RUMOR: Fujinon XF 50mm f/1.0 Coming 2020 for Around $1,500

I have received word (thanks), that the price of the Fujinon XF50mm f/1.0 should be about $1,500.

Of course the price is one of those things, Fujifilm can change until just a few days before official launch, so take it with a grain of salt for now. But the fact I share it today, means I got multiple confirmation that Fujifilm is targeting that price.

Curiosity: just recently a fellow X-T group member here, asked people how much they think the XF50mmF1.0 will cost. Lots of people guessed a price around $2,000. So for many the rumored price tag will come as a pleasant surprise.

As Fujifilm managers said in various interviews (such as here), the Fujinon XF50mmF1.0 will come in 2020.

In previous coverage about the XF50mmF1.0, such as in this dedicated XF50mmF1.0 article, we got some initial specs:

  • weight under 1 kilo
  • minimum aperture f/16
  • 77 mm filter size
  • more beautiful bokeh than the XF56mm f/1.2
  • first autofocus demo (contrast AF only) at minute 43:07 in the live stream video
  • the final lens will of course support also PDAF

Back in February, Fujifilm managers officially said there will be 4 new lenses within the next 12 months, and thanks to our sources we know that they will be:

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The Fujinon GF30mmF3.5 is Coming and We Celebrate Its Arrival with a Stunning GF Lenses Image Roundup

As you know, the upcoming Fujinon GF30mm f/3.5 specs have already leaked here.

We wait for nokishita to leak the images in the next few days, and as soon as it happens, I’ll report about it on FujiRumors.

Of course there will be a live blogging. When exactly? Well… let’s say you should just trust my sixth sense. I will start the live blog 0.01 seconds after the lens has been announced, don’t worry about that at all. ;)

The Fujinon GF 30mm f/3.5 equals to a much loved focal length among Fujifilm APS-C X-shooters, the 16mm (in terms of primes, there are the XF16mm f/1.4, and the compact XF16mm f/2.8).

If we want to be precise, the Fujinon GF30mm f/3.5, converted in other formats, is about:

  • Full Frame: 23mm f/2.8
  • APS-C: 16mm f/1.8

To me, that’s a very nice focal length.

The GF30mm f/3.5 also seems to be well balanced in terms of price and size, as you can see from the leaks here and from the size comparison with the Fujinon GF23mm f/4 and the Fujinon GF 45mm f/2.8 we made in this post.

The Advantage of GF lenses

Fujinon GF lenses are about the top lenses you can get on the market.

And in fact, one crucial advantage of medium format GF lenses over full frame or APS-C lenses, is that they can be designed for much higher resolution than lenses for smaller formats.

This is why, if sharp images with tons of detail is what you are looking for, then the best and most future proof system you can buy into (without breaking the bank), is the GFX system.

I am sure the new Fujinon GF30mm f/3.5 will keep the excellent G mount tradition, and deliver spectacular results, too.

Image Roundup

And in order to celebrate the arrival of the Fujinon GF30mm f/3.5, I thought I share a rounudp of GFX images, with some selected photographs taken by members of our massive Fujifilm GFX facebook group.

The roundup includes many Fujinon G mount lenses, but not only that.

The GFX system is a joy to use with adapted lenses, hence in this roundup, you’ll find GFX cameras taking picutres with the following lenses:

I hope you will enjoy the images below as much as I did, and I wish you a fantastic day ahead.

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Fujifilm GFX Roundup: Compared to Hasselblad X1D II, GFX100 Review and GF lenses Reviews

Fujifilm GFX XG vs Panasonic S1R
Fujifilm GFX XG vs Panasonic S1R

I have said it and I confirm it: the Fujifilm GFX system is future proof.

The lens selection is growing, the cameras are getting more affordable, and wait for the global shutter, which the GFX system will benefit more than other systems from, as we have elaborated here.

As of today, if I should grab one, I’d go for the Fujifilm GFX50R without a doubt. But I have the impression, to really make the big breakthrough, Fujifilm needs to give us that Fujifilm GFX G.

Don’t get me wrong, the Fujifilm GFX100 (which enjoys a stratospheric success), is a technical marvel for sure. But it is also a clear ergonomic departure from everything else we know from Fujifilm.

So, my recommendation: stick with that awesome retro feel. Give us a 100 megapixel retro camera, and I am sure it will outsell even the very well selling GFX100.

With that said, here is a GFX roundup, which covers cameras and lenses.

GFX Roundup

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Toshihisa Iida: “Fujinon XF50mmF1.0 Coming This Year, Well Balanced used on X-T4”

Fujifilm manager Toshihisa Iida introduced the Fujifilm X-T4 and teased the Fujinon XF50mm f/1.0 at a recent online 1 hour and 36 minutes event for Fujifilm India. Here is what he says:

  • X-T4 has new and more accurate IBIS, bigger battery and new shutter mechanism
  • Fujifilm colors are “memory colors” (more about it here)
  • Fujifilm has a long history with lens development. It’s one of the only 2 companies in the world, that can develop broadcasting lenses
  • he shows a early working prototype of the Fujinon XF50mm f/1.0 (image below), world first f/1.0 lens with autofocus
  • Fujinon XF50mm f/1.0 will be launched this year
  • Still balances well on the Fujifilm X-T4

The very long event continues with a live Q&A session with Fujifilm India Product Team. Bad audio, half of it in Hindi… it’s up to you ;).

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Fujifilm Manager: Fujifilm X-H2, The Problem With Telephoto Primes, GFX MK II and IBIS, Fujifilm X80 vs Compact MILC, Fast Primes & More

Fujifilm UK manger Andreas Georghiades returns to the Fujicast postcast.

It’s an almost 1 hour podcast, and if you are in a hurry and can’t listen it all, I provide a summary of everything the manager says, so you can get it all in under 5 minutes.

The Interview Summed Up

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IN STOCK: SIRUI 50mm f1.8 Anamorphic Lens 1.33x

 

The Sirui 50mm f/1.8 anamorphic lens 1.33x is now in stock at AmazonUS here.

The Sirui 50mmF1.8 anamorphic lens is also listed at BHphoto here and at Adorama here, but it is not yet available there.

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Fujifilm X Lens Roadmap: Two Fujinon MK II Lenses Coming Between Now and March 2021 plus XF50mmF1.0 and XF70-300mmF4-5.6

You might remember, how back at the awesome Fujifilm X summit in February, the Japanese Fujifilm manager said there will be 4 new lenses coming within the next 12 months.

One of them is the Fujinon XF50mm f/1.0.

FujiRumors investigated, and told you already a few weeks ago, that another one will be the Fujinon XF70-300mm f/4-5.6.

And now, thanks to a trusted source, we can tell you that the remaining two lenses will be Mark II versions of existing lenses.

So, from now to March 2021 we will get:

Whenever I can, I will let you know, which one will be updated (I honestly do not know at this point in time). But don’t miss it when it happens, and follow FujiRumors.

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Lens Rumors & News: Laowa Argus f/0,95 coming 2021, Lensbaby Velvet 28mmF2.8, Fuji X-T4 with Sirui 50mm Anamorphic Video

Here is a quick 3-news lens roundup.

  • Venus Optics Laowa Argus f/0.95

According to rumors shared at SonyAlphaRumors, the launch of the Venus Optics Laowa Argus f/0.95, which FujiRumors reported about it here, has been postponed to 2021.

As FujiRumors exclusively told you, the Argus line will include the widest f/0.95 X mount lens on the market.

  • Lensbaby Velvet 28mm f/2.8

Nokishita spotted the Lensbaby Velvet 28mm f/2.8 at kellards. The lens will be available also for Fujifilm X Mount. You can see an image above.

Here is the press release via 43rumors.

Lensbaby Velvet 28 is a 28mm, f/2.5 all-metal, hand-crafted art lens that captures tack-sharp detail beneath a layer of radiant glow. Velvet 28 also features exceptional 1:2 macro capabilities with a close focus distance of 2” from the front of the lens. Built with landscape, adventure, travel, and street photographers & videographers in mind, the Velvet 28 offers Lensbaby’s popular variable glow effects at a wide 28mm focal length. Lensbaby’s Velvet effect lenses add an ethereal mood to scenes. This unique, in-camera creative effect elevates imagery with depth, dimension and soulful expression. The Velvet 28’s close-focus capabilities, combined with effects varying from impressionistic at bright apertures to just a touch of velvety smoothness at darker apertures, provides a set of visual tools that will help creative shooters expand their vision of the world. One of Velvet 28’s key features is its 1:2 macro capability. It is an ideal in-camera effects lens for photographers & videographers who like to shoot wide, while also offering the versatility to capture closer details. The lens allows image makers to move seamlessly from shooting street scenes or capturing landscape, adventure & travel images to capturing details such as a subject’s clothing or wildflower blooms and butterflies in an alpine meadow.

Features

28mm Focal Length
1:2 Macro Magnification Ratio
Aperture Range: f/25 – f/22
67mm Filter Threads
Manual Focus

  • Sirui 50mm X-Mount F1.8 Anamorphic 1.33X

Cinema5D shared a sample video shot the Sirui 50mm X-Mount F1.8 Anamorphic 1.33X mounted on a Fujifilm X-T4. You can see the video below.

Now the lens is listed at Adorama here.

You can also find a blog post about it on Cinema5D here, where they say:

It’s a remarkable achievement not only for the price. The lens is very sharp, even when shooting wide open at f/1.8, which was totally unexpected for me. It’s well built from metal, and I can see this show up on a lot of low-budget anamorphic productions everywhere. Right now it’s a shame that there isn’t another focal length available, I would love to see a full set of these out now, but we are hoping that they will come.

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Fujinon GF 80mmF1.7 and Fujinon GF 30mmF3.5 Size Comparisons

Fujinon G Mount Lenses – Size Comparison

The Fujifilm GFX community is salivating, looking at the latest G mount roadmap.

In fact, the new roadmap lists a stunning Fujinon GF 80mm f/1.7 lens, which in other sensor sizes is:

  • 63mm f/1.3 in full frame
  • 42mm f/0.9 in ASP-C, hence very close to Fuji’s new Fujinon XF50mm f/1.0

And to be clear: we apply the conversion to the f-stop, only to indicate the equivalent shallow depth of field, and not the light gathering capabilities of the lens itself, which remains the one mentioned on the lens (with the consequences we told you here).

We also find a lovely Fujinon GF 30mm f/3.5 lens, which Fujifilm says is meant for street and landscape photography, be very sharp and also focus fast.

At the recent Fujifilm X Summit, Fujifilm showed some mockups and also disclosed more details.

I thought we catch up on that, sum up all we know, and add a few size comparisons based on the technical sketches Fujfiilm delivered during the event.

Fujinon GF 80mm f/1.7

LEFT: GF110mm f/2 vs GF 80mm f/1.7 Size Comparison // RIGHT: GF 80mm f/1.7 mockup
LEFT: GF110mm f/2 vs GF 80mm f/1.7 Size Comparison // RIGHT: GF 80mm f/1.7 mockup

Let’s start with the Fujinon GF 80mm f/1.7.

Above you can see a size comparison provided by Fujifilm. The Fujinon GF 80mm f/1.7 is 20% smaller and will weight under 800g, as opposed to the GF110mm f/2, which weights 1010g.

The picture above also shows the GF80mm f/1.7 mounted on the Fujifilm GFX100.

Fujifilm gave us some indications on what the differences between both lenses are.

The Fujinon GF 80mm f/1.7 will have a very creamy and softer bokeh compared to the one on the Fujinon GF 110mm f/2. Different bokeh quality for different tastes.

Also, due to its more compact nature, the Fujinon GF80mm f/1.7 is good for outside and active shooting, whereas the GF110mm f/2 instead is better suited for studio.

I decided to compare the Fujinon GF80mm f/1.7 to its closes in terms of focal length, the Fujinon GF110mm f/2 and the GF63mm f/2.8.

GF110 - GF80 - GF63
GF110 – GF80 – GF63

Fujinon GF30mm f/3.5

Next in our list is the Fujinon GF 30mm f/3.5.

In this case, we are going to compare it with the Fujinon GF23mm f/4 vs Fujinon GF 45mm f/2.8.

Sadly camerasize does not have the GF45/2.8 in their database, so I added it manually to the Fujifilm GFX50R.

Down below you see that it is just a tiny bit shorter than the GF23mm f/4

GF23 / GF 30 / GF45
GF23 / GF 30 / GF45

Both lenses are fantastic additions to the Fujinon G mount lineup.

What we want know thought, are the other ones we saw in the internal secret roadmap… but not so secret anymore, thanks to this leak ;).

Fujifilm GFX 100: B&H Photo, AmazonUS, Adorama, Focuscamera, CalumetDE, ParkcamerasUK, JessopsUK, PCHstore

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Metabones Introduces Nikon G Lens to Fuji G mount (GFX) Expander 1.26x

Petersburg, VA, USA, Feb 21, 2020: Metabones® and Caldwell Photographic Inc. are pleased to jointly announce the NF – GFX mount Expander 1.26x. It allows Nikon F mount lenses to be mounted on Fujifilm GFX camera bodies without getting dark and / or soft corners. The magnification factor of 1.26x perfectly matches the image circle of the full-frame Nikon lenses to the medium-format sensor of the GFX series cameras, and therefore the diagonal FOV remains exactly the same.

The optical design consists of 5 elements in 3 groups, incorporating ultra-high index Lanthanum based optical glass as well as one element made of fused silica, resulting in extremely good performances with professional-grade f/2.8 zoom lenses. For example, a 24-70mm f/2.8 lens becomes a 30-88mm f/3.5 zoom, and a 70-200mm f/2.8 lens becomes an 88-252mm f/3.5 zoom. Please note that because of the nature of focal extenders, the aperture values decrease by 2/3 of a stop; f/2.8 becomes f/3.5 and f/2 becomes f/2.5. High-speed fixed focal length lenses such as the 50mm f/1.4 will be transformed into a very fast standard lens 63mm f/1.8 for the GFX system.

The GFX mount Expander features Metabones’ unique manual G aperture adjustment mechanism, which has the same angular throw distance as earlier Nikon Ai/AiS lenses, which features a linearized f-stop adjustment as a function of aperture ring adjustment angle. The mechanism is clickless in order to maximize its usefulness to cinematographers.

Availability

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