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Today only, you can save up to 60% on PNY storage media, including Class 10 UHS-I SD-Cards.
Full list of deals here.
The Fujinon XF200mm f/2 is arguably the best lens Fujifilm has released in a while. It’s image quality without compromise.
DPRTV now published a short test of this lens (video below). The whole episode was filmed on the Fujifilm GFX 100.
Here at FujiRumors, we perfectly know that lenses like the XF200mm f/2, XF8-16mm f/2.8 and also the upcoming Fujinon XF 33mm f/1.0 are niche lenses, but as we wrote here, we consider them of absolute importance to stop the full frame DOF whining :).
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Capture One Pro 12.1 has just been released, and the very good Fujifilm X Trans demosaicing has become even better, according to C1!
It also adds lens profile for
Capture One Pro 12 is currently 50% off.
Full Release Notes
FujiRumors has always declared: the Fujifilm X100F is the sexiest of all X series cameras. And you guys also voted it the best looking X series in camera in our past surveys.
And since we already told you that a successor is still pretty far away, we keep up covering the Fujifilm X100F with love here on FujiRumors.
This time it battles against the Ricoh GR III and the Leica Q. But it’s not only about comparisons. Check out our mini X100F roundup below.
Join our Fujifilm X100 line facebook group
Fujifilm X100F: BHphoto, Adorama, AmazonUS, Focuscamera

Guest post by Markus Klinko: website / Instagram / MARKUS&KOALA
There has never been a camera that combines such stunning image quality, resolution, dynamic range, autofocus performance, overall handling, and ergonomics like the new Fujifilm GFX 100 does.
Previous medium format digital camera systems have been able to deliver very high-resolution images for a good 10 years now, but have sorely been lacking in handling and speed, particularly when it comes to autofocus performance, and especially with the limitation of only one central autofocus point.
The GFX 100 on the other hand, with its 425 auto focus points tightly spread all across the sensor, delivers blazing fast focus without ever having to re-compose.
With its swivel adapter, the high-resolution EVF can be shifted into various positions, which makes hand-holding over extended time much easier, and the 3-way tilt function of the LCD is a great help for comfortable composing whether the camera is low on the ground or high up overhead.
In early 2017, Fujifilm released the GFX 100’s predecessor, the GFX 50S, that already offered many of these unique features, and I have worked with it exclusively for the past 29 months.