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About the Retro Revolution and The Impact of Fujifilm Film Simulations on Today’s Photography Scene

We recently reported on a cheap and low-quality Kodak camera that has surprisingly become the best-seller in Japan.

At first glance, this might seem like a random trend. However, it’s clear that this phenomenon is part of a broader, ongoing trend that has been gaining momentum for years, one that has significantly contributed to the popularity of Fujifilm.

Today’s younger generation isn’t really focused on specs, crazy autofocus performance, or insane video capabilities. Instead, they are drawn to cameras that have a film-like charm. This charm can manifest in the camera’s aesthetic appeal, as seen with models like the Fujifilm X100VI, or in the optical results they produce – results that are not clinically perfect but have elements of imperfection as in case of the low-quality Kodak camera.

These film-like imperfections add a layer of authenticity that modern, high-spec cameras often lack.

Fujifilm understood this trend very early and has built most of its success upon it.

This is also why Fujifilm incorporates film-like looks directly into their digital systems through various film simulations.

And so it happens that in a photography world obsessed with eliminating grain from images, Fujifilm takes a different approach with simulations like Acros, which actually introduces imperfections by digitally and selectively adding grain to the image. They craft distinct looks, from the amber tones of Nostalgic Negative, inspired by artists like William Eggleston, Stephen Shore, Joel Sternfeld and Richard Misrach, to simulations that mimic actual film stock, such as Reala.

Many of these film simulations, especially those that Fujifilm calls the “individualistic styled” ones, do not aim to recreate reality as perfectly and accurately as possible. Their goal is to give images a unique character that draws from the history and roots of film photography itself.

So, for example some might consider Nostalgic Negative to be imperfect, because it distorts the reality with its amber tones. But that amber glaze resembles the film-like look of the American New Color Photography in the ’70s (William Eggleston & Co), hence bringing into the digital era the look, feel and charm of older film-photography.

Fujifilm wisely captures this need of blending old with new thanks to their film simulations and stylish vintage-styled cameras and this resonates as authentic and original with the younger generation.

This strategy is also why I believe the Fujifilm X-T50‘s film simulations dial is a brilliant idea. Consider the younger generation who walks into a photography store looking for a camera. They pick up an X-T50, turn a dial, and instantly experience the vintage and film-like charm of simulations like Classic Chrome, Nostalgic Negative, and Classic Negative, making it easy and engaging to explore these creative options right on the spot.

The combination of aesthetically pleasing, vintage-styled cameras and film-like outputs thanks to these simulations positions Fujifilm well to attract the younger generation. This is a promising prospect for Fujifilm’s future.

And it is a great prospect also for us long term Fujifilm shooters. Brands that successfully engage the younger generation are more likely to thrive in the future. And if Fujifilm flourishes, then all the camera lines we currently love will have a higher change to continue and be developed in future.

Of course now also other started to try to emulate the film simulation success, as we can see with the LUT button on the Panasonic S9.

But Fujifilm has such a vast photographic history and experience with colors, that their film simulations are still the best and most unique in the market. Additionally, their ownership of iconic film stock names like Velvia, Provia, Astia, Reala Ace, Acros, etc., provides a powerful marketing advantage, as they can leverage the rich legacy and nostalgia associated with these iconic film stocks, setting them apart from competitors who may struggle to replicate such authenticity and brand recognition.

In summary, there is a surge in popularity of cameras with film-like charm. Fujifilm’s early recognition of this shift has positioned them as leaders in this market segment, thanks to their innovative film simulation technology and vintage-styled cameras. As competitors seek to emulate their success, Fujifilm’s rich photographic history and iconic film stock legacy give them a distinct advantage, ensuring continued appeal to the younger generation and long-term enthusiasts alike.

Film Simulation Articles:

  • click here – How 3 Dollar Saved my Fujifilm X-T5 and Re-Discovering Classic Negative in Vietnam
  • click here – Why Fujifilm’s Film Simulation Matter also for RAW Shooters
  • click here – REALA ACE – The Best Fujifilm Film Simulation So Far
  • click here – Welcome to the World of VELVIA Film Simulation
  • click here – An Introduction to Fujifilm’s Film Simulation Modes
  • click here – I photographed my first wedding and here are the Film Simulations I loved most
  • click here – Vote Your Favorite Film Simulation!
  • click here – Fujifilm Colors Science: GFX vs X Series, From Superia to Classic Negative, More Film Simulations
  • click here – Fujifilm Managers Talk Film Simulations: Origins, Evolutions, Goals, Misunderstandings, Bold Classic Negative and Much More
  • click here – The Power of Fujifilm Colors: Why I LOVE Fuji Colors and See Them in Action at Our Film Simulations Group
  • click here – Meet Minami-San, Fujifilm’s Color Guru Since 50 Years and Now Bringing Fuji’s Color Science from Film to Digital
  • click here – Fujifilm asks what’s your favorite film simulation (and I tell you mine)
  • click here – Fujifilm Rethink RAW :: JPEG is Your Friend and Fuji’s Film Simulations Rock
  • click here – This Guy Fine Tuned his Fujifilm Film Simulation Settings Inspired by the Work of Great Film Photographers. See “Chrome Eggleston” & More
  • click here – An Ode To ACROS: “A Game Changer, My Favorite Film Simulation by far!” :: And about the Best ACROS (or B&W) Settings!
  • click here – Fujifilm Launches Dedicated Fujifilm Film Simulation Website
  • click here – Fujifilm launches Film Simulation Noodles

Building a DIY Spectroscope with Fujifilm X-Trans Cameras (and Why Not with Bayer Sensor)

When we talk X-Trans virtues, we often talk about the more film like looking grain, the less color noise at high ISO, less moiré, sharpness boost etc.

But the X-Trans array might have some other advantages most of us would not think of. For example, in today’s case we see how ideal X-Trans is to create a DIY Spectorscope to measure the wavelengths of light.

In fact, when comparing the X-Trans vs Bayer sensor for this project, mpr decided to go for X-Trans, because each column of the X-Trans sensor contains all three colors (red, blue, green), whereas each column of the Bayer sensor only has 2 colors.

This makes it a lot easier to use the X-Trans data for the spectorscope.

From there, mpr will guide you through the process and if you are interested definitely watch his video.

Nice to see yet another creative and useful application of the X-Trans sensor.

Newest X-Trans Cameras

X-Trans Articles

Adobe Can’t Wait and Adds Reala Ace Support for X-T5 & Co Already!

Now, I can’t verify it myself, because I switched 100% to Capture One a long time ago because I did not like the way Adobe was taking (just as I don’t like what’s going with Capture One lately and I am not sure I will stick with Capture One much longer… but that’s off topic).

Anyway, since I don’t own Adobe products, I rely on reports I am getting via email from fellow FR-readers. And those reports say this:

Reala Ace now available in Adobe Camera Raw – I just upgraded to the newest version of Adobe Camera Raw, and I noticed that Reala Ace is now available for the RAW files from my X-T5 when processing them in Adobe Camera Raw.

Fujifilm itself will give us 5th generation X shooters Reala Ace via firmware update this summer. But it’s great to know that, if you are editing your RAW files, you can enjoy that film simulation already on Fujifilm X-T5 and I hear also other 5th generation cameras such as the Fujifilm X-H2.

A Glimpse Into the Fujifilm Future: X-Pro4, X-E5, Digital XPan, Future XF Lenses (and More) plus 2024 Rumor Check so Far

After the Rumor Storm (and Before the Next One)

So we had 2 X summits so far in 2024 and lots of gear has been announced.

This means we also had lots of rumors about every single one of these items.

But…

A lot more rumors dropped also about gear coming well beyond that.

So, time for the great mid-2024 rumor recap and to rank for you all rumors according to their reliability.

1 millimetre and 3 hours to perfection ;)

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Fujifilm Aims to Become Nr.2 in Terms of Worldwide Camera Sales (Currently 3rd) – REPORT

Andrea Cimini (yes, the guy who explained the advantage of APS-C over FF for low light event photography) was at the Italian launch event for the Fujifilm X-T50, XF16-50mmF2.8-4.8, GFX100SII and GF500mmF5.6 (video below).

The video is Italian and he runs over the latest gear with his usual captivating way.

But there is one sentence said by Andrea that I’d like to highlight today.

During the presentation Fujifilm said that right now they are the 3rd brand in terms of worldwide sales but they want to dethrone the current second best selling brand.

I am not sure how Fujifilm is currently the 3rd best selling brand.

I mean, they might still be the 3rd best selling brand in terms of mirrorless camera sales (but we got no update on this since 2020), but if we include DSLR the last data we have says Fujifilm is 4th.

So as Andrea in the video also suggest, Fujifilm might include their Instax division in this ranking, which I guess technically is still Fujifilm imaging division, but it would be like BMW saying they want to overtake VW car sales, but include their motorbike sales in the equation: you can do it, they are all motorised vehicles, but it’s not really fair.

Anyway, dear Fujifilm, I’d have an idea on how you would become Nr.1 overnight with only your mirrorless gear: how about you ship all gear people can’t currently find in stock?

And I speak not only about the Fujifilm X100VI, but at your own online store in Japan you have marked all your X/GFX cameras as out of stock. The shortages are chronic. There are periodical and prolonged order stops in certain parts of the world. Some of the shortages we had in Asia are now spreading also to the West (see X-T5 bodies at BHphoto).

Anyway, of course the above was a meeting with the Italian press and the marketing tends to fly high during these events. And I am certainly happy to see Fujifilm aiming to grow and take over market positions. But I wonder how this can happen if even gear launched 2+ years ago is mostly out of stock for years.

Oh well, I certainly wish Fujifilm all the best. But I’d be happy also with the 4th spot as long as we get our gear in a reasonable time.

Fujifilm X-E5 in 2025: The Features You Want (and My Wishes)

So we have shared the rumor about the Fujifilm X-E5 coming in 2025.

I guess X-E line lovers now have mixed feelings, between the joy of the line not being axed and the frustration of still having to wait so long.

Personally, the Fujifilm X-E5 camera is the one camera I will instantly pre-order. I mean, my lovely Fujifilm X-E3 starts to show its age compared to the my Fujifilm X-T5.

And I am not really that interested in the specs, as long as it has the 5th generation processor, the latest autofocus goodness and the new Reala Ace film simulations.

The lack of any of the three features I mentioned above would be a dealbreaker for me.

Nice to have would be the 40MP sensor, IBIS and a simple tilt screen, but no dealbreaker if they are not available on X-E5.

One more thing I hope for and would make the X-E5 perfect for me, would be the combined ISO/Shutter dial we find on the Fujifilm X100VI and X-Pro3. That would be beyond awesome if Fujifilm would put that on the X-E5.

Anyway, that’s my quick features wishlists.

Let us know in the comments which features you’d like the Fujifilm X-E5 to offer (and which ones not).

Fujifilm Launches Dedicated Fujifilm Film Simulation Website

Fujifilm has launched its dedicated Fujifilm Film Simulation page.

You can see how Fujifilm devides film simulations in two main categories: the “all-rounder types”  and the “individialist types“.

By clicking on each film simulation you get a description about each film simulation.

They also explain how “Grain Effect“, “Color Chrome Effect” and “Color Chrome FX Blue” affect your images.

Just out of curiosity, I wonder which is your favorite “allrounder” and which one your “individualistic” film simulation. Feel free to vote the survey below.

You can check out the dedicated Film Simulation page here.

Pre-Orders

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My favorite all-rounder Film Simulation is...

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My favorite individualistic stye film simulation is...

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Fujifilm X Summit Starts NOW – WATCH LIVE on FujiRumors

Fujifilm X Summit – LIVE COVERAGE
(Refresh for Updates)

Fujifilm X Summit – The Full Coverage Live!

  • two cameras and two lenses to be unveiled today
  • demand for X100VI demand far exceeded expectations
  • Fujifilm is now increasing production capacity for X100VI and commited to ship all ordered units
  • X-T50 introduced
  • new rounded shape
  • slightly larger than X-T30, but feels smaller in hands
  • better ergonomic feel overall
  • enhanced holding experience
  • film simulation dial
  • 40MP
  • X-Processor 5
  • AF performance of X-T5
  • IBIS newly arranged and developed to have 7 stops IBIS in compact body
  • XF16-50mmF2.8-4.8 introduced
  • 240g – lightest XF zoom
  • internal zoom
  • weather resitant
  • standard zoom for all situations
  • 11 elements in 9 groups with 3 spherical and 3 ed lenses
  • close up performance is very important (0.3x magnifcations, 24cm close focus from sensor)
  • Fujinon GF500mm f/5.6 R LM OIS WR
  • GFX100 II is flagship model launched in 2023
  • GF500 for wildlife
  • longest GF lens (396 FF equiv.)
  • weight: 1375 gram
  • no image quality compromise
  • 21 elements, 2 super ED and 5 ED lenses
  • 6 stops OIS
  • autofocus with linear motor
  • Fujifilm GFX100S II introduced
  • GFX series is not only for professionals, but also enthusiasts
  • newly developed 102MP sensor (not the one of GFX100II and also not the one of GFX100S)
  • X Processor 5
  • highest IQ among GFX series
  • improved pixel structure allows base ISO 80
  • wider dynamic range and lower noice
  • subject detection
  • autofocus algorithm improved
  • 8 stops IBIS
  • 883 grams (lightest 102 MP GFX camera)
  • Outro
  • X-T50 $1,399
  • X-T50 with 16-50 $1,799
  • XF16-50 $699
  • GF500mm $3499
  • GFX100S II $4,999
  • New Film Simulation Special content website launched
  • collaboration with World Press Photo foundations

Get Yours

Event Slides

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Introducing FUJIFILM X-T50

Fujifilm Launches Mirrorless Digital Camera “FUJIFILM X-T50”

– Compact and lightweight body with approx. 40.2 megapixel sensor and the latest image processing engine
– Newly equipped with Film Simulation dial to enjoy a wide variety of color tones

 

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Introducing FUJINON Lens XF16-50mmF2.8-4.8 R LM WR

Fujifilm Launches “FUJINON Lens XF16-50mmF2.8-4.8 R LM WR”

– The new standard in the “XF Lens” lineup
– Combining high resolution performance with a compact and lightweight body that can be used in various situations.

Press Release

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