURE
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3 Observations I Made When I Took My Medium Format On the Road That Will Have Me Taking It Out Again

guest post by Greg Pai – You can follow Greg on his photographingGOD Photography webSIGHT and Instagram

Fujifilm GFX 50S + GF lens (save $1,000): BHphoto, Adorama, AmazonUS
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The goal posts of camera technology are being moved every day. When I say portraiture, you say higher resolution. When I say sports; you say faster, more accurate autofocus performance. When I say weddings and events, you say increased ISO sensitivity. And, when I say journalistic or street photography, you say medium format? Not really…

Most pros relegate medium format to studio, landscape, or tripod-mounted applications and more ergonomic formats for journalistic style photography. So, it was typical that I would pack my Leica gear for a recent one month assignment through the Mekong (Thailand, Laos, Cambodia, and Vietnam).

However, at the last minute, I was somehow compelled to swap it out for my medium format Fuji GFX 50s system taking up nearly 3 times the space. What was I thinking? Well, I wasn’t thinking straight for sure. But that is how some of the most remarkable things happen in life (Like when my wife said “Yes”)!

My last minute decision was partially influenced by the fact that image technology across sensor types (e.g., Crop, Full-Frame, and Medium) is converging rapidly and the features are blurring between such systems. So, at some point in the near future, I suspect these choices will be made for me anyway by process of elimination. I suppose I also wanted to test my patience and persistence. But, there was also an element of surprise I was seeking. I really wanted to see what this thing could do in the field under varied conditions and over a lengthy assignment.

Suffice to say, I was exceptionally pleased by the potential of the Fuji GFX 50S medium format in the field and hope that the following observations are an inspiration to all who are (i) facing decisions about upsizing or downsizing formats, (ii) interested in my approach to journalistic photography, or (iii) wanting to simply experience the beauty of the people and colors of the Mekong.

1. Medium format is too heavy and bulky for journalism and street photography; Or is it?

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Fujifilm X-H1 in Stock at AmazonUS

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It’s In Stock

The Fujifilm X-H1 is now in stock at AmazonUS – various combinations shipped and sold by AmazonUS.

The X-H1 & various combos are also in stock and read to ship at Adorama and Focuscamera.

BHphoto expects stock on March 6.

Fujifilm X-H1: BHphoto, AmazonUS, Adorama, Focuscamera
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Fujifilm X-H1 Coverage: X-H1 facebook group + X-H1 facebook Page

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Fujifilm X-H1 Vs. X-T2: IBIS makes a Hell of a Difference (for Stills) + Shooting 1 Hour in the Rain with X-H1 No Problem

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Fujifilm X-H1 Roundup

If you are interested in the Fujifilm X-H1, then there is one space you should definitely be: our X-H1 facebook group.

Here on FR, I can just share 3% of the huge amount of content shared there.

This time we would like to show, that IBIS can make the difference not only in video, but also for stills.

In his quick test, X-H member Bob shows here, that thanks to IBIS, the X-H1 allows you to get tack sharp images where the X-T2 with the same lens and settings will give you motion blur.

Bob writes:

Totally non scientific comparison between my X-T2 and X-H1 taken today with the same lens (Fuji 16-55 2.8) set to same ISO / aperture / focal length. IBIS (IMHO) made a hell of a difference. Taken in a low light space from the same spot with no post processing.. both are JPG’s. [IMAGE at top of this article]

BTW – The wight and size issues have been very overblown. If this camera is too heavy, stick with your iPhone

Also Chris has some interesting feedback about the X-H1:

1) bigger than it looks in pictures
2) however feels much lighter and smaller in your hands
3) way more comfortable to grip than the xt2 and xpro2
4) IBIS rocks. Way better than Sony A7II IBIS
5) autofocus is blazing fast
6) wifi connect and image transfer speeds to your phone are about 60% faster.
7) does anyone sell a screen protector for the eink and lcd display?
8 ) evf is a dream.

So glad i picked this up. Is it worth replacing your xt2? In a heartbeat. And i dont shoot much video either.

Last but not least, here is a short comment that Michael made

I got the camera thinking I would send it back if I wasn’t impressed… then I attached my 90mm f2 and turned on IBIS. Sold.

These are just three tidbits… the X-H1 group will be happy to discuss everything you want to know… feel free to join.

We remind you, that the Fujifilm X-T3 will not have IBIS, so if you shoot a lot in low light with non stabilized lenses, the X-H1 might be the better camera for you.

Fujifilm X-H1: BHphoto, AmazonUS, Adorama, Focuscamera

Follow FujiRumors on Facebook, RSS-feed, Instagram, Youtube and Twitter

Fujifilm X-H1 Coverage: X-H1 facebook group + X-H1 facebook Page

Troy Templin Youtube – Fujifilm X-H1 Shooting in the Rain



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Venus Laowa 9 mm F2.8 Zero-D Hands On

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Laowa 9mm F2.8 on Fujifilm X-T10 © Albedo Media
Laowa 9mm F2.8 on Fujifilm X-T10 © Albedo Media

Laowa 9mm F2.8 Hands On

The Spanish site albedomedia made a quick hands on review on one of the third party lenses, that arises most curiosity in the Fuji X community: the Laowa 9mm F2.8.

I know for many of you guys, this lens is on the radar also for eventual astrophotography, but of course we are all still waiting to see how it performs, especially when it comes to coma.

But it seems that Laowa is actively promoting this lens also for astrophotography, since they display a couple of prints of the milky way taken with the Laowa 9mm F2.8.

With that said, here are some first impressions by albedomedia (google translated):

  • Zero-D stands for “zero distortion
  • The denomination Zero-D has already been used for lenses such as the Laowa 12mm F2,8 Zero-D or the Laowa 15mm F2 FE Zero-D . The new Laowa includes a complex optical scheme consisting of 15 lenses in 10 groups, with a combination of aspherical lenses and special glasses with low chromatic dispersion.
  • Manual Focus only
  • The focus ring, of correct dimensions, presents a suitable firmness, but its route is too short to our understanding
  • Its metal construction is of good quality, and conveys a sense of quality in its finishes
  • At shooting distances more typical of interior design, here at the stand of the CP + , the Laowa 9 mm f / 2.8 Zero-D seems to offer a reasonably rectilinear performance
  • On the positive side is its very compact size, the feeling of good finishes […]. On the other hand, in the least positive, it would be short of its route of the focus ring – a price to be paid in part for the compactness – and above all a level of distortion that we believe does not agree with the name of the presumptive one.

The Laowa 9mmF2.8 Zero-D has already been annouced here. Check it out for more specs and price.

Image taken with the X-T10 and Venus Laowa 9 mm f / 2.8 Zero-D af / 2.8 - 1/40 s - ISO 200 © Albedo Media
Image taken with the X-T10 and Venus Laowa 9 mm f / 2.8 Zero-D af / 2.8 – 1/40 s – ISO 200 © Albedo Media
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