Fujifilm Manager Talks X-H2S with “Slightly Improved Image Quality” and Says Fujifilm X-T Line (X-T5) will Maintain Classic Controls

When Fujifilm recently laid out their future camera lineup, we could see that going on, the Fujifilm X series will still have more cameras featuring a classic retro layout as opposed to PSAM.

That’s good for us Fujifilm X shooters, as this means we still have plenty of retro option to pick from also in future (Fujifilm X-T5, X-Pro4, X-T40 and X-E5).

But for some reason, the fact that Fuji also offers the X-H2/S and X-S10 with PSAM dials is spreading panic among the Fuji community, that Fujifilm is giving up on the classic control layout most of us fell in love with.

I guess that’s why a Japanese Fujifilm manager said in an interview with the Japanese youtube channel Camera Kitamura, that the Fujifilm X-T line will continue and differentiate itself from the Fujifilm X-H2/S thanks to a more classic layout.

The manager says the reason for having the X-S10 and X-H2/S, is that a PSAM dial helps to attract new customers from other system to Fujifilm. But that the X-T line won’t feature a PSAM dial.

Other than that, here is a summary I made by relying on the bad Google YouTube translation tool. If any Japanese reader has any suggestions for stuff to add or correct, please let me know.

  • with the X-H series Fujifilm skipped the 4th generation sensor and processor
  • the X-H series is a professional and top of the line camera and they wanted to wait for the 5th generation sensor and processor to reach certain goals they had for this camera
  • they offer X-H2S and X-H2 as X-H2S aims to people who need speed, and X-H2 to those who need resolution
  • technically possible to make a high resolution stacked camera, but they want to keep the price “reasonable”
  • 40fps help to capture the decisive moment for example in wildlife photography, sports photography etc.
  • CFexpress writing speed is so fast, that you don’t have to save files on the buffer
  • subject tracking much better now
  • he runs over X-H2S specs that you guys know all too well to repeat them here
  • the redesign of the hand grip allowed to put the battery vertically in the grip and to redesign the top of the camera, with three different sized buttons to make it easy for people to operate as they will feel which button they are pressing
  • they talk about the vastly improved autofocus
  • new improved IBIS also helps to detect subjects more accurately
  • slightly improved image quality at ISO 160 and noise is better
  • they talk about the controversial modular cooling fan
  • F-Log 2 has 14+ stops of dynamic range

You can see the full Japanese videos down below. The video has been found via the Japanese website dclife here.

** CLICK HERE to Read the Rest of the Article **

Fujifilm X-T5 to Feature 40MP Non-Stacked Sensor (No 26MP Stacked Version Planed)

It was one of the questions I got most since the X summit in May.

And today it will find an answer.

An answer that comes from a new source, but as you know, if I share it on FujiRumors anyway, it means that I have reasons to trust this source. In my eyes, it is just as reliable as if I’d have been told this from a trusted source.

The rumor is this one:

The Fujifilm X-T5 will come with a 40MP non-stacked sensor, the same one that will be used by the Fujifilm X-H2 HR. Fujiiflm has no plans to release a stacked version of the Fujifilm X-T5, hence no Fujifilm X-T5s.

In a recent survey where we asked you which sensor you’d like in which camera model, you can see that half of you want a 40MP Fujifilm X-T5 and the other half a stacked 26MP Fujifilm X-T5S.

Well, if you are really out for a stacked sensor SLR shaped higher end camera, you might just get the Fujifilm X-H2s at this point as waiting for the stacked sensor Fujifilm X-T5s will be time wasted.

Nikon Z9 Sport Photographer Test Fujifilm X-H2S and Fujinon XF18-120mmF4 and XF150-600mmF5.6-8 Tests

Here is a little roundup to catch up with the latest first look reviewers about Fuji’s newest gear trinity.

It includes a Nikon Z9 shooter going hands on with the Fujifilm X-H2S and explaining us why 40fps do matter. It’s the first video in the “video section” down below, and it is also summarized for you in case you don’t have time to watch it right now.

And of course we got also the XF18-120mmF4 and XF150-600mF5.6-8 covered.

So, I guess you have now something to read and watch… I’ll jump in the Mediterranean water while you get through this all ;).

Fujinon XF18-120mmF4

  • alwinkok – XF18-120mm -A Good Zoom Lens for Photographers?

Overshadowed by the Fujifilm X-H2S…

smashed by the Fujinon XF150-600mmF5.6-8…

obscured by the latest Fujinon X mount roadmap…

the Fujinon XF18-120mmF4 entered the Fuji world with little fanfare.

But here on FujiRumors we treat all lenses with the same dignity, so we will start the roundup with this lens. More precisely, the with the coverage of Taylor Jackson, who says:

  • there are four ways to zoom
    1) a zoom ring designed to feel like a manual zoom ring
    2) behind the zoom ring, there is a zoom lever
    3 )there is a zoom button to zoom at a constant speed
    4) ou can zoom via touch screen controls
  • exposure stepping still exists [on this pre-production copy]
  • minimal focus breathing
  • very versatile

Fujinon XF150-600mmF5.6-8

  • keithwee – Fujinon XF150-600mm ƒ5-6.8 R LM OIS WR Review – Reach Maximus

Videos Section

** CLICK HERE to Read the Rest of the Article **

Fujifilm X-H2S Look Up Table (LUT) for F-Log and F-Log 2 Now Available

This LUT file is to edit the movie data below when the data is edited by a movie editor on your PC or Mac

<LUT file for F-Log>
* F-Log movie data recorded with GFX100S, GFX100, X-E4, X-S10, X-T30 II, X-T30, X-T2, X-T3 , X-T4, X-Pro3, X-H1, X-H2S and X100V

<LUT file for F-Log2>
* F-Log2 movie data recorded with X-H2S.

Download

F-Log 3D-LUT file / F-Log Data sheet

Last updated: 6.16.2022
F-Log_LUT_E_Ver.1.22.zip [10.0MB]
*Decompress the “F-Log_LUT_E_Ver.1.22.zip” file and launch “.cube” file from a movie editor.
Last updated: 6.16.2022
F-Log_DataSheet_E_Ver.1.1.pdf [192KB]

F-Log2 3D-LUT file / F-Log2 Data sheet

Last updated: 6.16.2022
F-Log2_LUT_E_Ver.100.zip [908KB]
*Decompress the “F-Log_LUT２_E_Ver.1.00.zip” file and launch “.cube” file from a movie editor.
Last updated: 6.16.2022
F-Log2_DataSheet_E_Ver.1.0.pdf [120KB]

Pre-Orders

Tamron 17-70mm f/2.8 Compatibility List with Fujifilm X Cameras

The Tamron 17-70mm f/2.8 has just been announced.

We have it covered in previous articles:

But here is one important thing that should not pass unnoticed: the official list of supported Fujifilm cameras.

So I think it is worth to highlight them in its own article. Accroding to Tamron, the new Tamron 17-70mm f/2.8 will work fine with the following Fujifilm cameras (see below):

** CLICK HERE to Read the Rest of the Article **

DPReview Publishes Statement About Flawed Fujinon XF150-600mmF5.6-8 Sample Gallery

After noticing that DPReview removed their flawed XF150-600mmF5.6-8 sample gallery, I invesitaged the issue and found out that the reason for the removal was the use of not yet firmware compatible X-T4 with the XF150-600mmF5.6-8 (now confirmed by DPReview itself).

In that article, I also asked DPReview to apologize for the error and inform their community that what they saw did not reflect the real performance of this lens.

For me the story ended there, my job was done, and the next move (if any) was up to DPR.

Well, I am happy to report that DPR made its move. And hence it is fair from my side to report about it.

In the sub-section of the forum dedicated to Fujifilm cameras, Richard Butler of DPR opened a thread where he released the following statement here:

In the build-up to Fujifilm’s launches this week, we shot a series of samples with the 150-600mm F5.6-8. These were created using an X-T4 so that the X-H2S could be shot separately, allowing us to provide more samples and more information for our readers at launch.

It was only after publication we were told that the lens will not work to its full ability until firmware updates have been issued. Upon finding this out, we made the decision to take the gallery down.

We want everything we publish on DPReview.com to be valuable to our readers, which means ensuring it is both accurate and meaningful (in this case, by being representative of the lens). We apologize for falling short on this occasion.

Richard Butler
Technical Editor

DPReview.com

So what, story closed?

Well, that’s DPReviews statement, we take note of it and we certainly appreciate they went public with it (although maybe it would nice to have it on the same place, where the gallery was published, hence on the front page. But hey, no nitpicking here, that’s also fine in the sub-forum. Important is that their community is informed somehow).

There is just one sentence in that statement that, if we want to be really precise, sounds a bit off to me:

It was only after publication we were told that the lens will not work to its full ability until firmware updates have been issued.

According to our information, when Fujifilm sent DPReview the new gear, Fuji also gave them clear instructions, which included the instruction not to use any other camera on the XF150-600mm except for the X-H2S.

So, according to our sources, DPR was actually immediatly informed about it, but for some reason the instructions Fujifilm sent to them somehow got lost or not heard or misunderstood or missed or whatever.

And then, sure, after the flawed gallery went online, Fujifilm did contact them and informed them (again) about the issue with the X-T4 on XF150-600mm.

Final Word (I promise) ;)

Look, I have no reason to doubt what my sources told me. In fact, I totally trust them and I am sure it is accurate.

But I also have no reason to doubt that Richard Butler has genuinely found out only after the fact that the X-T4 could not yet be used on the XF150-600mm.

All I would like to say to Richard is that I can assure him instructions were given, and I understand that the DPR team is a large one, with lots of busy activities and pre-production gear to test and handle, and that there is the opportunity that at some point somebody inside that large team did not handle Fuji’s instructions the best way possible, hence they got lost somewhere, and unaware of the instructions, DPR started testing the lens on the X-T4.

I allow myself to give Richard this possible scenario, as I believe it is not unlikely that this is what happened. It could be useful to know this to eventually look into it and potentially find ways to make sure that such misunderstandings don’t happen again.

That’s really all.

And Richard: I look forward to the new sample gallery, the new reviews and whatever DPReview is working on, as DPReview is a huge reference point also for us Fujifilm X and GFX shooters.

with love from Italy
Patrick

WHOOPS: DPReview Removes Their (Bad) XF150-600mmF5.6-8 Samples While Other Photographers Show Super Sharp Images at 600mm

Some guys were sure: it is simply impossible that the Fujinon XF150-600mmF5.6-8 is sharp at 600mm, due to mathematical calculations considering f/8 on APS-C combined with statistical elaborations on the effect of diffraction for a pixel pitch of ….

OK, I hear you, let’s keep it short: the XF150-600mmF5.6-8 it’s an unusable piece of junk at 600mmF8.

And looking at the sample gallery shared by DPReview (not to be mistaken with DPRTV) at launch day, which were the worst possible samples, one would agree with the above.

But now it looks as if somebody at DPR had the decency to pull off the sample gallery, as the original link to them is now broken, the sample gallery never loads and on the main page any reference to the sample gallery (still visible in cached version) is gone.

So what happened? I see two options:

  • the lens was used in hot condition with lots of hazy air that influenced IQ
  • the pre-production copy had an issue
  • UPDATE: suggested in the comments, the X-T4 used does not support the lens yet

UPDATE: According to information I have received, the prototype lens didn’t have firmware for X-T4 (which was the camera used for the samples).

Anyway, damage done: the sample were so bad, that some Fuji shooters looking forward to this lens were hugely disappointed and moved away from it.

But the questions remains open: how does the XF150-600 perform at 600mm?

Well, I put to together a series of links where you can see the samples by yourself. Some of them I already shared in the live blog, but others are new links that I did not share in the original live blog coverage.

Look for example at samples of Alan Hewitt below. They show the performance at 600mm with an additional crop to it.

If you ask me, that is actually an excellent performance!

But as usual, watch by yourself and make up your own mind.

Pre-Orders

10 Things You Might Have Missed: Fujifilm X-H2 40MP X-Trans, September X Summit, Overheating Drama Ends, Crazy X-H2S Video Dynamic Range and More

What an event! What a day! And how much stuff to digest!

Now, the main specs of this camera are known. But going through the various video coverage, I’d like to highlight a few things that given the massive amount of information some might have missed.

All you read below can be found in the videos of our live blog coverage.

Fujifilm X-H2 40 MP is X-Trans

** CLICK HERE to Read the Rest of the Article **

Fujifilm launches mirrorless digital camera “FUJIFILM X-H2S”

Fujifilm launches mirrorless digital camera “FUJIFILM X-H2S”

-Featuring a newly-developed back-illuminated, stacked sensor and a high-speed image processing engine
-Flagship model that boasts the fastest continuous-shooting, AF and video performance in the history of the X Series
-A highly robust camera body featuring a powerful image stabilization mechanism and various interface options to cater to broad-based professional needs

TOKYO, May 31, 2022 – FUJIFILM Corporation (President and CEO, Representative Director: Teiichi Goto) announces the launch of the mirrorless digital camera “FUJIFILM X-H2S” (X-H2S) in July, 2022. The camera joins the lineup of the X Series of compact and lightweight mirrorless digital cameras renowned for their outstanding image quality, delivered with Fujifilm’s proprietary color reproduction technology.

The X-H2S is a new flagship model boasting the highest performance in both stills and videos in the history of the X Series. This has been made possible by the use of the new back-illuminated, stacked, 26.16MP “X-Trans™ CMOS 5 HS”*1 sensor capable of reading signals four times faster than the current device*2, and the high-speed “X-Processor 5” boasting double the image processing speed of the current device*3. The camera also features blackout-free burst shooting of up to 40 frames per second*4 and high-performance AF system that uses AI to detect a subject. Furthermore, it can film 6.2K/30P and 4K/120P video and record high-definition footages. The highly-robust body packs other features including the five-axis in-body image stabilization that offers up to 7.0-stop advantage*5 and extensive interface options including the dual card slot supporting a CFexpress™ Type B card*6, catering to the shooting needs of professional photographers.

In 2012, Fujifilm released the mirrorless digital camera “FUJIFILM X-Pro1” featuring an image sensor and an image processing engine developed in-house. Since then, the company has evolved these devices over the last decade in pursuit of advanced image quality and portability. The launch of the latest model “X-H2S,” featuring the newly-developed X-Trans™ CMOS 5 HS sensor and the X-Processor 5 image processing engine, heralds the arrival of the fifth generation of the X Series.

Main features of the X-H2S

  • The camera delivers the highest performance in the history of the X Series thanks to the newly-developed sensor “X-Trans™ CMOS 5 HS” (APS-C sensor) and the high-speed image processing engine “X-Processor 5.”

“X-Trans™ CMOS 5 HS” sensor
  • A 26.16MP image sensor that maintains the back-illuminated structure but adopts the stacked-layer design to quadruple the signal readout speed compared to the current device*2
High-speed image processing engine “X-Processor 5”
  • A newly-developed processor with double the processing speed compared to the current device*3.
  • The camera can achieve blackout-free continuous shooting of up to 40 frames per second and performs three times the number of calculations in phase detection information compared to the current model*7 to deliver AF/AE tracking in the burst mode, ensuring to capture a decisive photo opportunity.
  • The camera has improved image resolution at low ISO sensitivity compared to the current model*7, while suppressing noise at high ISO sensitivity to produce superior image quality.
  • The camera’s subject-detection AF function uses AI technology to identify animals, birds, cars, motorcycles, bicycles, airplanes and trains, accurately tracking an intended subject.
  • The camera can record 6.2K/30P and 4K/120P video in 4:2:2 10-bit. The ability to record high-speed 4K/120P video means a split-second action of a fast-moving subject can be presented in smooth slow-motion with fine details. Furthermore, the sensor`s readout speed during video recording has been reduced to as fast as 1/180 seconds, mitigating the rolling-shutter effect and presenting a moving subject naturally.
  • The camera supports three Apple ProRes codecs*8, namely ProRes 422 HQ, ProRes 422 and ProRes 422 LT. When recording ProRes, the X-H2S also supports proxy recording such as ProRes 422 Proxy, streamlining the overall workflow from filming to post-production.
  • The camera supports a CFexpress™ Type B card, capable of writing data at high speed and thereby drawing out the X-H2S’s full potential in burst shooting and video recording.*9

Fujifilm will continue to enhance the appeal of the X Series including the X-H2S (carrying an APS-C sensor), GFX Series including the GFX100S (carrying a large format sensor) and extensive lineup of interchangeable lenses to promote photography / videography and the joy of shooting stills and videos.

  • *1 X-Trans is a trademark or registered trademark of FUJIFILM Corporation.
  • *2 In comparison with the X-Trans™ CMOS4, carried in the current camera models.
  • *3 In comparison with the X-Professor 4, carried in the current camera models.
  • *4 High-speed continuous shooting free from the viewfinder blacking out, preventing users from seeing the subject; This is only available when using the electronic shutter.
  • *5 When mounted with the FUJINON Lens XF35mmF1.4 R.
  • *6 CFexpress is a trademark or registered trademark of the CompactFlash Association.
  • *7 Mirrorless digital camera “FUJIFILM X-T4.”
  • *8 Apple ProRes is a trademark of Apple Inc., registered in the United States and other countries.
  • *9 See the Fujifilm website for a list of memory cards that have been verified to work with this camera

1. Product features

(1) Best burst-mode performance in the history of the X Series to capture a decisive photo opportunity
  • This camera is equipped with the newly-developed “X-Trans™ CMOS 5 HS sensor, which has a signal readout speed about four times faster than the current device to achieve blackout-free continuous shooting of up to 40 frames per second. It controls phase-detection pixels independently when displaying images in the Live View mode during burst shooting to triple the number of phase detection calculations from the current model. AF/AE tracking is maintained even during high-speed continuous shooting of 40 frames per second, ensuring to capture a decisive photo opportunity.
  • The X-Trans™ CMOS 5 HS and the X-Processor 5 are complimented with high-capacity buffer memory to significantly increase the number of frames that can be continuously recorded in the burst mode. When using the electronic shutter, the camera can shoot at up to 30fps in JPEG and 20fps in RAW, recording over 1,000 frames continuously in the burst mode.*10
  • The high-magnification and high-definition EVF boasts the magnification ratio of 0.8x and a resolution of 5.76 million dots. It offers improved visibility thanks to strong suppression of parallax and distortion that occur when an eye position becomes displaced while using the viewfinder. Its 120fps frame rate displays images smoothly, allowing users to accurately keep track of a fast-moving subject.
  • *10 At the time of a cold start in the operating environment at 25℃ (with the camera body starting at the temperature the same as or lower than the external atmospheric temperature). This is only possible when using the electronic shutter and in the JPEG mode. Note that the number of frames that can be recorded depends also on the remaining level of battery charge and the type / capacity of memory card used.
(2) Updating the algorithm to substantially improve AF performance
  • The use of the X-Trans™ CMOS 5 HS and the X-Processor 5, coupled with the update of AF prediction algorithm, have led to a major boost in the camera’s capability to track a moving subject and autofocus accurately in Zone AF or in low-contrast conditions. This means a subject that keeps on moving can be accurately tracked, such as athletes and wild animals.
  • The camera features a subject-detection AF function, developed with deep learning technology, while retaining the conventional Face / Eye AF. It uses AI to detect animals, birds, cars, motorcycles, bicycles, airplanes and trains. The camera automatically tracks a targeted subject while keeping it in focus, allowing users to concentrate on shutter opportunities and framing.
  • The camera supports the AF+MF function, in which users can make a manual focus adjustment after AF during not only shooting stills but also recording video. This enables greater accuracy in tracking a fast-moving subject while shooting video.
(3) Enhanced video performance to cater to diverse videographic needs
  • The camera can shoot 6.2K/30P and 4K/120P video in 4:2:2 10-bit, recording high definition footage while retaining rich color information. The ability to record high-speed 4K/120P video means a split-second action of a fast-moving subject can be presented in smooth slow-motion with fine details.
  • The sensor’s readout speed during video recording has been boosted to as fast as 1/180 seconds. The rolling-shutter effect is well-controlled to present a moving subject naturally.
  • The camera supports three Apple ProRes codecs, namely ProRes 422 HQ, ProRes 422 and ProRes 422 LT. When recording ProRes, the X-H2S also supports proxy recording such as ProRes 422 Proxy, streamlining the overall workflow from filming to post-production.
  • Another new feature is F-Log2 capability with dynamic range expanded up to 14+ stops. This enhancement enables video recording with enriched tonality, thereby broadening post-production potential.
  • The camera has a new heat-dissipating structure to substantially increase the maximum video-recording time. 4K/60P video can be recorded for an impressive 240 minutes*11 to cater to the needs of professional video production. Attach the optional cooling fan “FAN-001” to enable extended video recording even in high-temperature conditions.
  • *11 At the time of a cold start in the operating environment at 25℃, with the Auto Power Off set for “High,” Bitrate setting at 100Mbps, the vertical battery grip “VG-XH” attached and three batteries used. The recording time depends on the remaining level of battery charge and the type / capacity of memory card used. Note that the camera may automatically stop recording video when the body temperature rises beyond threshold.
(4) Enhanced operability to assist users’ shooting experience in a variety of situations
  • The camera features an all-new in-body image stabilization mechanism, which offers a new sensing control function to detect and correct fine camera shakes, delivering five-axis stabilization that gives up to 7.0-stop advantage. Users can comfortably choose to hand-hold the camera to shoot sports with actively-moving subjects or in low light conditions such as nightscape.
  • The new camera inherits the popular design features of the FUJIFILM X-H1, such as an LCD display on the top panel for users to check settings any time, and a highly-robust camera body that withstands heavy professional use. Improvements include the shutter stroke when the shutter button is half-pressed, load adjustment to the AF ON button, and materials used for buttons for enhanced operability. The design of the large grip has been brushed up to make it even easier to hold for added comfort.
  • A standalone video-recording button has been added for enhanced video operability in combination with the 1.62-million-dot vari-angle LCD monitor on the rear panel, which can be positioned in a range of angles to enable filming exactly as intended.
  • The camera features dual memory card slots supporting CFexpress™ Type B and SD cards. Use the CFexpress™ Type B card to draw out the full potential of the X-H2S’s fast continuous shooting and video performance.

2. Optional accessories

(1) Vertical battery grip “VG-XH” (dedicated to the X-H2S)
  • The vertical battery grip can load two of the high capacity battery “NP-W235.” It is also dust and moisture resistant and operates at temperatures as low as -10℃ for advanced practical applications.
  • The grip features various buttons in convenient locations for vertical shooting to provide the same level of operability with horizontal shooting.
(2) File transmitter “FT-XH” *12 (dedicated to the X-H2S)
  • This file transmitter features wired LAN connectivity and high-speed wireless communications capability, essential for in-studio tethered shooting or sports / media shooting. It can be also used as a vertical grip and fits two of the high capacity battery “NP-W235.”
  • It can be combined with the X-H2S to enable the following:
    ① FTP transfer by wired LAN / wireless LAN / USB smartphone tethering
    ② Tethered shooting by wired LAN / wireless LAN
    ③ Remote Rec function by wired LAN / wireless LAN; Capable of controlling up to four X-H2S cameras simultaneously from a browser on a smartphone, tablet device or computer
  • *12 Due to be released in September 2022
(3) Cooling fan “FAN-001” (dedicated to the X-H2S)
  • This cooling fan can be attached to the rear panel of the camera body without a cable, supporting long hour shooting and video recording in a high-temperature condition. The power can be supplied to the fan from the camera body.
(4) Cover kit “CVR-XH” (dedicated to the X-H2S)
  • Items contained in the cover kit for protecting various terminals on the camera.
1 x Sync terminal cover
1 x Hot shoe cover
1 x File transmitter / vertical battery grip terminal cover
1 x Cooling fan terminal cover
1 x Memory card slot cover

Fujifilm launches FUJINON Lens XF150-600mmF5.6-8 R LM OIS WR

Fujifilm launches FUJINON Lens XF150-600mmF5.6-8 R LM OIS WR

– Introducing a super telephoto zoom lens covering 150mm – 600mm in focal length
– Lightweight design, powerful image stabilization and fast and accurate AF to produce high quality images in hand-held shooting

TOKYO, May 31, 2022 – FUJIFILM Corporation (President and CEO, Representative Director: Teiichi Goto) announces the launch of the “FUJINON Lens XF150-600mmF5.6-8 R LM OIS WR” (XF150-600mmF5.6-8 R LM OIS WR) in July 2022. The new lens joins the extensive lineup of interchangeable XF lenses designed for the X Series of mirrorless digital cameras, which are renowned for their compact and lightweight design and outstanding image quality delivered with Fujifilm’s proprietary color reproduction technology.

The XF150-600mmF5.6-8 R LM OIS WR is a zoom lens that covers focal lengths ranging from the telephoto 150mm to the super-telephoto 600mm (equivalent to 229mm – 914mm in the 35mm film format). It weighs just 1605g*1 and sports a powerful image stabilization mechanism as well as fast and highly accurate AF system to deliver excellent mobility. Users can shoot distant wildlife, wild birds or athletes hand-held and produce high-quality results.

The XF150-600mmF5.6-8 R LM OIS WR covers up to the super-telephoto focal length of 600mm (equivalent to 914mm in the 35mm film format), the longest in the history of XF lenses*2. It can also be coupled with the “XF2X TC WR” teleconverter, which can extend the focal length of lenses, to reach up to 1200mm (equivalent to 1828mm in the 35mm film format), allowing liberal framing unrestricted by shooting distance to capture wildlife and wild birds, or tracking athletes across all corners of a vast stadium in sports photography.

The XF150-600mmF5.6-8 R LM OIS WR consists of 24 lens elements in 17 groups, including three ED lenses and four Super-ED lenses, effectively suppressing chromatic aberration and delivering a high level of edge-to-edge image resolving performance across the entire zoom range. Furthermore, it weighs just 1605g*1 despite being a zoom lens covering a broad range of shooting distances. The use of the Inner Zoom system means the lens barrel does not extend, thus minimizing shift in weight distribution balance during zooming for stable hand-held shooting. The lens also features a 5.0-stop*3 image stabilization mechanism and an AF system that attains focus in as quickly as 0.15 seconds*4, ensuring that users do not miss any decisive photo opportunities.

Adding the XF150-600mmF5.6-8 R LM OIS WR to an extensive lineup of lenses, Fujifilm will continue to offer photographic pleasure with the X Series, covering a wide range of photographic categories.

  • *1 Weight excluding the lens cap, lens hood and tripod seat.
  • *2 As of May 31, 2022.
  • *3 Compliant with CIPA in pitch / yaw directions.
  • *4 AF speed on the wide angle end, using an internal measurement method compliant with the CIPA Guidelines, when mounted on the mirrorless digital camera “FUJIFILM X-T4” with Phase Detection AF activated and the High Performance Mode turned ON.

1. Product features

(1) Super telephoto zoom lens with the longest focal length in the history of XF lenses*2 in pursuit for premium image quality
  • The zoom lens covers focal lengths ranging from the telephoto 150mm to the super-telephoto 600mm (equivalent to 229mm – 914mm in the 35mm film format). The super-telephoto focal length of 600mm, the longest in the history of XF lenses, makes it a perfect choice for shooting subjects in long distance in wildlife, birds and sports photography.
  • The lens is compatible with the teleconverters “XF2X TC WR” and “XF1.4X TC WR.” When coupled with the XF2X TC WR, the lens covers focal lengths from 300mm to 1200mm (equivalent to 457mm – 1828mm in the 35mm film format).
  • The lens, consisting of 24 lens elements in 17 groups including three ED lenses and four Super ED lenses, thoroughly suppresses chromatic aberration, typically seen in super-telephoto lenses. It delivers a high level of edge-to-edge image-resolving performance across the entire zoom range.
  • The High Transmittance Electron Beam Coating (HT-EBC), Fujifilm’s multi-layer coating typically used on broadcast lenses, has been applied on all elements to achieve high transmittance and low reflectance despite containing 24 lens elements to produce images with exceptional sharpness and clarity.

(2) Rugged yet lightweight design to reduce user load, enabling extended shooting in a variety of situations
  • The lens features two Super ED lenses as front elements to maintain strong image-resolving performance but adopted compact barrel design in order to reduce overall weight. It weighs just 1605g despite being a super-telephoto zoom reaching up to 600mm (equivalent to 914mm in the 35mm film format).
  • The use of the Inner Zoom system means the lens barrel has an uncomplicated, non-extending structure, thus reducing the lens weight and minimizing shift in weight distribution balance for comfortable zooming.
  • Magnesium alloy is used for the internal base frame that supports the lens structure to keep the weight low and make it robust at the same time.
  • The lens body is in matte silver to mitigate its temperature increase during operation. The lens barrel is weather-sealed at 19 points to ensure dust and weather resistance and ability to operate at temperatures down to -10℃. This means the lens can withstand extended use in sweltering heat or under rough weather.
(3) Powerful 5.0-stop image stabilization mechanism
  • The accuracy in sensing camera shake has been dramatically improved to provide powerful 5.0-stop image stabilization, facilitating hand-held photography in the super telephoto region, which is susceptible to camera shakes.
(4) Fast and silent AF actuated easily
  • The lens uses the Inner Focus system, which drives the compact and lightweight focus lens group with a linear motor, to achieve a fast and silent AF, attaining focus in as fast as 0.15 seconds in the wide angle end and 0.25 seconds*5 in the telephoto end. Users can capture a subject quickly and precisely even in the hard-to-focus super-telephoto range, ensuring to capture a decisive photo opportunity.
  • The Focus Preset function is featured so that the focus can be shifted to a location pre-defined with the Focus Preset button*6. This reduces users’ operation workload as they don’t need to re-adjust focus on a targeted subject.
  • The lens also features the Focus Limiter*7, allowing users to restrict the lens’s AF range. This can effectively shorten AF time when photographing a subject that is five meters away or more.
  • The Focus Control button*6 is placed at the front edge of the lens barrel. Press this button to instantly recall a function you have assigned with the Focus Selector*6 for smooth AF operation.
  • *5 AF speed on the telephoto end, using an internal measurement method compliant with the CIPA Guidelines, when mounted on the mirrorless digital camera “FUJIFILM X-T4” with Phase Detection AF activated and the High Performance Mode turned ON.
  • *6 Camera firmware must be updated to activate the Focus Preset button, Focus Control button and Focus Selector. The update is due to be released for the FUJIFILM X-T4, FUJIFILM X-T3 and FUJIFILM X-S10.
  • *7 The Focus Limiter function is activated with the Focus Range Selector.

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