Fujifilm USA offers 70% Discount on X/GFX Gear Check & Cleans

FR-reader Marco contacted me today, letting me know that Fujifilm USA has a sweet promotion running on Fujifilm X/GFX gear.

You save 70% on check & cleans.

You can check out all details at fujifilm-x.

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Camera GP Japan 2020 Awards: Sony Wins Big and Fujifilm GFX100 Grabs the Editors Award

The Fujifilm GFX100 won the Camera GP Japan 2020 Editors Award, said to be the most prestigious camera award in Japan.

Now, I don’t know much about this specific award, but overall I wrote an article in the past about the dubious meaningfulness of such awards. But hey, better to win something than not to win.

It is totally subjective, but personally I rejoice much more when other awards are won, for example when photographers using Fujifilm cameras win hands down at the 2020 Word Press Photo awards.

Think at this:

None of the Fujifilm X shooters creaming off all the top awards at the World Press Photo 2020 used the most powerful camera on the market: an X-Pro2, an X100F, an X-H1 and others. But each of these cameras has its character, its peculiar look and feel, build ergonomically around the different needs of different photographers, and hence the tool many chose, to go out and grab award winning images.

Personally I also prefer to use a camera that fits my shooting style, rather than one with the power of a playstation, as I know I will get better results out of the first one.

This is also the reason, why the Fujifilm GFX100 made me salivate on specs level, but personally (as a guy, who does not make a penny out of his photography) I would not buy one, at least not until it looks like this Fujifilm GFX concept.

When I picked up the Fujifilm GFX100 and tested it, it was the first Fujifilm camera I ever hold in my hands, that I had to spend time just to figure out how to operate it.

You know what I mean?

I mean, give me an X-Pro2, X100V or X-T4, and thanks to their intuitive layout and manual controls, I can shoot right away, without any need of a manual or even setting up anything at the menu.

Specs are nice and good. But esthetics, ergonomics, feel and usability are more inspiring for me than mere specs, and therefore help me to keep my passion, fun and inspiration for photography high and fresh.

With that said, here you get it: the list of Camera JP Japan 2020 winners.

The big winner is Sony.

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Fujifilm Press Release

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DPRTV Reviews Fujinon GF45-100mm F4 on Fujifilm GFX100

DPReview TV has published their Fujifilm GF 45-100mm F4 OIS review. Here is what they think about it:

  • basic general purpose everyday professional lens
  • it’s rugged and has OIS
  • it’s like a 35-80mm on full frame
  • Chris would like something wider
  • for landscape he prefers the GF32-64mm
  • the 35-80mm full frame rage however gets into portraiture territory, too
  • but overall there is a lot of crossover between the GF32-64mm and the GF45-100
  • what Fujifilm needs to release is something that goes from 20 to 35mm in full frame terms
    [NOTE: FujiRumors leaked an old internal GF lens roadmap, and it showed a GF 20-36mm F3.5-4.5, which would be a 16-30 in full frame]
  • at 100mm he can handhold shots at about 1/30 of a second and still get very good and usable resolution. That’s very impressive
  • build quality feels excellent. Well build high quality lens. The weight is acceptable
  • excellent in containing chromatic aberration. No real chromatic aberration even in high contrast scenes
  • great job in controlling flair issue
  • optically a fantastic lens
  • sunstars are OK, but not great. But that’s classic for zooms
  • bokeh exhibits a little bit of onion rings, maybe a bit harder on the edges of the bokeh balls. Not as much cats eye in the corners wide open as he would have thought he’d get, and completely goes away if stopped down a bit
  • he shot handheld with the Fujifilm GFX100 IBIS, and he got very usable resutls at 1/15 of a second. So Chris is impressed
  • this lens would be awesome also for the Fujifilm GFX50R. It has OIS, and makes it a great walk around lens
  • has linear motor and focus incredibly fast paired with Fujifilm GFX100
  • easily delivers the sharpness you need even on 100 megapixel body
  • very consistent and high sharpness
  • in video, there is a fair amount of focus breathing. But besides breathing, it’s a nice lens for video
  • Chris says it’s still not the most versatile lens for him. He can’t rely just on this lens. He feels he has to take with him some other lens too, like the excellent 23mm prime lens or the 32-64 zoom
  • if you go with larger format zooms, this is a compromise you need to do. You can’t get same focal range easily like you get on a smaller sensor
  • depth of field equivalent of a f/3.2 on full frame. Gives you a lot of nice soft background
  • fantastic general purpose zoom

Fujinon GF 45-100mm f/4: BHphoto, AmazonUS, Adorama, Focuscamera
Fujinon GF 32-64mm f/4: BHphoto, Adorama, AmazonUS
Fujinon GF 23mm f/4: BHphoto, AmazonUS, Adorama
Fujifilm GFX 100: B&H Photo, AmazonUS, Adorama, Focuscamera

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Review of the Steelsring Nikon F to Fujifilm GFX Smart Autofocus Adapter

 

After a long wait, the Steelsring Nikon F to Fujifilm GFX Smart Autofocus Adapter started to be available towards the end of 2019.

You can find it here on AmazonUS.

No Dylan published his review, which you can see below. Here are the main points:

  • it’s not the cheapest adapter
  • allows you to autofocus with the more modern Nikon G and E type lenses
  • good build quality
  • mounting on GFX mount does not sound quite as smooth as mounting a GFX lens on the body or a Laowa lens. On the other side, the Nikon mount part feels good
  • ability to control aperture
  • you have an aperture ring on the adapter for G type lenses, and you can set it to AUTO for E type lenses
  • E type lenses with magnetic aperture can be controlled electronically via the GFX body
  • G type lenses are not really fully supported. Aperture control is purely mechanical and the adapter doesn’t actually know which position it is in. Aperture value is not send to the camera. The lens can only communicate to the body what its widest aperture is, but if you stop down, it is unable to tell you who much it stopped down
  • loose aperture ring
  • aperture stops are very close together, hence not easy to be accurate
  • autofocus speed depends a lot on the lens.
  • you will see wobbeling of the contast AF detect system
  • GFX100 phase detection system is not supported
  • You won’t get Nikon level focus speed, because the GFX system is not capable of that
  • if you accept an autofocus speed a bit slower than native GFX lenses, then it can work for you
  • there is more or less strong vignetting depending on the lens
  • wide open, sharpness is not quite as high as on Nikon cameras, as the Nikon lenses where not designed to resolve over such a large sensor. If you stop down, things get much better
  • for more sharpness better use GFX lenses

This is the summary of the video below. But Dylan posted an article about it also on fstoppers, that you can read here.

  • Steelsring NK-F/GFX smart autofocus adapter: AmazonUS / eBay

Fujifilm GFX 100: B&H Photo, AmazonUS, Adorama, Focuscamera

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Fujifilm Glossary Series: The Rule of Thirds, Middle Grey, 180 Degree Rule, Inverse Square Law and More

Back in October 2019, Fujifilm released the first 8 videos of their mini tutorial Glossary Series on their youtube channel. You can see them all here.

Now Fujifilm released 10 more videos, that you can see down below.

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Review of TTArtisan 11mm F2.8: a Fisheye for your Fujifilm X and GFX

Hi, I’m Nathan.

I’ve written here before. I’m a still life advertising and event photographer based in Japan. I do weddings, embassy powwows, corporate events, audiophile meet-ups, and shoot everything from jewellery to headphones. If you want to see, read, or listen to my opinions on lenses, cameras, and audio doo-dads, by all means hit me up at my blog: ohm image, and my YouTube channel: Fauxtaku Lounge.

Disclaimer: TT Artisans sent this lens to me for the purposes of review both here and at YouTube. I paid nothing for it. It goes for 255$ USD and can be found here. Many thanks TT Artisans for the opportunity.

The video portion of this review along with a different selection of photos and short videos can be seen in this video: TTArtisans 11mm f2.8 fisheye on Leica M10 Fujifilm X-T3 and GFX

Let’s clear the air: I’ve never before used a fisheye lens. In fact, so lost and daunted was I by the prospect of using one that time and time again I delayed publishing this review. Prior to it arriving I boned up on how to shoot a fisheye lens. Hints came from the general internet as well as from the comments section of Fauxtaku Lounge. I’m still not confident that the examples I shot really get the picture across, but I hope I’ve learned a thing or two and that this review will help someone. Thanks to everyone for the advice and help.

Whatever the limits of my abilities, the fun-factor of using a fisheye is unlimited. This bad boy covers 180º, with a bright 2,8 maximum aperture. Talk about fun. I’m sure loads of you out there know what it’s like to shoot fisheye lenses. Move a little and the entire frame changes. Sag a shoulder slightly and the horizon bolts down. Because it covers 180º and does the bulbous fisheye thing, you have to remember a few things:

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Top 20 Fujifilm Manager Statments about Fujifilm X-H2, X100V/X-T3 Firmware, Monochrome, Open X Mount, Fixed Lens GFX and More

With the Fujifilm X-T4 about to hit the market (and actually already shipping in some), Fujifilm managers all over the globe are giving tons of interviews to make the world ready for the best camera it has ever seen to date: the Fujifilm X-T4 :).

Of course, I pre-ordered it, too :)

Now, for your convenience, I always provide a practical summary of all manager statements in my various article, and yet, with so many interviews, there might be some statements you might have missed anyway.

So I thought I filter out those statements, that I consider most relevant, and put them all into this article.

However, there is so much more interesting stuff to read, and so I strongly recommend you to check out all the original articles. I will provide all links below.

Manager Statements

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FUJIFILM Updates RAW File Converter EX and FUJIFILM Tether Plugin PRO for GFX for Adobe

Fujifilm has updated RAW File Converter EX and Tether Plugin PRO for GFX.

RAW FILE CONVERTER EX powered by SILKYPIX – download here

The software update Ver.8.1.5.0 incorporates the following issues:

  1. Applicable model for the “RAW FILE CONVERTER EX 3.0 powered by SILKYPIX” is added.
    Applicable Model : FUJIFILM X-T4
  2. Compatibility with Mac OS is from OS X v10.9 to macOS 10.15.

FUJIFILM Tether Plugin PRO for GFX” for Adobe Photoshop Lightroom Classic CC / 6 – download here

The software update Ver.1.16.0 incorporates the following issues:

  1. RAW RECORDING setting can be set from the computer.
  2. DYNAMIC RANGE setting can be set from the computer.
  3. For Windows: It can be used only on Windows (64 bit).

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Major Fujifilm X-T3 and GFX100 Firmware Update Coming May/June

Let me first say things how they are.

Fujifilm NEVER announced any major firmware update for Fujifilm X-T3. The rumor of a Kaizen X-T3 update has been published here on FujiRumors a few months ago. And it was only a rumor.

Pressed by questions, Fujifilm managers later on just vaguely answered that such a firmware is “under consideration“.

Another thing is the huge update for Fujifilm GFX100. That firmware has been promised by Fujifilm back in February here. The main course of the meal: pixel shift multishot for 400 megapixel images.

Anyone salivating? ;)

Now back to the rumors.

According to our sources, both, the Fujifilm X-T3 as well as the Fujifilm GFX100 firmware updates should be released in the first half of 2020 (which May/June).

I asked if it could come out already in April, but my sources are sure it won’t be April.

And now a mandatory warning!

While I am 100% sure Fujifilm’s current plans are the ones I said above, after almost a decade of my life dedicated to Fujifilm blogging, I can tell you that if there is one thing, that can experience sudden plan changes at any time, then it’s firmware updates.

Fujifilm has a deadline, but especially with firmware updates, those can change quickly. The firmware will be released, only when ready.

And yet, the plan is to come out with both, X-T3 and GFX100 firmware within the first half of the year.

That’s it for now.

But if you want more, just keep us following us ;).

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