Fujifilm GFX100 Shipping and First User (Bug?) Reports

Fujifilm GFX100

The Fujifilm GFX100 is now shipping.

It is still not marked as in stock at major retailers, but the small ones have already shipped to customers.

They already share unboxings, hands on experience and some even what are supposed to be bugs, such setting resets. But I remind people, that you have to give the little internal battery a long first charge, otherwise it has not enough juice to keep your camera settings stored while you remove the big battery.

Also, before screaming for bugs, you better read the GFX100 owners manual.

Some members of our massive Fujifilm GFX group have already received their samples, and

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Fujifilm Camera Remote 4.1.0/4.1.1 Adds Fujifilm GFX100 Support and Fixes Bugs

Fujifilm Camera Remote 4.1.1 for iOS and 4.1.0 for Android has been released.

  • Now it supports Fujifilm GFX100.
  • Bug Fixes and performance improvements.
    *Above feature varies depending on what camera you use.

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Fujifilm GFX100 Development Story with GF Lenses Autofocus Speed Ranking

Fujifilm GFX100

Fujifilm has published a first Fujifilm GFX100 development story article.

They start with discussing the definition of the sensor, medium format or large format.

There is not much point in having a discussion as to how to call the format of 44 x 33mm. We tend to seek for the historical ground from the days of silver halide film; 6 x 4.5 is medium format, and 4 x 5 inch or larger is large format, but the explanation does not have any suggestion other than historical legitimacy.

in terms of resolution, the current 44 x 33mm format surpasses that of the 6 x 4.5 and even the 8 x 10. There still is the unique color reproduction of the silver halide films, but if the medium and the large format is designed for large prints, then there is no point in seeking historical ground to call what format GFX is. Because with the GFX100, we can have the prints even larger.

The core part of the article is the comparison between Fujifilm GFX100 and GFX50 in terms of AF speed.

The major change from X-Pro1 to X-Pro2 was the installation of phase detection AF. The same goes for the GFX100 when compared to the change from GFX 50S / 50R. Furthermore, the AF algorithm of the GFX100 is same as that of the X-T3, meaning not only is it fast, but is now also tougher against in low light conditions, high frequency subjects and low contrast subjects.

To put simply, the GFX100 has the agility like the X-T3 and achieves the descriptive power like the 8×10. There have never been a system like this before. This is a whole new experience.

The lenses, that have the biggest benefit in terms of AF speed thanks to the phase detection AF pixels on the GFX100 are the GF63mm and GF45mm.

GF lenses autofocus speed on GFX100 (with latest GF lens firmware udpate):

  • GF 23mmF4 R LM WR – 0,140 sec
  • GF 45mmF2.8 R WR – 0,183 sec
  • GF 63mmF2.8 R WR – 0,186 sec
  • GF 110mmF2 R LM WR – 0,208 sec
  • GF 120mmF4 R LM OIS WR Macro – 0,181 sec
  • GF 250mmF4 R LM OIS WR – 0,212 sec
  • GF 32-64mmF4 R LM WR – 0,168 sec

Read the whole story at fujifilm-x.

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Why Fujifilm GFX Medium Format System is Future Proof and Tony Northrup’s GFX Pessimism is Unjustified

The Future of GFX

And then it became clear to me: Fujifilm medium format has a glorious future ahead. :)

Just two thing before we start:

  • Tony Northrup shared a video (see below), where he didn’t sound very confident about the GFX future. I thought about it, and the result is the article below
  • This article is based on the assumption, that in future only higher end cameras are 100% safe from the smartphone attack, since professional photographers won’t ever switch to smartphones for their Pro work

2 minutes reading time (or just 15 seconds if you jump directly to the conclusions ;) )

  • Fujifilm 2016 – The Statment

In 2016, Fujifilm Managers Makoto Oishi and Fuji Guy Billy said in this interesting interview:

When the global shutter sensor comes to be, it will be a big change just to the whole camera industry, taking away all the limitations of current electronic shutters. […]

If the GFX has global shutter, so we can imagine something new. A smaller body.

So let’s talk about it.

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Fujifilm Manager About Fujifilm GFX100 Pixel Shift Multishot, Full Frame Crop Mode with Faster Sensor Readout and More

A new edition of the Medium Format Magazine has just been released.

It’s packed with content of great contributors, like Jonas Rask, Ming Thein, Take Kayo and more.

This edition includes also an interview with Makoto Oishi, product planner for Fujifilm GFX100.

In this article I will highlight a few things the manager said about the Fujifilm GFX100. But there is definitely a lot more to read at the Medium Format Magazine.

If pixel shift multishot will come to the Fujifilm GFX100 will depend on customer demand

The manager bluffs. They know customers want it, and they are already working on it, as FujiRumors reported exclusively here.

They asked Makoto Oishi if there will be a “full-frame crop mode” with faster sensor readout for even faster AF, higher EVF refresh rates, higher burst rates and shorter blackout times. The manager diplomatically says:

We can’t answer. It’s confidential information.

No comment by the manager also when asked about the Fujifilm GFX50R and 50S successors.

This and more can be read at the Medium Format Magazine, that goes well beyond the interview with the manager.

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Fujifilm GFX100: One Last Roundup Before Shipping Starts

Jonas Rask Fujifilm GFX100 image shared at the GFX facebook group
Jonas Rask Fujifilm GFX100 image shared at the GFX facebook group

Fujifilm GFX100

The Fujifilm GFX100 is about to ship, and what we have for you is one last glorious Fujifilm GFX100 roundup, before it starts falling into hands of mere mortals (with pockets a bit bigger than mere mortals ;) ).

The Slanted Lens tested the Fujifilm GFX100. Problem? They didn’t use the latest firmware that adds support for phase detection AF on GF lenses, and Lightroom still officially marks the GFX100 as preliminary supported. Sadly this makes every review so far incomplete.

With that said, here is what they think about the GFX100 (video below).

  • details are amazing
  • in medium format at f/2 you have so just very little DOF
  • dynamic range test
  • at -5 EV he is still able to recover the hightlights with no problem
  • he thinks it could have been underexposed for at least two more stops, and he’d be able to recover that
  • at +1EV he is able to hold the highlights, with just a little bit pink color shift
  • at +2EV the highlights are gone, with yellow color shift
  • at +3EV the details are gone, skin tones are yellow
  • at +4EV it’s basically blown out. No way to recover that image
  • if you work in very contrasty situations, this camera will work extremely well, because of amazing shadow recovery
  • pretty amazing dynamic range
  • ISO test
  • ISO 100 very clean
  • ISO 200 there is a little bit of grain
  • ISO 400 also a little bit of grain
  • ISO 800 grain builds up more
  • ISO 3200 grain starts to become very pronounced
  • ISO 6400 major grain. He thinks it’s unusable for stills
  • ISO 12,800 becomes pixelized
  • ISO 256,000 grain is extremely strong
  • He’d not go over ISO 400 for clean images in stills and in general up to 1600. For video up to 3200
  • even at higher ISO, the colors remain consistent, no shift
  • Autofocus
  • in stills he is not as impressed as he hoped for [I noticed when the subject was far away, the tracking was not so reliable, but more close, super sharp. I personally wonder about his AF settings. Also, pre-production, you know :)]
  • in video holds the focus well on the subject, and AF is as good as anything else on the market
  • IBIS
  • Impressive. Might be a great camera to put on a drone

And More

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GFX100 Cameralabs Podcast & More

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Review of the 4k FUJIFIlM GFX 100 for Filmmakers

Fujifilm GFX100

The vast majority of people, who are going to get a Fujifilm GFX100, will get it for its photographic virtues.

However, the Fuji GFX100 is also the first medium format mirrorless camera that can fight an honorable battle with full frame and APS-C in the video department.

4K@30p, 4:2:0, 10 bit internal… not bad at all!

This is why I decided to highlight this review by Muse Storytelling, which focuses on the Fujifilm GFX100 for filmmakers. He says:

  • the whole demo video you see has been shot handheld with Fujifilm GFX100
  • 10 bit gives you lots more colors over 8 bit and allows for more post processing
  • understanding Fujifilm film simulation allows you to create amazing images in camera
  • Velvia is great for scenes that look bright, happy and energetic
  • Classic Chrome more subtle and subdude look is great for interviews and moments with a serious or sad tone
  • external recorder for 4:2:2 10 bit image allows for simultaneous F-Log and film simulation recording
  • using film simulation you got to get it right in camera, less flexibility in post compared to F-Log
  • when using the LCD screen in bright daylight and shooting F-Log, it becomes a bit difficult to evaluate exposure and focus on the LCD screen, but it’s totally fine if you use film simulation
  • very customizable
  • changing settings takes a bit longer than on dedicated film cameras like the RED camera they use, but you can set custom buttons to speed up your workflow
  • they say in most cases, for film you better use manual focus. But the AF system on Fujifilm GFX100 is great, and for interviews with people moving back and forth, the eye AF worked better than they could have done by manually focussing
  • sweet spot for exposure seems to be 1 stop over: gets all the shadows properly exposed and away from the toe of the curve
  • when using F-log or Eterna, the GFX100 holds highlights very well
  • he is impressed with image quality, handling and features for such a compact camera with such a massive sensor
  • they will use the GFX100 a lot more in future for their video work

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Really Right Stuff Fujifilm GFX100 L-Plate with Extra Vertical Grip

Some reviewers complaint that the vertical grip on the Fujifilm GFX100 is too sleek.

The upcoming Really Right Stuff L-Plate for Fujifilm GFX100 has been designed with its own wrap around grip, in order to improve the ergonomics.

It keeps access to all ports and has double anchor points to the camera to ensure maximum stability.

If you want to shoot tethered, you can slide the camera plate away from the body.

Really Right Stuff Products for Fujifilm can be found at BHphoto, AmazonUS and Adorama.

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Fujifilm GFX100 Birth of Camera: Assembling the GFX100 and Launch Party

Fujifilm GFX100

Cinema5D shared the second part of their “Fujifilm GFX100: Birth of a camera” series.

Part 1 here, focussed on talks with Fujifilm managers, while developing the Fujifilm GFX100.

The second part today, brings you inside the Fujifilm factory in the GFX100 assembly line, on the streets of Tokyo to test a prototype GFX100 and in the backstage of the GFX100 launch party room.

  • you see how the sensor and IBIS are assembled together
  • one person assembles the entire top part
  • a person checks the response of dials and buttons
  • 18 tapes of tape are placed on the camera before they glue the rubber on it
  • some quick Fujifilm manager interviews ahead of launch, just to document their tension
  • The day before GFX100 launch, Toshihisa Ilda is visibly tense and he says that after GFX100 launch we will get completely drunk
  • at the end he keeps his promise, and he celebrates the launch of the GFX100 in a traditional Japanese way, by drinking Sake

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