For planing and organizing your landscape/astro photography, this app is arguably one of the very best you can get.
PhotoPills has a youtube channel with lots of tutorials on how to use it. Down below you can see a video on how to plan your milkyway photography using PhotoPills.
I am not that kind of guy, who breaks into a place bypassing security checks…
I broke into photokina bypassing security checks 1 day ahead of the official opening, because I could not wait to deliver you the first images side by side of the XF33mmF1.0, XF16-80mmF4 and XF16mmF2.9 and first hands on video of the Fujifilm GFX 50R.
But let’s talk about it later and start with the Fujifilm managers.
ePhotozine published a couple of hands-on photos of the Fujifilm GFX 50R with GF 50mmF3.5.
I am pretty sure ePhotozine just did it just to trigger my GAS even further, because I kind of fell in love with the Fujifilm GFX 50R while trying it out at the Fujifilm booth.
They also shared hands on images of the GF45-100mm and GF 100-200mm here.
And despite all the reviewers make a brilliang job covering the Fujifilm GFX 50R, they have a hard job this time, since it has the exact same performance of the Fujifilm GFX 50S. The only difference is the design, and I strongly invite you to test it out by yourself, because what I loved to handle on the booth, you might hate it.
And in no case I would recommend this camera to left eye shooters, since you are going to cover the screen with your face, and you can forget to swipe the touch screen to access your custom functions while you have your eye on the viewfinder. The swipe function will be used a lot, since there is not D-Pad, where to assign custom functions.
With that said, if you are a rangefinder lover, then you probably already are right eye dominant and the corner viewfinder placement.
Fujifilm has recently announced a new GF lens mount roadmap. The official roadmap, though, didn’t gave any timeline about when the future GF50mmF3.5 pancake, GF100-200mmF5.6 and GF45-100mmF4 will hit the market.
Now the Japanese site dc.watch has shared a couple of media slides, including one that shows the roadmap for the various lenses. We can see:
2019 – GF100-200mmF5.6 R LM OIS WR
– GF50mmF3.5 R LM WR
2020 – GF45-100mmF4 R LM OIS WR
As we told you back in December 2017, Fujifilm plans to release 2/3 lenses for each of their systems (X and GFX) a year. This means that we might see one more lens coming n 2019 for the GFX 50S as well as 1 or 2 more lenses in 2020. Check out our big rumor timeline to see what could come.
The slides also give us some basic details about these lenses, which I have all listed at the bottom of this article.
Other media slides (also below) show some more details the Fujifilm GFX 100. So we discover that (unsurprisingly) it will feature the X Processor 4 and we can see a first crop made out an image taken with the GFX 100.
I just came home from another busy day at Photokina, and I played again around with the Fujifilm GFX 50R. It’s a really fine camera, and my GAS goes strong, but $4,500 still make it out of my reach. So my money is safe (I think :) ).
For rangefinder guys like me, the Fujifilm GFX 50R is surely more fun to use than the GFX 50S, also on the streets and for daily documentation of life.
Kevin Mullins and Jonas Rask also said on their live talks at Photokina, that the Fujifilm GFX 50R is a medium format they enjoy to pick up and carry around for daily shooting, much more than a bulkier Fujifilm GFX 50S, which is definitely a wonderful tool for professional work, but not as “casual” as the Fujifilm GFX 50R.
So keep in mind that performance is just the same of Fujifilm GFX 50S. What the real difference is, is the shooting experience. So I will share a few reviews down below, but none will tell you how the Fujifilm GFX 50R feels in your hands.
One thing I liked form the Fujifilm GFX 50R and GFX 100 live stream announcement, is that Fujifilm asked what full frame means.
“Full” indicates that some kind of limit is reached. So what is the Fujifilm GFX system? Well, then Fuji calls it a “super full frame” ;)
And just for fun I will tell you this: in German we often refer to “full frame” as “Kleinbild“, which means “small frame“, because it’s smaller than… guess what?… you got it, medium format!
So what now, is full frame actually a small frame?
In order to end the confusion, I will tell you this: every system is “full frame”. Fuji’s APS-C system is conceived and designed for APS-C, and so is their MF system. M43 is build around the M43 sensor and so forth.
Whatever you hold in your hands right now, from an iPhone to Phase One, it’s “full frame”.
For the second time today (first time here), I had to find a way through the security check and get into the Photokina halls. Stealthy like a ninja, I made it again.
This time I was armed with my wonderful Fujifilm X-E3 and I snapped some pictures of the upcoming Fujinon lenses.
I apologize for the quality, since I tried to make my way through a couple of Fujifilm managers and an angry lady, who told me “can I help you” in a tone that clearly ment “p*** off from here“.
So time was limited, the conditions difficult, I could not touch the lenses, but I made it… somehow.
XF33mmF1.0: Yes, it’s rather big, especially compared to the Mitakon 35mm F0.95 (manual focus only). I guess Fujifilm wants to make this the ultimate lens in terms of image quality, and still offer a fast AF motor. Filter size 77
XF16mmF2.8: Very small. Fits perfect in the Fujicron lineup with the XF23mmF2, XF35mmF2 and XF50mmF2. Filter size 49
XF16-80mmF4: This lens, my friends, will fall into the hands of many fellow X-shooters for travels. Filter size 72
– Incorporates a large sensor approximately 1.7 times the size of full-size 35mm image sensor
-New model with a rangefinder style design, a lightweight 775g* body and easy operability
-Produces ultra-high image quality with 51.4 million pixel sensor, ideal for both snapshots and portraits
