Top 5 Forgotten Fujinon X Mount Lenses

When I shared the rumor that Fujifilm will release another f/1.4 prime in 2021, the comment section exploded with 300 comments about dreams and wishes what it could or should be.

Today I was reading through your comments, and truly enjoyed the vivid discussion.

But when I arrived to the end of it, I realized that while it’s fun and nice to watch ahead and see what the future might bring us in terms of gear, sometimes it’s also worth to stop for a moment and look back at what we already have.

So, today, I’d like to bring back the attention to five Fujinon XF lenses that I call “forgotten“, but not because people don’t own and love them, but just because they have slipped under the radar overrun by the buzz about the latest and greatest and therefore don’t get the coverage they’d deserve anymore.

So FujiRumors would like to bring back balance in the Fuji Universe and gives to 5 lenses the revival they deserve.

The 5 “forgotten” lenses

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Fujicast Interview with Fujifilm Manager: Talking Breakthrough Fujifilm X-H2, X-E4 the Last 26 MP (?), Open Lens Protocols, X80 and More!

The latest Fujicast episode is now online, covering all the current Fujifilm announcements with Fujifilm’s UK Marketing Manager, Andreas Georghiades (GFX100S, GF80mmF1.7, X-E4, XF70-300mm and XF27mmMKII.

But as there is a podcast listener question corner, you can figure out that many questions gravitate towards future Fujifilm products and more. So they touch on Fujifilm X-H2, the open lens protocols, the X80 and more.

Kevin Mullins also speculates that the X-E4 might be the last X series camera featuring the 26MP X-Trans sensor and the manager says that there is indeed not much left to update with the 26MP sensor.

However, nobody knows what the first camera with a new sensor will be. There is still an X-T40 waiting to see the light of the day for example, which is such a loved line, that Fujifilm should definitely continue it in my opinion.

Down below you can find the full podcast as well as a summary:

Summary + Podcast

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Fringer Nikon NF to Fujifilm FX Smart Autofocus Adapter Released

The Fringer NF-FX smart autofoucs adapter has been officially released.

It’s world’s first smart adapter that support Nikon F mount lenses working on Fujifilm X cameras while keeping all the auto functions.

Close to 100 lenses or lens & TC combinations have been tested and optimized. They all support fast and accurate phase detection AF on latest X cameras. Please see this list for detailed models. More lenses would be added to the list in the future through adapter firmware updates.

You can see an autofocus tracking demo video in this article.

You can pre-order the Fringer NF-FX smart adapter at AmazonUS here, the Fringer Store as well as eBay here and soon also at AmazonUS here, BHphoto here and Adorama here.

Full List of Supported Lenses and Cameras and Product Images

Supported lenses

Supported cameras

None X-Trans & X-Trans I CMOS (PDAF not working, Poor performance)

  • X-A1, X-A3, X-A5, X-A7
  • X-E1
  • X-Pro1
  • X-M1
  • X-T100
  • X-T200

X-Trans II CMOS (PDAF enabled)

  • X-E2
  • X-T1
  • X-T10

X-Trans III CMOS (PDAF, Good performance)

  • X-H1
  • X-T2
  • X-T20
  • X-Pro2
  • X-E3

X-Trans IV CMOS (full sensor covered PDAF. Better performance)

  • X-T3
  • X-T30
  • X-Pro3
  • X-T4
  • X-S10

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The Rise of Selfie Screens, The Myth of Them Being Better for Video and About Pleasing Youtubers instead of Customers

2020 Trend

These days everybody is making its list of the best and worst gear 2020, as well as best and worst trends of 2020.

And it’s on the latter one, the “trends”, that I would like to focus on today.

Because it is clear: one of the hot trends in the photography industry is putting selfie screens on cameras.

And guys, we have to talk about it!

I Am NOT a Selfie Screen Hater

To be clear: I do not hate selfie screens.

And in fact, during the various COVID-19 lockdowns, I often have to teach online and record my lessons, and the selfie screen is a true blessing!

A fully articulating screen is not the photography-evil of our times. It still works fine, it’s still flexible, and I have rather rapidly learned to accept it on my Fujifilm X-T4, sometimes even to love it (especially during my online lessons).

So, if you are one of those, who loves the fully articulating screen, I get it. Maybe I don’t love it as much as you do, but I could totally accept a selfie screen on cameras like the future Fujifilm X-H2 for example.

But….

But it’s getting a bit out of control, with selfie screens just popping up on so many cameras, that we have to talk about it.

And why is this happening?

Tony Northrup
“Selfie Screen? Pleasing Youtubers is Higher Priority than Pleasing Customers”
Vs.
Jonas Rask
“I have no count as to how many shots I missed becauseof the Selfie Screen”

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Fujifilm Managers Talk Film Simulations: Origins, Evolutions, Goals, Misunderstandings, Bold Classic Negative and Much More

The Japanese site dc.watch interviewed Fujifilm manager Kosuke Irie and Shinya Fujiwara.

They talk about film simulations in a lengthy, very detailed and technical way.

All in Japanese, which means we are in the hands of google translate. And sadly this does not always work out well.

I will share a summary for you down below, often just taken as google delivered it.

It will get nerdy… happy reading down below :)

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Oh, Look! Blockbuster MONSTER HUNTER Poster Image Snapped with Fujifilm X Series Gear… Although it’s Not Full Frame ;)

Evidently some still don’t get it that APS-C is not for Pros, and this is why we continue to see this:

And now we can add another one to the bunch.

The upcoming Hollywood blockbuster “Monster Hunter” poster image has been taken on a Fujifilm X-T2 (with XF50-140mmF2.8 lens) by fellow Fujifilm X shooter Coco Van Oppens (IG: Cocostills  – IG: monsterhuntermovie)

Coco has shared this information here at our massive X-T group.

I will share the trailer of the movie below, as well as a 1 hour interview with Coco (I’ll let it start at minute 47:08 for you, which is when she talks about the gear she uses. But make sure to watch it all as soon as you have time).

Here is some of the gear she uses:

  • Fujifilm X-T2 / X-T3
  • Fujifilm X-H1
  • XF 16-55mmF2.8
  • XF 50-140mmF2.8

She is looking at the Fujifilm X-T4 as well.

Why does she like Fuji? A lot of reasons:

  • the dials – she does not need to go through the menu
  • electronic shutter
  • fast autofocus
  • out of camera quality

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Video + Interview

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Top 10 September Articles: New Firmware Updates, X-S10 Rumors, Why Sony A7C does not Kill APS-C, Fujifilm X-H2 Breaktrough and More

Here are the top 10 articles for September.

Looking back it seems we had a fun month. But you know what… I have the feeling it will just get better from now on. ;)

And what about this… a fun experiment?

Write in the comments what you think will become the top 10 articles of October. Let’s see who will come closest to the real deal ;).

  1. Firmware Updates for Fujifilm X-T4, X-T3, X-T2, X-T1, X-H1, X-Pro3, X-Pro2, X-Pro1, X-E3, X-T20 and X-T30 Released
  2. Fujifilm X-S10 New Mid-Range Camera is Coming
  3. Fujifilm X-S10: Fuji’s First APS-C Mid-Range MILC camera With IBIS
  4. Sony A7c Full Frame vs Fujifilm X-E3 APS-C, or 7 Reasons why the New Sony A7c is Not an APS-C Killer
  5. Fujifilm Manager: GFX Triumph and Full Frame Attack Strategy, Shrinking IBIS, AI Future, Fuji X-H2 Needs Breakthrough, COVID and More
  6. Fujinon XF 10-24mm f/4 Mark II Coming Soon
  7. Viltrox 56mmF1.4 vs Fujinon XF 56mmF1.2 First Image Quality Comparison
  8. Fujifilm X-S10 Coming October 15
  9. 4½ Great Reasons Why the Fujinon XF50mmF1.0 Exists (NOT Shallower DOF) and Differences to 56mmF1.2 (APD)
  10. 2019 Mirrorless Camera Market: FUJIFILM is Solid Third with 500k Shipments Behind Sony (1.65 million) and Canon (940k)

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DPRTV Fujinon XF50mmF1.0 Review: “Unique Bokeh Rendition, but use Standard Electronic Shutter, as First Curtain ES Distorts Bokeh”

The Fujinon XF50mmF1.0 R WR is overall enjoying very positive reviews.

Sure, there are always those, who might not be familiar with such an extreme lens, so they go out and shoot at f/1.0 at a bright sunny day in super high contrast scenes and then complaint because it shows some fringing or because you can’t work without an ND-filter.

Or when reviewers say the bokeh is not good, and then it turns out they used electronic first curtain shutter, which distorts the look of the bokeh (as you can see from the image above). You should always use the standard electronic shutter (or mechanical shutter) if your goal is to get nice bokeh.

So, some of the “flaws” reviewers notice, are actually not issues with the lens, but faults of those, who use a radical fast lens with the wrong settings in the wrong conditions.

It’s clear: if you go for such an extreme lens, you better know about photography and how to handle specialty lenses like this one.

One of those guys, who know how to master such a lens, are Chris and Jordan from DPRTV, who now have published their hands on review of the Fujinon XF50mmF1.0 R WR.

You can see the video and read a summary down below.

Video + Summary

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Fujifilm XF 50mmF1.0 vs Fujifilm 56mmF1.2 Portrait Session Comparion

John Branch has published a video, where he compares the brand new Fujinon XF50mm f/1.0 with the much loved Fujinon XF56mm f/1.2.

Down below are his findings, but keep in mind: the video was filmed BEFORE the important XF50mmF1.0 firmware update.

  • XF50mmf/1.0 has faster autofocus
  • he prefers to be very light during his wedding shoots using very small lenses (he uses the Fujicron f/2 lenses a lot), and the XF50mmF1.0 is a bit too heavy
  • he prefers the 50mm focal length over the 56mm
  • XF50mmF1.0 has more contrast and is way sharper than the 56mm

Especially considering the current huge deal on XF56mmF1.2 lenses, the 56mmF1.2 is great value for money (a lens I own and love). But from all I could see so far, if you do not mind the extra weight and size, the Fujinon XF50mmF1.0 is the way to go.

Fujifilm really put magic into that lens, a magic best described by Jonas Rask here, when he says:

My all time favorite lens from Fujifilm is the XF35mm f/1.4R – In my eyes it’s the perfect lens. There have been many wordings about that lens, and one thing that keeps on popping up in discussions is that it has a certain something that no-one seem to able to define. It always end up being labeled as “magic” which is silly.

The reason for its look is found in the optical design, a design that Fujinon decided to continue into the XF50mm f/1R WR. And that makes the images coming from this lens extremely appealing to those who like the look of the XF35mm f/1.4.

The images coming from XF50mm f/1 R WR has those exact same undefinable traits that makes me love my XF35mm f/1.4 so much. The sharpness that is sharp, yet not overly sharp. A flattering kind of sharpness that seems more rounded, organic and less digital/clinical. A bokeh rendering that is soft, delicious and very calming to the eye, and a color reproduction that gives a very lovely depth to especially warm color tones.

In other words, the XF50mm F/1 R WR is the portrait lens version of the XF35mm f/1.4 R!

Fujifilm has crafted a massive winner, and initial sales figures seems to confirm it!

Videos

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