Fujinon 2019: Which one Was Fuji’s Most Important Lens in 2019? POLL

Fujinon Lenses 2019

BHphoto has published an article about all 4 new Fujinon lenses released in 2019.

You can check it out here.

As you can see, the release perfectly fits with what FujiRumors told you years ago, meaning that Fujifilm will NOT release more than 2 or 3 XF and 2 or 3 GF lenses a year. So a total of 4 to 6 lenses.

But in my opinion, 4 lenses are not enough!

There should be more, and I hope in 2020 will will see at least a total of 6 new X/GFX lenses. We need:

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A Tale of my Photographic Journey and Back to the Roots with These Inspiring Fujifilm APS-C Images

Photography Reset

Yesterday, while desperately searching for some school material and turning upside down my little rented apartment, I stumbled on my old Canon Powershot SD850 IS, a powerhouse sporting a staggering 8 megapixel 1/2.5 ” CCD sensor… and… hold on tight… an impressive (and useless) ISO sensibility of 1600!

And, oh boy, how much I missed it. And I don’t mean the camera itself, but the time, before my photographic fall took place.

This is (quickly) what happened.

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Notice of FUJIFILM Application Software Used with “macOS 10.15 (Catalina)” – UPDATED

A few weeks ago, Fujifilm acknowledged compatibility issues of various Fujifilm software with MacOS Catalina.

Fujifilm is working to fix it, and they now have released a second wave of bug fixes, after the ones released on November 14.

Nov 28, 2019
Compatibility with macOS 10.15 (Catalina) is added to the application software below. Download them from the website and install them.

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Meet the Fujifilm X-PAN10 Concept

Fujifilm X-PAN10

Just recently we shared a Fujifilm X-P1 concept, a digital version of the legendary Fujifilm TX-1 / XPan.

The concept raised a vivid discussion on FujiRumors, and today I’d like to continue the chat.

In fact, FR-reader Ricardo sent me his own concepts of what he calls the “Fujifilm X-PAN10“, along with some of this thoughts.

Here is his idea:

by Ricardo Silva Cordeiro – Instagram / Website

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Fujifilm X-T3 with XF 56mmF1.2 vs Sony a7iii with Zeiss Batis 85mmF1.8 + Advantage of Shooting f/1.2 on APS-C vs f/1.8 on Full Frame

Fujifilm vs Sony

Sonder Creative and Anete compared the Fujifilm X-T3 with Fujinon XF 56mm f/1.2 with the Sony a7iii with Zeiss Batis 85mm f/1.8.

At the end it is a split decision, with Anete preferring the Fujifilm system and Sonder Creative the Sony system.

But I want to highlight one thing, before I leave you to the video and a summary down below.

We know that, in terms of depth of field, f/1.2 on APS-C does not give the same results of f/1.2 on full frame.

In fact, f/1.2 on APS-C is closer to f/1.8 on full frame, and this is why on this comparison you don’t really see any difference in terms of depth of field between the Fuji and the Sony (except for the bokeh quality, which is better on the Fuji.)

The point?

When Sonder Creative exposed properly both images (base ISO, and widest aperture), he noticed that the shutter speed was completely different:

  • FUJIFILM: ISO 160 – f/1.2 – 1/8000
  • SONY: ISO 100 – f/1.8 – 1/3200

He concludes saying that:

one of the advantages of shooting with APS-C, is that you can shoot with a much faster shutter speed compared to full frame

Seen from this perspective, the light gathering capability of f/1.2 on Fujifilm APS-C is and remains f/1.2.

I thought I point this out and let you discuss about it.

FujiRumors is everywhere: Facebook, RSS-feed, Instagram, Youtube and Twitter

And now to the video and the summary:

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Fujifilm X-T3 Firmware Announcement Updated – Enhanced Autofocus and More

Just a few days ago, Fujifilm announced major firmware udpates for Fujifilm X-T3 and X-T30.

Now Fujifilm updated its original announcement.

What has changed?

Nothing, they just added at the bottom a link to the Shenzhen Gudsen Technology Co., Ltd. regarding the Gimbal/Drone support.

But official news is official news, so I have to report about it.

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Fujifilm to release firmware update for the FUJIFILM X-T3
Enabling video shooting control from Gimbal / Drone and offering other feature enhancements

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Fujifilm X-H1 (and X-T2) Marked as Discontinued: The Era of 24 Megapixel is Over, but the Time for Fujifilm X-H2 has Not Yet Come

Good Bye Fujifilm X-H1

The Fujifilm X-H1 is now marked as discontinued at BHphoto in basically all its configurations.

Just a few days ago, the same happened to the Fujifilm X-T2 here.

The era of Fujifilm’s 24 megapixel cameras is over.

But I feel I need to say a few words about the Fujifilm X-H1, a camera that didn’t get the success it deserved, mainly for a very unlucky timing by Fujifilm: releasing the more powerful Fujifilm X-T3 just half a year later.

I have no idea how Fujifilm Japan thought this could work out well. Maybe they thought that IBIS alone is enough to keep the X-H1 attractive also once the X-T3 hits the market. But apparently they were wrong.

And yet, at its very last moments, the Fujifilm X-H1 lived moments of glory, by selling like hot cakes thanks to massive rebates.

Ok, I hear you say… Fujifilm X-H2 is coming.

Well, the Fujifilm X-H2 is on Fuji’s “to do” list, and it will come, but Fuji won’t release it in 2020.

X-H1 anyone?

The Fujifilm X-H1 is running out of stock, but you can still find it available in some stores, for example at Adorama here.

So, if you want to grab one, you better do it now.

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Rumors and Discussions

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Sensor Size Sweet Spot is APS-C and not Full Frame, Claim These Industry Insiders

The Ideal Sensor Size

Yeah, let’s do it. Let’s stir up the spirits, and for one more glorious time, jump fully into the sensor size debate.

The trigger?

And article by DL Cade form Petapixel, who had a talk with Richard Butler (DPR) and Bill Claff (Photons to Photos), about:

  • Why Full Frame is perceived as the “serious” format
  • What is the “ideal” sensor size

The first can be answered with the popularity of 35mm in the film era.

But in modern digital times, is full frame really the sweet spot? DL Cade, Richard and Bill answer the following in this article:

DL Cade goes for APS-C:

“I still believe there is a best sensor for “most people” and that this sensor is not full-frame. This sensor is APS-C. […] the performance to size to cost ratio falls into a sweet spot that neither Micro Four Thirds nor full-frame can match.

take the Fuji X-T3, which is a bit closer in price and weight to the a7 III, selling for only $500 less and weighing only 0.25lbs less. In the video department, the Fuji can already record 4K/60p 4:2:0 10-bit internally; Sony can’t even do that over HDMI. And it, too, shoots at a faster 11fps in 14-bit RAW, can capture up to 30fps electronically with an additional 1.25x crop, and benefits from a large selection of high-quality, compact lenses designed for APS-C.”

Richard Butler says:

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Fujifilm X-H2 will Come, but NOT in 2020

Fellow FR-readers!

We would like to remind you that the Fujifilm X-H2 is on Fujifilm’s roadmap, but, as we already told you months ago, it is currently not scheduled for 2020.

I have not heard anything about Fujifilm anticipating the release of the Fujifilm X-H2 since our original rumor was posted, so for now I stick “not in 2020“.

And if you don’t trust me, then trust Fujifilm managers, who already said here, that both lines, the X-H and X-T, will continue to exist in future.

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Rumors and Discussions

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Fujifilm X-T4 and X-H2 Leaked Details: Would it Be Madness to Merge both Lines? – VOTE POLL

Fujifilm Madness?

Would it be madness?

Take Fujifilm’s most successful camera line, the X-T1, X-T2 and X-T3, which remained intact in form and function for 6 years now, and annoy all Fujifilm X-T line lovers, by changing it.

Why do I say this?

Well, because if Fujifilm was to cancel the X-H line (as rumored by our forum member Jason here), this is what would happen, in an attempt to merge both lines into one.

Fujifilm would need an X-T4 with bigger grip (as the leaked specs would suggest), for better handling and operation with long lenses. So the sleek design of the current X-T line would have to make space to a more bulky grip.

And then there are the dials. Fujifilm X-T shooters love dials, so forget about the top LCD screen, but keep the exposure compensation dial.

The result?

A hybid camera, that would make both unhappy, X-T and X-H lovers.

Seen from this perspective, Fujifilm needs both camera lines, as this gives them design freedom.

  • X-T line – don’t change what is so successful
  • X-H line – more design freedom

This is why Fujifilm managers officially said that the Fujifilm X-H line will continue to evolve. It just needs time, as FujiRumors reported here.

Fujifilm Wisdom?

Or maybe Fujifilm would demonstrate wisdom by canceling one line, as they will never really be able to make them coexist?

Having two lines on the higher end just creates confusion.

Better bet on one horse, and send it out to battle against Sony, Canon and Nikon.

What should Fujifilm do with X-T and X-H line?

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