Understanding Fujinon XF30mm F2.8 R LM WR Macro

Fujifilm USA runs over the several 30ish-ranged Fujinon lenses, highlighting their differences and making a final recommendation.

Lots of choice in that range, but which one is best?

Fujifilm USA (video below) says the XF30mmF2.8 Macro is probably the best prime lens you should consider getting if you are new to the X system and you are looking to purchase your first prime lens.

Because it’s kind of the jack of all trades: it can do macro (the others can’t), it has extremely fast autofocus even at close distances (some of the other lenses have not that fast AF), it is very sharp, has low to no chromatic aberration, it’s ideal for high resolution X cameras (X-T5 and X-H2), and with $600 pricing it is still affordable for many people.

My take?

Well, I personally would still recommend the XF35mmF1.4 as first prime lens. It can’t do Macro, but it is still affordable and much faster with its 1.4 aperture. Plus it’s one of those character lenses that will give you magic results.

But certainly the XF30mm f/2.8 is also a wonderful and versatile option for a first prime lens.

You can watch the full video below.

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LEAKED: Fujinon XF30mm f/2.8 Macro Price and Main Specs

Nokishita leaked on an anonymous Japanese Forum the main specs of the Fujinon XF30mm f/2.8 Macro.

  • XF30mmF2.8 R LM WR Macro
  • Lens composition: 11 in 9 groups (3 aspherical lenses, 2 ED lenses)
  • Minimum shooting distance: 10cm
  • Maximum magnification: 1.0x
  • Number of aperture blades: 9 (circular aperture)
  • Size: φ60 x 69.5mm
  • Weight: 195g
  • Overseas price: $599, £599

As FR-readers know, the lens will be announced along with the Fujifilm X-T5 on November 2 at 9AM New York time.

via mevius.5ch via asobinet via digicame-info

Fujifilm X-T5 rumors recap:

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Pergear Launches Very Affordable CFexpress Type B Cards

CFexpress Type B cards are fast and certainly unlock new feature performance on our gear.

But they are very expensive!

Well, Pergear now tries to fix just that and launched very affordable CFexpress Type B Cards (compared to other brand cards).

Pergear Lite (64GB/128GB):
Read:300MB/s, Write:80MB/s, fit for photo and low bit rate video capture (2K, 1080P)

Pergear Pro (256GB/512GB):
Read:1200MB/s, Write:360MB/s, support continuous mode photography and video (4K120P, 8K30P)

Pergear Ultra (1T/2T):
Read:1600MB/s, Write:1300MB/s, highest capacity available for large file production, highest bit-rate video recording and continuous mode

You can check out all the new cards also directly at Pergear here.

We remind you that Fujifilm has a list of officially recommended CFexpress Type B cards. I am not aware if Fujifilm did test Pergear cards so far.

So at least until Fujifilm recommends also the Pergear cards, I would stick with the officially recommended ones, unless you don’t plan to shoot high quality 6K or 8K video and you don’t need the longest bursts possible. In that case, also the Pergear might to do the job just fine.

CFexpress Type B Cards – Official Fujifilm Recommended

Out of all the cards mentioned above, these are the cards without any compromise in performance at all:

New Images of Fujinon GF30mm f/5.6 Tilt Shift and GF110mm f/5.6 Tilt Shift Macro

At the very end of the last Fujifilm X Summit, there was that “one more thing” moment, and this time Fujifilm decided to show us mockups of the Fujinon GF30mmF5.6 Tilt shift lens and Fujinon GF110mmF5.6 Tilt Shift Macro lens.

We reported about it here already.

One might remember that already back in September 2021 Fujifilm showed us the mock up of one of those lenses, but at that time it was still an f/4 lens, the Fujinon GF30mmF4 tilt shift.

That mockup showed a was rather hefty lens, so I guess that in order to save size and weight (and to make it more affordable), Fujinon redesigned it to be an f/5.6 lens.

A good decision in my eyes, as the new hands on images that now appeared (see them below) over at digitalcameraworld, show a definitely smaller lens.

The Fujinon GF30mmF5.6 T/S lens will appeal particularly to architecture and inferior design photographers whereas the GF110mmF5.6 T/S Macro to food and product photographers.

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RUMOR, NEWS and COMMUNITY

 

Fujinon XF56mmF1.2 II Additional Specs: 67mm Filter Size, Weather Resistant and No Linear Motor

When Fujifilm started to release the newest f/1.4 lens trinity, they all got the weather sealing, a new optical design to resolve the 40MP of the X-H2 and X-T5 and they also got a linear motor for blazing fast autofocus.

Well, according to our trusted sources, the Fujinon XF56mmF1.2 II will follow that path, but not completely.

We got told this by trusted sources:

So what the XF56mmF1.2 II will lack over the the latest f/1.4 lenses is the linear motor.

We remind you that the current version uses DC coreless motor (the smallest motor). Stepping motors are better but bigger. So I wonder (not rumor) if this version has a stepping motor.

Before we make any judgment on AF, let’s wait for the real world reports, which will all drop on September 8 and we will cover live here on FujiRumors

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BHphoto Top 10 Mirrorless Cameras of 2021: the GFX Medium Format Consecration Continues

We are approaching the end of the year, hence we will be bombarded by 2021 top and flop gear posts and videos.

DPReview shared their top and flop gear already, and we reported about it here.

Now also BHphoto has put up their list for the top 10 mirrorless cameras of 2021.

Once again the latest GFX gear enters the ranking at the very high positions. But the GFX system gets its consecration not only in the year-end rankings, but also at the box office, where especially the Fujifilm GFX100S is causing headache to Fujifilm due to a high demand they simply can’t match.

And what about Fuji’s APS-C series? Well, things look good, very good for the X system in 2022.  Just keep an eye on the latest X-H2 rumors ;).

BHphoto Explora – Top 10 Mirrorless Cameras of 2021

  1. Nikon Z9
  2. Sony A1
  3. Fujifilm GFX100S
    Not too long ago, the thought of a 100MP camera sounded like very wishful thinking, considering 36MP was high-res and 24MP is still a go-to standard for many cameras today. FUJIFILM’s GFX 100S isn’t the first 100MP camera, it’s not even FUJIFILM’s first, but it represents the first time 100MP has been available sub $10K and in a camera body that’s portable and reasonable for walkaround shooting use. It redefines medium format and breaks down the barrier that’s made medium format, especially high-resolution medium format, so inaccessible for virtually everyone until now. What’s even more impressive about the GFX 100S is that it has also benefitted from full-frame and APS-C mirrorless development, too, and features many of the same imaging assets you’d expect from other current cameras, like IBIS, DCI 4K 30p video, and even phase-detection AF. Unlike medium format cameras of the past, which were notoriously slow and outdated in performance, but you’d suck it up for the amazing image quality, the GFX 100S doesn’t need these excuses anymore as it meshes high-resolution medium format quality with current mirrorless performance.
  4. Canon R3
  5. Sony A7IV
  6. Fujifilm GFX50SII
    Accessible and medium format are no longer mutually exclusive terms with the GFX 50S II; the second-gen compact medium format mirrorless with a new integrated design and the same 50MP sensor that put the GFX system on the map. Late summer saw FUJIFILM release the second generation of their first mirrorless medium format camera, the GFX 50S II. Compared to what a conventional second-gen camera is, though, this new GFX trended in a new way, with a focus on becoming even more accessible than the first generation of cameras, meaning medium format is now a realistic consideration for people shopping for full-frame systems. And with that in mind, the GFX 50S II presents a truly interesting choice for photographers who value image quality above all other camera specs. Beyond value alone, the GFX 50S II also saw some physical changes, bringing it in line with its 100MP sibling and featuring a fully integrated viewfinder and forgoing the more modular nature of the first GFX 50S.
  7. Nikon Zfc
  8. Sony ZV-E10
  9. Sigma fp L
  10. Panasonic Lumix GH6 (or GH5 II, for the time being)

You can read the full list here at B&H.

EXCLUSIVE: Fujinon GF35-70mmF4.5-5.6 vs Fujinon GF32-64mmF4 Size Comparison

 

One of the most intriguing lenses Fujifilm will launch in near future (within 2021), is definitely the Fujinon GF35-70mmF4.5-5.6, a very affordable zoom for the Fujifilm GFX system.

To see which other lenses (and cameras) will be launched this year, but also in 2022, check out our rumored X/GFX 2021/2022 timeline.

But back to the GF35-70mm.

We already told you that the lens will have a collapsible design, similar to the one we find on the Fujinon XC15-45mm F3.5-5.6. This means that when you first turn the lens, you are not already zooming. You are just pushing out the lens. Only once pushed out, you can start zooming.

This sort of design helps to keep lens size smaller.

But how small will the Fujinon GF35-70mmF4.5-5.6 be?

Well, thanks to indication of our sources, we can now share an approximate size comparison between the upcoming Fujinon GF35-70mmF4.5-5.6 and the already existing and quite frankly stellar (and now hugely discounted) Fujinon GF32-64mmF4. You can see the comparison above.

Of course the rendering shows the lens in its smallest size possible.

This is approximate size comparison I made using an imaginary mock-up I made out of the rumors shared so far, so do not expect it to be a 100% super accurate size comparison. But it will help you to get an idea on what is about to come from Fujifilm.

Now, I own the Fujinon GF32-64mmF4 and love it. And I also love the fact that it has an aperture ring, which the Fujinon GF35-70mmF4.5-5.6 won’t have. So no regrets here and I will happily stick with my GF32-64mmF4.

But the Fujinon GF35-70mmF4.5-5.6 has also its strengths: a sensibly smaller size (as you can see above) and a much more affordable price tag.

I can see what Fujifilm is doing here, and as I said in this article, it makes a whole lot of sense, as it finally fixes the true anomaly in the G mount lens lineup.

So guys, that was it for today. But more juicy stuff will come ;).

The GFX Community

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Fujinon XF200mmF2 Lens Removed from BHphoto but NOT Discontinued

Fujinon XF200mmF2 – Discounted but Not Discontinued

Ok, let me set something right.

BHphoto has completely removed the Fujinon XF200mmF2 R LM WR from their website. You’ll be redirected to a page that says: “The page your requested is no longer available. We have redirected you to a simlar page for your convenience.” I tried to check a google cached version of the page, and when I add the XF200mmF2 to the cart, it then tells me “some item(s) are no longer available at B&H“.

The situation is not much better at other stores. AmazonUS says here “Currently unavailable. We don’t know when or if this item will be back in stock” and Adorama says here that it is “Temporarily On Backorder“.

According to a FR-reader, BHphoto is sending out emails telling customers that the XF200mmF2 is discontinued:

B & H has sent me an email saying that the fuji xf 200 mm f2 has been discontinued and they no longer carry it.

So what is happening? Is it really discontinued?

I did investigated this, and I can 100% safely say that the lens is not at all discontinued. So I do not know why BHphoto is not listing the lens anymore.

What I know is that given the worldwide $/€ 2K discount on the XF200mmF2, as to expect, the lens sold out almost everywhere. And I’ve warned you already back in May that such a discount is ridiculous for a lens that was already short on stock before this epic deal.

Now the inevitable happened: it’s out of stock basically everywhere and who knows when Fujifilm will be able to ship current orders.

So, if you are interested in this lens, place your order. You’ll get it at some point. Fujifilm is still manufacturing it and will for a long time. But you better arm yourself with patience.

The XF200mmF2 Problem

The Fujinon XF200mmF2 is arguably one of the very best lenses Fujifilm ever made.

As we reported here, when Fujifilm designed it, they didn’t care about size and price. All they wanted to achieve, was the best image quality and a fast autofocus.

But Fujifilm managers told us that it did not sell well. In fact, given the struggles the XF200mmF2 faced on the market, Fujifilm is wondering if it makes any sense at all to continue to develop and manufacture long prime lenses, that will just result in a loss of money for Fujifilm.

My guess is that people overall tend to prefer zoom lenses that cover that 200mm range, and there are quite some of them in the Fujifilm lineup (and more will come in future).

Sure, none of them is optically on par with the close to perfect Fujinon XF200mmF2, but they are all very decent lenses anyway and deliver an image quality that will be totally satisfactory for the vast majority of Fujifilm X shooters. And they all come for a significantly more affordable price tag.

What About the XF300mmF4 and XF500mmF5.6?

Speaking of long primes…

Back in March 2020, we reported about two Fujinon XF patents showing a Fujinon XF 300mmF4 and Fujinon XF500mmF5.6.

And although I am aware that some folks gave it as 110% certain that those lenses will come in 2021, we warned you in January 2021 that those lenses won’t come in 2021. And quite frankly I have no idea if they will ever come.

We invite you to check out or latest and most updated 2021/2022 rumored Fujifilm products timeline to see what is coming (and what not).

The Future Needs…

So what will the future bring?

Well, you might remember how back in 2019, Fujifilm launched a survey on which lenses we’d like to receive in future.

FujiRumors took 1:1 the lens suggestions Fujifilm made and made this poll out of it that saw 20,000+ people voting on it.

Guess what?

All the long telephoto prime lenses ended up at the very bottom of the ranking, showing that there is simply not enough interest for such lenses.

My take?

Well, I think the XF200mmF2 is maybe not long enough (although with the 1.4x TC it is basically an XF300mmF2.8 lens).

What  I believe could be worth Fuji’s R&D and become much more successful is a Fujinon XF400mmF4 lens. And with 1.4x TC you’d have a XF560mmF5.6 lens. That lens, I believe, could guarantee Fujifilm decent sales.

So, let’s hope Fujifilm won’t give up on telephoto prime lenses. They are needed. For a niche, sure, but definitely needed.

GFX Gear

X Gear

Fujinon XF18mmF1.4 R LM WR ePHOTOzine Review: “Outstanding Sharpness and Delightful Lens to Use”

The Fujinon XF18mmF1.4 keeps up its victory parade.

After getting the Gold Award by DPR, it is now also highly recommended by ePHOTOzine with a long list of virtues and just minor negatives (none of them has to do with image quality).

In fact, in their latest review they write:

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Sony to Release New 127 Megapixel Large Format Global Shutter CMOS sensor

This is not really fresh news, as we covered the sensor already here in August 2020.

In that article, we already made clear that this is a 3.6 type sensor, whereas the GFX uses a minimally smaller 3.4 type sensor.

What this means and how this translates into GFX, we explained it here.

What’s new today, is that we have an official press release by Sony that you can read below.

Press Release

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