Pixel Village, who recently gave us some insights from the Fujifilm factory in Japan, now published their interview with Fujifilm manager Toshihisa Iida, Jun Watanabe and Keitaro So.
It’s a 33 minutes long video that I have summed up below for those of you, who are in a hurry right now.
Style vs Specs
We already questioned a few times, if these awards make sense, by disclosing how the award business works. But for some reason many Fujifilm X and GFX still rejoice when they read about Fujifilm winning an EISA, TIPA or whatever else award.
So I don’t want to be the spoilsport here, let’s just ignore it all and rejoice once again :).
Oh, and btw, don’t take any award seriously, that does not assign a price to the stellar FUJIFILM XF 200mm f/2 R LM OIS WR.
Here are all the winners:
Cameras
Lenses
Other Awards
The Fujifilm winners:
Press Release
Photons to Photos added the Panasonic S1R full frame camera to their database, and you can now compare it to all other cameras, including the Fujifilm GFX 50s and GFX 50R. You can manipulate the chart here.
When it comes to maximum photographic dynamic range, the Panasonic S1R is slightly better than the Fujifilm GFX50S.
Fujifilm officially launced the zoom cinema lenses “Premista” Series, the FUJINON Premista 28-100mmT2.9 and the FUJINON Prermista80-250mmT2.9-3.5.
These are PL mount lenses.
Nokishita just leaked the first images of the Fujinon 80-250 and 28-100 large format cine lenses.
These could be the Fujifilm GFX medium format cine lens version of Fujifilm’s APS-C Fujinon MKX 18-55mm T2.9 and Fujinon MKX 50-135mm T2.9.
We remind you that the Fujifilm GFX 100 medium format camera will shoot 4K video.
Since the images have now been leaked, I expect the announcement of the new Fujinon premista lenses to happen within just a few weeks.
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