The Tamron 150-500mm f/5-6.7 Di III VC VXD has just been announced.
We have it covered its launch here.
But here is one important thing that should not pass unnoticed: the official list of supported Fujifilm cameras, hence I will share it now in a dedicated article.
The Fujifilm cameras compatible with the new Tamron 150-500mm f/5-6.7 Di III VC VXD are:
When I shared the first rumors about Fujifilm launching two X-H cameras (over 1 year ago!!!), many concluded that one will be the video centric and the other the stills centric camera.
But I insisted that this is not the difference to make.
We must think in terms of “speed” and “resolution”, as both X-H cameras are excellent hybrid cameras, and the depending on your needs you might want more speed or resolution in your videos or stills.
Incredibly though, even after the release of both cameras, many still insist that the X-H2S is the video camera and the X-H2 the stills oriented body.
So you know what I’ll do?
I’ll give the word to a videographer we all know, appreciate and trust: Johnnie Behiri from CineD (one of the very few youtubers I trust for being honest in their reviews, but also honest with how they present themselves to their audience… you know what I mean).
Anyway, after filming short documentaries with both, the Fujifilm X-H2s and the Fujifilm X-H2 (hence after really using both cameras on the field rather than just in a basement), he decided that the best video tool for his needs is the Fujifilm X-H2.
Why? Well, he explains it this way:
“Personally, the X-H2 is the best camera for video FUJIFILM has ever made! I’m sure it will also cater well to those who need to produce video next to photo content as the 40.2MP sensor is sufficient for such a “dual task”. With so many resolution options (Full HD – 8K), next to a robust internal recording 4:2:2 10- bit codec (ProRes), good IBIS, and good autofocus performance, I predict that this camera will be a hit, especially considering its attractive price ($1999). Add good audio and lowlight capabilities and there you have it – a very versatile working tool! So the bottom line is, after filming with both, the X-H2S and X-H2, the latter is my preferred option. Not because I don’t appreciate Open Gate, High Frame-Rate recording, or fast sensor capability, but I can simply live with those shortcomings and in exchange earn greater recording flexibility and good IBIS performance (which is essential for my documentary work).“
He ends up calling the Fujifilm X-H2 the “Swiss Army Knife” in Fujifilm’s lineup.
It is interesting to note that he mentions the vastly improved IBIS on the X-H2 over the X-H2s, which can make huge hopes to Fujifilm X-H2s shooters to get an improvement via firmware update.
And despite the high-density pixel sensor, the noise performance on the Fujifilm X-H2 is really good. He writes:
“One of the things that caught my attention is how well the camera records in lowlight situations despite having a 40.2MP sensor.”
To me it looks like Fujifilm actually did quite a miracle here. At least for stills, everybody was sure the Fujifilm X-H2 would perform worst than the X-T4 or the X-H2S, but that does not seem to be the case at all. No idea how the heck the Fuji engineers were able to achieve that and I hope that down the road some Fujifilm manager will give us a more technical explanation for that.
Make sure to read the full CineD X-H2 first look here.
This LUT file is to edit the movie data below when the data is edited by a movie editor on your PC or Mac.
<LUT file for F-Log>
* F-Log movie data recorded with GFX100S, GFX100, X-E4, X-S10, X-T30 II, X-T30, X-T2, X-T3 , X-T4, X-Pro3, X-H1, X-H2S, X-H2 and X100V
<LUT file for F-Log2>
* F-Log2 movie data recorded with X-H2S and X-H2.
F-Log 3D-LUT file / F-Log Data sheet
Last updated: 9.9.2022
F-Log_LUT_E_Ver.1.23.zip [10.9MB]
*Decompress the “F-Log_LUT_E_Ver.1.23.zip” file and launch “.cube” file from a movie editor.
Last updated: 6.16.2022
F-Log_DataSheet_E_Ver.1.1.pdf [192KB]
F-Log2 3D-LUT file / F-Log2 Data sheet
Last updated: 9.9.2022
F-Log2_LUT_E_Ver.101.zip [1.7MB]
*Decompress the “F-Log_LUT２_E_Ver.1.01.zip” file and launch “.cube” file from a movie editor.
Last updated: 6.16.2022
F-Log2_DataSheet_E_Ver.1.0.pdf [120KB]
Pre.Orders
When we shared the rumor about Fujifilm working on an all new camera remote App, we got hundreds of comments of pure joy.
And if you were wondering (like me), if the new App would also get an all new name so that we can get over the “Camera Remote” trauma faster, I am pleased to report that it will.
In fact, I have been told that right now Fujifilm is likely going to call the new app “X-App”.
I get it… but to me, the fact that the App will get a totally new name is at the same time a strong indication that it is an all new and totally re-written App, which is great news!
As the App is not yet out, I would not be totally surprised if the final name would be another one. But for now it’s “X-App”. And in any case, it will surely be a totally new App with a new name.
I have heard some claiming it will come in September, based on what a German manager supposedly said here. But since I speak German, I can tell you that at no point of the interview the manager mentioned any new App coming at all. It goes without saying that therefore he also didn’t say it will come in September.
So what I can say is that I don’t know when it will be released. I can’t exclude September, but I also can’t exclude October, November, December or just anything at this point.
But I just want to make clear that neither any manager nor FujiRumors have announced a new App coming in September.
So please, don’t be disappointed if it won’t come in September… but know that it will come for sure and Fujifilm is working on it.
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Released within months of each other, at similar prices, the Panasonic GH6 and Fujifilm X-H2S are some of the most compelling mirrorless cameras available for video shooters. Jordan Drake takes you through the strengths and weaknesses of these outstanding cameras.
Here is a summary:
You might remember when back in July we told you that the Fujifilm X-T5 won’t have the vertical battery grip option, making it the first Fujifilm X-T camera ever without one (the X-T1 was the first Fujifilm X camera ever to even offer a vertical battery grip, the VG-XT1).
For 76% of you guys the lack of battery grip is not a dealbreaker, but there is still a respectable 24% of potential X-T5 buyers, who would not buy the X-T5 because of that.
For those 24% the hope was high that the rumor is wrong, given the fact that it came from a new source.
However, we can now confirm by trusted sources, that the Fujifilm X-T5 will indeed have no vertical battery grip option.
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This summer my Fujifilm APS-C X gear dominated and found its way in my camera bag most of the time.
May it be my X-T4 used during my holidays on the Elba island in Tuscany with my wife and son, or my top-combo X-E3 with XF27mm2.8 R WR used in many of my short 1 day family friendly mountain hikes.
But not this time!
In fact, I just came back from an extensive multi-day mountain hike in the Dolomites, and this is what I packed:
So how did it go?
Well, the reason I mostly instinctively grab my X series gear is because, in addition to offering a great image quality, compared to my GFX gear it is simply lighter and more compact, plus there are some lenses I truly love in that system, like the XF35mmF1.4 R (which never stops to stun me), the Fujifilm X-E3 with XF27mmF2.8MKII (my go to combo to document my everyday family life) and the XF18-135mmF3.5-5-6.
But the lightness and sheer perfect balance of the APS-C X system made me forget one thing: how portable and flexible actually also Fujifilm’s medium format system is!
As you can see, this is how I hiked for several hours a day: a medium format camera and lens on my hip, the tripod most of the time in my camera bag as IBIS took care to compensate for my tired and shaking hands… and in my heart the certainty that no matter how tricky the light will be, no matter how challenging the conditions, no camera will be able to handle it better than my Fujifilm GFX100S does (unless you use one of those monstrous digital MF cameras, but good luck hiking with those… if you can afford it!)
So we can only be grateful to Fujifilm for making medium format so accessible in terms of size and price.
DPRTV published its review of the Fujifilm X-H2S (production model with final firmware).
As to expect, lots of the things they complaint about in their pre-production review were completely fixed and improved.
Here is the summary:
Maybe you have noticed that lately we tried to highlight also reviews from smaller youtube channels, along with the usual big ones.
Now, I won’t enter the discussion on why it seems that at least some of the big channels have a conflictual relationship with the Fujifilm managment, leading them to either ignore Fujifilm cameras (some never reported about the launch of the X-H2S) or to review Fuji gear… how can I say that… to review it not with the same care as they do with other brands.
But that’s not the article, where we want to talk about it.
What you need to know now is: we will keep covering the reviews of huge channels (in case they cover Fujfiilm, but highlight when they make errors like here and here), but also highlight smaller channels every now and then.
Small channels might not have the best studios, lights and audio, but they are often run by truely passionate photographers, who probably shoot more pictures with their gear out on the field than many of the huge channels combined. So their opinion, at least in my eyes, has just the same value the one of massive youtube channel.
So today we talk about TC, who owns the Sony A7IV and lots of lenses, but after his comparison with the Fujifilm X-H2S, he decided to sold off his entire Sony full frame kit. If you want to know why, you can find the video below as well as a summary.
Why are You Scared of PSAM? ;)
Before we go ahead, just a little consideration of myself. Why are you scared of PSAM?
Look, TC switched back to Fujifilm among the others because it has a PSAM dial and he loves it. So now we have a former Sony shooter coming back to the Fujifilm camp thanks to the Fujifilm X-H2S.
And isn’t that what we want? And what Fuji needs? More people shooting with their gear?
What damage does it do to us retro lovers?
Fujifilm has basically already said that there will be a Fujifilm X-T5, X-E5, X-T40, X-Pro4, X100V successor… and all of them with the retro feel we all love. That’s plenty of options that will continue to exist for us.
And now let’s see what motivated TC to sell all his Sony gear to switch to Fujifilm.
The latest Fujifilm X-T5 and Fujifilm X-H2S rumors dominated the top articles ranking for July along with some Fujifilm manager interviews and statements.
But there was definitely more going on last month and especially on Nr.6 I think there is something that will make pretty much every Fujifilm X shooter very happy ;).
So definitely check out our top 10 articles for July.
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