Last week, Adobe announced that older version of Creative Cloud Apps such as Photoshop and Lightroom, will no longer be avaialble to its subscribers.
Now Adobe is sending out warning emails to customers who are using older versions of Creative Cloud apps, letting them know those older versions are no longer licensed.
“Please be aware that should you continue to use the discontinued version(s), you may be at risk of potential claims of infringement by third parties,“
Adobe suggest to update to the latest Creative Cloud version.
Tony Northrup took a Fujifilm GFX 50R for his Barcelona trip and now published a review about it (video above).
I will sum it up for you below, but I would quickly like to correct a few errors he made.
He says the GFX sensor surface area is 30% bigger than Full Frame, but it is actually 70% bigger. This is not correct, and Tony makes the MF sensor sound smaller than it really is.
So I thought that, before we dive into specs, pixel peeping, 400% magnifications and all the rest, we take one last deep breath into the art of photography by sharing some of the most voted images.
In order to make it easier for you digest, I decided to focus this part of the image roundup on monochrome images, and there will be another one later on in colors.
Mission Impossible: Making Professional Work with Fujifilm Cameras :)
Fujifilm’s Mission Impossible
If you are one of those, who thinks Fujifilm is not for Pros (APS-C is crap, MF is too slow), then please stop reading now, since I would like you to keep your sweet illusions ;).
Still sticking around? Well, then here is todays’ story.
After we discovered that the official images of Hollywood’s blockbuster “Dunkirk” were taken with the Fujifilm X-Pro2 and Fujinon XF18-135, fellow FR-reader Sam Zhai (instagram @hermeneuticlens) now spotted Fujifilm cameras on set of Mission Impossible – Fallout.
