Fujifilm GFX100 Development Story with GF Lenses Autofocus Speed Ranking

Fujifilm GFX100

Fujifilm has published a first Fujifilm GFX100 development story article.

They start with discussing the definition of the sensor, medium format or large format.

There is not much point in having a discussion as to how to call the format of 44 x 33mm. We tend to seek for the historical ground from the days of silver halide film; 6 x 4.5 is medium format, and 4 x 5 inch or larger is large format, but the explanation does not have any suggestion other than historical legitimacy.

in terms of resolution, the current 44 x 33mm format surpasses that of the 6 x 4.5 and even the 8 x 10. There still is the unique color reproduction of the silver halide films, but if the medium and the large format is designed for large prints, then there is no point in seeking historical ground to call what format GFX is. Because with the GFX100, we can have the prints even larger.

The core part of the article is the comparison between Fujifilm GFX100 and GFX50 in terms of AF speed.

The major change from X-Pro1 to X-Pro2 was the installation of phase detection AF. The same goes for the GFX100 when compared to the change from GFX 50S / 50R. Furthermore, the AF algorithm of the GFX100 is same as that of the X-T3, meaning not only is it fast, but is now also tougher against in low light conditions, high frequency subjects and low contrast subjects.

To put simply, the GFX100 has the agility like the X-T3 and achieves the descriptive power like the 8×10. There have never been a system like this before. This is a whole new experience.

The lenses, that have the biggest benefit in terms of AF speed thanks to the phase detection AF pixels on the GFX100 are the GF63mm and GF45mm.

GF lenses autofocus speed on GFX100 (with latest GF lens firmware udpate):

  • GF 23mmF4 R LM WR – 0,140 sec
  • GF 45mmF2.8 R WR – 0,183 sec
  • GF 63mmF2.8 R WR – 0,186 sec
  • GF 110mmF2 R LM WR – 0,208 sec
  • GF 120mmF4 R LM OIS WR Macro – 0,181 sec
  • GF 250mmF4 R LM OIS WR – 0,212 sec
  • GF 32-64mmF4 R LM WR – 0,168 sec

Read the whole story at fujifilm-x.

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Fujifilm GFX 100: B&H Photo, AmazonUS, Adorama, Focuscamera

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These Guys Switched from Full Frame to Fujifilm APS-C and Are Happy About it

Fujifilm Vs Full Frame

So it’s time for another comparisons roundup, this time focusing on people switching to Fujifilm APS-C from Sony, Nikon and Canon full frame, and believe it or not, they are happy with their switch!

In the Fujifilm world, if you really want a bigger sensor, you go Fujifilm GFX, which offers an almost 4 times bigger sensor than APS-C and hence can really offer that ultimate jump in image quality, that the jump from APS-C and FF can not offer.

And before you start complaining, we remind you that we have also shared dedicated roundups of people unhappy with Fujifilm.

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Fujifilm X-Pro3 Ideas, Wish Lists and Hopes

Fujifilm X-Pro3

Here on FujiRumors we already told you back in March, that the Fujifilm X-Pro3 will come in 2019.

We also told you that it will probably still be made in Japan.

Our rumors triggered wishes, hopes, ideas around the upcoming Fujifilm X-Pro3, and I would like to share some of them here on FujiRumors.com. Check them out down below.

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Mission Impossible: Official “Fallout” Photos Taken with Fujifilm X and GFX Gear

Mission Impossible: Making Professional Work with Fujifilm Cameras :)
Mission Impossible: Making Professional Work with Fujifilm Cameras :)

Fujifilm’s Mission Impossible

If you are one of those, who thinks Fujifilm is not for Pros (APS-C is crap, MF is too slow), then please stop reading now, since I would like you to keep your sweet illusions ;).

Still sticking around? Well, then here is todays’ story.

After we discovered that the official images of Hollywood’s blockbuster “Dunkirk” were taken with the Fujifilm X-Pro2 and Fujinon XF18-135, fellow FR-reader Sam Zhai (instagram @hermeneuticlens) now spotted Fujifilm cameras on set of Mission Impossible – Fallout.

Chiabellajames.com (Instagram cbj_photo) used the following gear, to snap the official images for the movie:

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Fujifilm X/GFX Lenses for Wedding Photographers – What’s Your Top Pick? (POLL)

BHphoto published an article about which Fujifilm X and GFX lenses are best for wedding photography.

You can read the aricle here.

I am happy they mention also the Fujinon XF 18-135 as an option. A lens good enough to snap the offcial images for the Dunkirk blockbuster should also be good enough for other professional use.

I thought to grab this opportunity to ask the Fujifilm wedding photographers out there, what you consider the best lenses for wedding photography. Feel free to vote the poll down below.

Vote the Wedding Lens Polls

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These 4 Fujifilm Cameras Snapped World Press Photo 2019 Winning Photos

World Press Photo is world’s most prestigious photojournalism contest.

In 2017, Fujifilm was the only brand to break the DSLR hegemony and also in the 2016, the X-Pro1 was the only MILC to snap a winning price.

In 2019, it is still DSLR that dominates, by taking 71% of the winning photos, but it’s less than in the past:

2019 has been Fuji’s best year so far, since Fuji X shooters snapped 4 winning images.

Interesting to note that Fuji’s rangefinder styled cameras win over the DSLR-styled ones, as opposed to real life, where the X-T line far outsells them all, the X-Pro, X100 and X-E line.

But at the end of the day, what matters is that we can see lots of great images at the worldpressphoto page here, and I am pretty sure you won’t care which image has been taken with which camera, but simply be captured by the stories they tell.

via photolari (original source) – petapixel – fujistas

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How to Save and Restore Your Camera Settings

How to Save & Restore Camera Settings

Every now and then I get emails from fellow Fujifilm X Shooters, complaining that their camera settings get completely deteleted. There are several reasons this can happen:

  • after firmware update (it should not happen, but it can)
  • discharging of the small build-in internal battery: happens if you leave your camera too long without battery. In case of new cameras, give it a long first charge, or settings will delete shortly after battery has been removed

So the first thing you can do, is to avoid the errors we mentioned above.

And yet, sometimes it’s not a user error (see firmware update), so you better have a Plan B in case all your settings get lost, and in our case, our Plan B is called Fuji X Acquire.

And since just right after the Fujifilm X-T3 firmware update, some FR-readers couldn’t find the back-up feature, I thought I share a quick guide on how to save & restore your Fujifilm camera settings using Fujifilm X Acquire.

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New Profoto Connect Wireless Transmitter Announced

Profoto Connect

Profoto just announced their new Profoto Connect Wireless Transmitter, which will be available for several systems, including the following Fujifilm cameras: GFX 50S, X-T2, X-T20,, X-Pro2, X100F, X-H1, X-E3, X-T3 and GFX 50R.

You can check pricing and availability at BHphoto here.

Product Highlights

  • Frequency: 2.4 GHz
  • Operating Range: 330-1000′
  • 8 Channels
  • Settings: Auto, Manual & Off
  • Slides into FUJIFILM Hot Shoe
  • Built-In, Rechargeable LiPo Battery
  • Control Lights via Profoto App
  • 30-Hour Battery Life
  • Turns Off after 60 Minutes of Inactivity

For the official product page check out profoto here.

Press text:

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Fujifilm X-Pro3 will Be Made In Japan – Anonymous Source

Fujifilm X-Pro3

Here on FujiRumors we value your trust.

This is why we meticlously filter anonymous rumors, and you guys will read only those, that I feel confident to share (the tons of fakes I get every year will never go online).

But, even though today I feel confident to share, I invite you to take every anonymous rumor with a grain of salt.

An anonymous source (who used a nick-name, thanks!) contacted me via rumor box and told me the next Fujifilm X-Pro3 will still be made in Japan.

Fujifilm moved the Fujifilm X-T3 production to China in order to be able to sell it sensibly cheaper to customers. This is why, at launch, the brand new Fujifilm X-T3 cost less than the Fuji X-T2.

By keeping the X-Pro3 production in Japan, we can expect the X-Pro3 to match the current Fujifilm X-Pro2 price or be even higher.

We remind you that the Fujifilm X-Pro3 will come in 2019.

That’s it… for now, but I have lots (!!!) of rumors I am working on. Follow FujiRumors on Facebook, RSS-feed, Twitter, Youtube and Instagram to read them all soon.

Also, if anyone out there is willing to help me out in the thick rumor jungle, feel free to contact me also anonymously via rumor box.

MESSAGE TO THIS ANONYMOUS SOURCE: Thank you very much!!! I have read also the other rumors you shared, and since they are pretty long-term, I will give it a quick double-check with sources and share them hopefully very soon. Thanks again for the help, and feel free to contact me again whenever you want using the nickname.

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Fujifilm X-T30 Beats Sony a6400 in Autofocus Stills Tracking, but Sony A6400 Better for Video and Vice Versa

Fujifilm X-T30 vs Sony A6400 – Part 1

Gerald Undone has often critiqued Fujifilm quite hard and never recommended to buy Fujifilm, except for the Fujiflim X-T3. He now reviewed the Fujifilm X-T30 and compares it to the Sony A6400.

Interesting to note that he gets better autofocus tracking results in stills with the Fujifilm X-T30 over the Sony a6400. But the a6400 is the better choice for video autofocus.

Down below are the key points of his comparison.

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Fujifilm X-T30 Review

  • less video features than Fujifilm X-T3
  • overheats much faster than X-T3 in video, hence shorter recording limit
  • X-T30 is a serious upgrade from X-T20
  • Mic/USB-C/HDMI ports are to close together. If you use one, you block access to the other. You don’t have this problem with Fujifilm X-T3
  • X-T30 battery life lasts 65 minutes when shooting 4K. You can 90 minutes when shooting 1080p
  • When used with external video recorder, the camera shuts down due to overheating after 31 minutes
  • to extend video-life up, turn boost mode off (it affects mainly brightness and EVF refresh rate), pull the LCD screen away from body, mount it on tripod (no hand-holding), less AF-C. He got up to 69 minutes recording this way
  • X-T3 is definitely worth the money if you shoot lots of video. But for shorter family/travel videos, the X-T30 is great

X-T30 Pros

  • Sony lenses tend to be a bit larger, hence X-T30 system is smaller
  • in video the X-T30 has higher bit rate (200 Mbps) whereas the A6400 shoots at 100 Mbps. But higher bit rate does not mean automatically better image quality

A6400 Pros

  • Sony A6400 tripod mount does not block access to battery door
  • A6400 has a better screen design (flippy selfie screen)
  • A6400 lasts longer when it comes to overheating and with high temperature setting enabled, it can last for hours
  • no recording time limits, so no external recorder required
  • true 120 fps at 1080p
  • 3.5 mic jack (X-T20 has 2.5mm mic jack)
  • Sony wins for overall video recording usability
  • battery life is similar, but Sony is a little bit better (around 10 to 15 minutes longer recording time and 50 more stills)
  • A6400 Sony’s RAW buffer is about twice at large

Autofocus in Video

  • for Video, the Sony wins by a little bit
  • X-T30 offers eye detection in video (the Sony A6400 only face detection), but the X-T30 is just a tad slower to catch up to a subject when moving in and out from the camera. The Sony manages to maintain the focus better
  • Both are great, but side by side, you can see the X-T30 autofocus drift a little
  • You can improve this on the X-T30, by increasing autofocus speed, but then it makes focus transition a bit too jumpy. The Sony has a nice balance of offering nice transitions while still locking on the face

Autofocus in Stills

  • in burst photo shooting continuous focus, the Fujifilm X-T30 beats the Sony A6400. The Fujifilm X-T30 hit a 100% hit rate in his test, whereas the Sony A6400, even with more expensive full frame glass, hit about 80%. The X-T30 consistently nails focus

NOTE: the Fujifilm X-T3 will get the same new AF algorithm in a firmware update in April. This means Tony Northrup’ eye-AF comparison between the Fujifilm X-T3 vs Sony A6400, Sony A6500, Sony A9 and Sony A7rIII will be obsolete soon and I hope he will retest it.

Noise and Image Quality

  • likely due to the lens he used, he got sharper results with the Sony A6400. He used the Sigma f/1.4 contemporary crop lens vs the Fujinon XF23mm f/2 [admin note: he uses Adobe, too. If he played with the RAW files, then Capture One Pro 12 or the new Adobe enhance detail feature would have given different results]
  • Fuji is 1 stop noisier, when equalizing the image brightness [admin note: comment about it below]

Conclusions

  • He recommends the Sony A6400 due to more flexibility: selfie screen, better battery life, better video capabilities, deeper grip etc.
  • X-T30 might be the better travel camera, since more compact

Fujifilm X-T30 vs Sony A6400 – Part 2

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