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Fujifilm X-T20 and Fujifilm Instax Square SQ10 Win EISA AWARDS…. but No Awards for Fujifilm GFX 50s and Fujinon Glass

The EISA AWARDS 2017/2018 are out.

The Fujifilm X-T20 has been declared the best consumer CSC and the Instax Square SQ10 is the best instant camera of the year. The prize for the overall best camera goes to the Sony A9.

I know what you guys think, and I tend to agree: the EISA award is here to make every company happy.

But at least, compared to the past editions, EISA dropped some non-sense categories like the “Best Connected Camera” and they don’t make anymore the ridiculous distinction between “professional“, “advanced” and “premium” cameras.

It’s a good thing that now there are less categories, so EISA is definitely following the right direction… but there should be even less categories, to give even more prestige to the winners.

One thing I don’t get is why the Sony A6500 has been declared the best “prosumer” CSC and the X-T20 the best “consumer” CSC. Is the X-T20 less Pro than the A6500?

Another thing to notice: it’s the first time that no Fujinon lens wins the award.

Also, the Fujifilm GFX system has been completely ignored by EISA. So the only camera (the GFX 50s) that beats all other EISA awards winners in terms of image quality and the exquisite Fujinon glass like the GF 63, GF 110, GF 120, GF 23 and GF32-64 don’t get awarded.

Fujifilm X-T20: USA: BHphoto, Adorama, AmazonUS EU: AmazonDE, AmazonUK, WexUK, PCH AUS: CameraPro
Fujifilm Instax Square SQ10USA BHphoto, Adorama, AmazonUS Europe: WexUK, PCHstore

Anyway, here is what EISA writes about the two Fujifilm products that won the award this year (for all photography awards click here).

Fujifilm X-T20 (via EISA here):

The Fujifilm X-T20 is a compact, mirrorless consumer camera that produces sharp, clean images and 4K video quality at a competitive price. At the heart of the camera is its 24.3 million pixel X-Trans CMOS III sensor and X-Processor Pro, which are jointly responsible for the extraordinary image quality. Despite its comparatively affordable cost the X-T20 uses the same high quality sensor and processor as the highly regarded X-T2 and X-Pro2. The touchscreen operation and custom AF-C setting are also big pluses. Finally the X-T20’s sharp and highly detailed 4K video recording makes this camera a great all-rounder.

Fujifilm Instax Square SQ10 (via EISA here):

The Instax SQUARE SQ10 is the first hybrid instant camera that lets you take and print square photos (62x62mm). You can brighten, darken or add vignettes to your images or choose from 10 creative filters to apply, before you decide to print them. The bright LCD viewfinder makes it easy to create and edit your pictures, which are recorded in the internal memory or on a microSD card, so you can share them with your friends and family.

 

User Review of the Fujifilm GFX – Compared to Hasselblad X1D, Leica, and Sony

Shot with Fujifilm GFX 50s with 63/2.8 for Lovebite Magazine

Written for Fuji Rumors by Rick Birt of romeobravophoto.com

*Note* This is a long post – I have a summary of pros and cons in my conclusion

As soon as the Hasselblad X1D-50c and Fuji GFX 50s were announced, I wanted one. The promise of Medium Format in a cheaper, and smaller package was incredibly alluring. For the past year my main camera has been a Fuji X-Pro2. I love it. I love the image quality, the colors, the size, and the Rangefinder styling. I also love Fujifilm’s Kaizen philosophy of constantly updating their camera lineup via firmware. All of these things influenced my decision toward the GFX. Luckily, my wife (Kelly Williams), and I were also given the opportunity to demo the Hasselblad X1D. The svelte styling, leaf shutter (ability to sync strobes at 1/2000s), and simple menus were all big pluses in the Hassy’s favor.

When we opened the boxes, we were woefully unimpressed by the Fuji GFX. Even though it kind of looks like a bigger X-T2, it’s actually kind of ugly in person. It almost looks like three different teams designed parts of the camera, and then they Frankenstein’d it all together in the end.

In stark contrast when we opened the X1D box, my wife said,

“We may have to buy two of these so we don’t fight over it.”

Similarly, we conducted two fashion shoots with these cameras. When we brought out the X1D, both models said

“Oh! A Hasselblad!”

Neither commented on the GFX.

Should this matter? My left brain says no. However, it does matter. What is this industry about? IMAGE. These tools are used to take images, because the world has placed value on images of pretty things. Don’t kid yourself, image is paramount in this business – especially in fashion and portraits.

Back to testing…

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Fujifilm X-A3 High ISO Gives Competition a Run :: Switching from Canon to Fuji :: The Benefits of APS-C over FF :: Mitakon 35/0.95 II (miXed zone)

Workshop

  • Workshop: Streets of San Francisco – November 3 – 5, 2017. All details at olafphoto

Cover Stories

Fujifilm X-T2 & More
BHphoto / AmazonUS / Adorama

TheVerge Fujifilm X-T20 Review: “Fujifilm’s Mirrorless Cameras are Simply Better… the Fujinon XF Lens Ecosystem is Unrivaled”

The Verge reviewed the Fujifilm X-T20… and it’s a very positive review.

But the parts of the review I want to highlight today here on FujiRumors are not the many qualities of the X-T20 (most of all the incredible IQ in a $900 camera), but something most of us X-shooters already experience since a long time: the pure pleasure of shooting with Fujifilm cameras.

So what are you waiting for… get an X-T20, and join the X-side of life :)

I didn’t understand the pervasive appeal of Fujifilm cameras until I spent some quality time with one […]

No alternative camera system feels as sound an investment of my money as Fujifilm does. […]

It’s tough for me to decouple the pleasure of shooting with the X-T20 from its eventual results. The process of capturing images with this camera is more satisfying than any other I’ve known (except maybe Fujifilm’s own X-Pro2, which I’ve only flirted with). […]

Fujifilm’s mirrorless cameras are simply better. Our reviews of these cameras tend to devolve into emotional expositions about passion for the art of photography, but ultimately Fujifilm just wins on all the practical fronts that matter. The X-T20 has the best viewfinder, best ergonomics, and best image quality in its price class. The Fujinon XF lens ecosystem is unrivaled. If there’s any problem for this camera, it’s in convincing people that it’s worth trying — because I’m confident that once they do, they’ll fall in love with it just as I did.”

You can read the whole review at TheVerge.

Fujifilm X-T20: USA: BHphoto, Adorama, AmazonUS EU: AmazonDE, AmazonUK, WexUK, PCH AUS: CameraPro

And then I Thought: “Stop Waiting for the X-E3, and get the X-T2/Zero (X-T20)” … Did Fujifilm Hit the Sweet Spot with the X-T20?

Godox XT1-F Trigger & Speedlights Reviews :: FlashQ System Review :: Fujifilm EF-X500 High Speed Sync (Flash Zone)

Godox XT1-F for Fujifilm... a Best Seller at BHphoto
Godox XT1-F for Fujifilm… a Best Seller at BHphoto

Flash

Godox is making many Fujifilm shooters very happy at the moment, and I quite regulary get emails of Fuji X and G shooters switching from other brands (such as Profoto), to Godox. And given the huge interest Godox arose amongst the Fuji community, I think it’s high time to share again a Godox-centric roundup.

But before we dive into the Godox world, some reviews from the non-Godox world (EF-X500 included)… all fresh from the internet.

For older stuff just search fro EF-X500 on fujirumors.com, and you will find links to EF-X500 reviews like the one at Robert Hall Photography Youtube and also check out fotograficoweb’s “Fujifilm EF-X500 Shoe Mount Flash Review” at fujirumors.com)

EF-X500 and FlashQ System

GODOX

  • Damien Lovegrove Godox XT1-F feedback shared at the GFX group here: “XT1F units have arrived. I have literally shot 1000s of frames now with the Godox system in HSS and normal sync using the TT350F and the X1TF. I can confirm that on balance I am finding about ⅔ of a drop off in flash output from regular sync to HSS across the AD200 and AD600 units. In some situations I’m not seeing any loss of exposure and in others a small reduction in exposure. I’m talking about going from 1/125th at f/16 to 1/500 at f/8 or 1/4000 at f/2.8 etc. I need to get out of the studio and shoot some real location portraits.”
  • David Ward Godox feedback shared at the GFX group here: “This is a follow on to my testing the X1Tf, TT350f, TT685f and V860IIf with a Fujifilm GFX. Now with the XT-2; As I expected, the X1Tf, TT350f, TT685f and V860IIf all work with the XT-2 as they did with the GFX. This confirms that the TTL flash capabilities of the latest generation Fujifilm cameras are consistent. Even though I don’t have access to an X Pro 2 its on the compatible list from Godox along with the XT-2 so there should be no surprises. The larger speedlites are big and heavy on the XT-2. I compared the TT350f and V860IIf in M mode with the flash head aimed directly at Manny. As expected considering the guide numbers, there is a one EV difference. That’s good news because it means that anytime the V860II would be firing at less than half power, the TT350 is up to the job. Naturally two AA batteries are a far cry from the Lithium Ion battery in the V860II, but the weight difference is significant. I’m going to confirm how everything works Friday on a wedding shoot. Ceremony outside so some chances for fill with CL200, or speedlites. Then CL200, and TT350 and V680II during the reception inside. As noted with the GFX, setting X1Tf TTL FEC also changes the value in the camera. With the speedlites it acts as expected. FEC in camera is additive to whatever is set via the X1Tf with no changes from the flash to the groups.”
  • Initial thoughts Godox XT1-F trigger for Fuji at maxmilne
  • Fujifilm X-PRO2: HSS, TTL & Godox TT350F at sritch
  • Godox TT350F Review – Tested on the Fujifilm X-T2 at Mitch Lally Youtube
  • Fstoppers Reviews the Godox Thinklite TT350F Flash for Fujifilm X at fstoppers
  • A FR-reader reminds regarding us the X1F transmitter, that you can get more flash power in “hypersync” if you use the x1 to trigger the flash in manual via the ft16 receiver.

And in case you missed it:

  • Godox TT350F Review (for Fujifilm) at fujirumors.com
  • First Godox XT1-F Hands On Report and Damien Lovegrove Final Godox Testing at fujirumors.com
  • Godox News: Cross Brand TTL and HSS, XT1-F Preview, Godox Products for Sale Now also at BHphoto & more at fujirumors.com

Godox/Flashpoint X1T-F controller: BHphoto, Adorama, AmazonUS
Godox/Flashpoint TT350F: Adorama, AmazonUS
Godox/Flashpoint TT685F: BHphoto, Adorama, AmazonUS
Godox/Flashpoint V860IIF: BHphoto, Adorama, AmazonUS
Godox AD200: BHphoto, Adorama, AmazonUS

Sony A9 Vs. Fujifilm X-T2: Who Has Better Colors? … and Don’t Forget to Enjoy Fuji’s Film Simulations :)

Sony a9 vs Fuji X-T2: Which Has Better Color? at Denae & Andrew youtube (using PROVIA on X-T2)

Sony Vs. Fujifilm – Colors

The Blind Test

Andrew wants us to play a bit, so why not, I’m in :)

He will show you some images, taken with Fujifilm X-T2 and Sony A9, standard color profile (on the Fuji X-T2 it’s Provia). He won’t tell you which images has been taken by which camera. You just write up what you prefer, and at the end check out the results.

Of course I did it, and I don’t know if it’s because I’m used to the Fuji look or not, but Fujifilm turns out as winner in 67% of the cases for me (14 for Fuji, 7 for Sony).

Especially in the portrait shots series I almost every time prefered the Fuji output over Sony’s (when Andrew shot nature/flowers, my results were more balanced).

On the other hand, Andrew prefered 11 times Sony and 10 times Fuji.

This shows that personal preference plays an important role…

… but let me add also this…

Don’t Forget the Film Simulations!

Fujifilm has put a terrific effort and lots of knowledge into developing the Fujifilm film simulations. Velvia (for landscapes), Astia (for portraits), Acros (for black and white) and Co are all ment to give you great out of the box images for certain situations.

So why not use them?

These film simulations give us not only great results in terms of colors (the famous “Fuji Colors”), but they are also a whole lot of fun to use. Personally I often just like to play around with the internal RAW converter and change film simulations on my images, maybe while I’m in the train back home after a day of shooting.

I believe that, if Andrew, in the first part of his review, would have used the Velvia profile on the Fuji and the Vivid on the Sony, I’d have liked Fuji colors in his test even more than the current 67%. As mirrorlessons wrote on their X-Pro2 Vs. Sony A6300 comparison (which I’ve shared here on FujiRumors):

if we compare both vidid profiles (also called Velvia on the X-Pro2), we can see that the Fuji produces a warmer, more saturated result.”

Now, I perfectly get it why Andrew used only the standard profile. It’s of course a valid test. But the thing is, that in real life sometimes I like to fine tune my images, and the fastest and often best way to fine tune the colors, is to use one of Fujifilm’s film simulations.

Guys, do you want to experience the magic of Fujifilm colors? Then have fun and use the film simulations :)

Read also

  • Skin Tones – Fuji 56/1.2 vs Sony 85mm GM, Canon 85/1.2 L, Zeiss Batis 85, & Panasonic Leica 42.5/1.2” at fujirumors.com
  • The Great JPEG Shootout by TheCameraStoreTV” [also here using Provia only] at fujirumors.com
  • The World of Film Simulations explained. More at fujirumors.com

& More

There is one more Sony Vs. Fujifilm SOOC color comparison. You can find it at How To And Reviews Youtube. But please note that he uses Canon glass on his Fujifilm. I think to really judge the colors a system gives you, he should have used Fujinon glass.

Fujnon glass has a great color rendition. For example, when I use my Samyang 12mm on my X-T1 for landscape photography, the image look less vivid then when I use Fuji X-mount glass (of course always with Velvia setting).

Don’t get me wrong, for that price, the Samyang 12mmF2 is a no brainer and it’s all in all a lovely lens I didn’t reget a second I bought it. But sometimes I miss the “little extra” Fujinon glass gives me, not only in terms of sharpness, but also in terms of color rendition.

I guess I better start looking around for a good deal on the XF 10-24 ;)

My Favorite Film Simulation is...

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Fujifilm XF 200mm F2 Lens Rumors Confirmed… How Much Would You Pay for It?

Do you remember the first XF200mmF2 rumor?… No?… Oh well, that was quite some time ago indeed (February 2016!!!)

But you guys are now just as experienced as me, when it comes to Fujifilm rumors, and you know perfectly that in the fantastic Fujifilm world everything can change anytime.

Lenses in the official Fujifilm roadmap can be scratched (XF 120mm) or changed (from XF56/1.4 to XF56/1.2), products at an advanced development stage can be cancelled (X-Pro1s), prices of brand new X-gear can change just 2 days after they have been announced (X70) and a lot more.

This is why our sources always kept an eye on the “old” XF 200mm F2 rumor… ready to inform us if there will be any changes.

In fact, after the first XF200/2 rumors we shared and the huge debate we had on Fujirumors in several articles, Fujifilm officially said that they are still undecided between XF200/2 and XF200/2.8. Quote: “There’s a big difference between a 200mm f/2.8 and a 200mm f/2 – they’re totally different.”

Shortly after the Fujifilm manager statement, on March 1, 2017, I confirmed here that the XF200mm is still planed as F2 lens.

Well, I just got another update, and once more I can say, that at this stage Fujifilm is still working on the XF 200mm F2 lens… and that’s a good thing, since the majority of those, considering to buy the XF 200mm, prefer to have a max. aperture of F2.

Of course, the more time passes, the more it is unlikely that Fujifilm will change it to F2.8… but as we all know, nothing is impossible in Fujiland :)

I would buy a...

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How much would you maximum pay for the Fujinon XF 200mm F2?

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have a fantastic day,
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5 Reasons to Buy the X100F :: Good Bye Leica :: My X100F Acros Film Simulation Recipes :: The Art of Camouflaging (X100F Zone)

San Francisco with the Fujifilm X100F & X-T2 at olafphoto youtube

Fujifilm X100F
BHphoto, Adorama, AmazonUS

We know that the Fujifilm X100F is a huge success. Hence, the internet is full with (great) feedback about the X100F. So let’s dive into today’s X100F zone… and don’t forget to join our 11,300 members strong X100F facebook group… it’s creativity pure over there :)

Fujifilm X-E3 will Shoot 4K Video

Ok guys, I’ll keep it short this time because I’m babysitting and we are trying to build a rangefinder Lego Camera like this one now : )

Today’s rumor is as simple as that: the Fujifilm X-E3 will shoot 4K video.

And in the meantime…. Billy, keep up fighting for 4K on X-Pro2… or the X-Pro2 will be the only X-TransIII camera that can’t shoot 4K!

have a GREAT day,
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Rumored Fujifilm X-E3 specs

Fujifilm Firmware Update of EF-X500 Flash Possilble also with Fujifilm GFX

Back in March here, Fujifilm released a minor firmware update, which allowed to perform the firmware update of the Fujifilm EF-X500 flash using the X-T1, X-T2 or X-Pro2.

Just a few minutes ago, Fujifilm updated the original press release, and they announced that “customers who have FUJIFILM GFX 50S can update the firmware of EF-X500 by updating the firmware of a camera body and attaching it to the camera.”

Of course you have to have the latest Fujifilm GFX 5os firmware (currently ver. 1.10) installed to perform the EF-X500 flash upgrade to ver. 1.02.

It’s strange, though, that this information comes only today, since the Fujifilm GFX 50s firmware ver.1.10 is available already since May 25, 2017 and the EF-X500 firmware 1.02 is out since March 21, 2017.

So maybe Fujifilm just realized that the original press release wasn’t complete, and they now added the GFX to the cameras capable of performing the EF-X500 update, or maybe a GFX firmware will follow shortly… but I guess they just forgot to mention the GFX in the first place.

Anyway… FujiRumors is here to give you the blazing fast, accurate and non stop updates about all things Fuji, so it’s my pleasure to share this little news with all of you :)

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FULL PRESS RELEASE

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