Fujifilm GFX100S: 10 Thoughts on Using it for Weddings, 5 Things I Don’t Like and So Sensational, it Should not Exist

There is only one positive thing in having to wait so long for my Fujifilm GFX100S: I have more time to think on which GF lens I should get.

What does not make my waiting easier, though, are all the stellar reviews the Fujifilm GFX100S is getting by photographers all around the world.

Some, like Dollar Store Creative, say it is so sensational that it should not exist and they just cry in front of those amazing files, which can be mistreated to taste and yet keep holding up no matter what.

Others, like Joseph Ellis, used it also for weddings and share their initial thoughts about it (which we will sum up for you below).

And more down below.

If you are like me, hence waiting for yours to be shipped, I warmly invite you NOT to check them out. It won’t make the waiting easier.

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Fujifilm GFX100S Roundup

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Fujifilm GFX100S Shows No More PDAF Banding (and Silently Fixed also on GFX100 via Firmware Update?)

Fujifilm GFX100S Banding

We already reported here, how Matt Granger could not see any PDAF banding on the Fujifilm GFX100S, which is something that annoyed him on the original GFX100.

Now Jim Kasson received his GFX100S, and immediately tested it out.

And indeed, after a 5 push shadow recovery and also a +100 shadow recovery, here is what he says:

Good news! There appears to be virtually no PDAF banding, and not much banding of any description.

While this is an excellent news, he also adds that the 16bit version “doesn’t appear significantly better” than the 14 bit version. It is a bit better, but not that much. Also, some in the Fuji community say that the 16bit files seem to have better black tones with lower chroma noise.

You can see the samples are read more at blog.kasson here.

Fujifilm GFX100 Firmware FIx

According to information we have received, Fujifilm also fixed the banding issue via firmware update on the original GFX100. Fujifilm never said this explicitly, but hide it behind the standard phrase “fix of minor bugs“. But this is just something I can’t confirm right now.

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BREAKING: One More Fujifilm GFX Camera Coming 2021, More Affordable than GFX100S

I know many of you will be skeptical right now.

Why?

Well, because here is how things went so far:

So, in 4 years of GFX series, we got 3 cameras only, hence less than one camera a year.

Fujifilm rightfully focused on giving us lenses for the system, with 12 G mount lenses launched in 4 years.

But according to our trusted sources, this will change in 2021.

In fact, I have been told that Fujifilm will launch another GFX camera in 2021. It will be more affordable than the recently launched Fujifilm GFX100S.

Expect updates.

On FujiRumors.

Very soon.

Love you!

P.S.: Don’t worry, this new GFX camera won’t use the newly registered low capacity Fujifilm NP-70S battery. That battery is for… oh well, you’ll see soon enough. Just follow FujiRumors ;)

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Why the Upcoming Fujinon GF Zoom Might not be the Fujinon GF 20-36mm f/3.5-4.5 (Opinion, not Rumor)

When we told you that Fujifilm will launch a new GF zoom in the first half of 2021, many were sure: this has to be the Fujinon GF 20-36mm F3.5-4.5!

But where does that Fujinon GF 20-36mm F3.5-4.5 rumor come from?

Well, it comes from an internal Fujifilm roadmap we leaked back in 2017 here.

As you can see, everything that was on that roadmap materialized at some point, except for the UWA Fujinon GF 20-36mm F3.5-4.5.

But if you look closely, the internal roadmap says “GF20-36mm” or “GF100-200mm”. And, well, in 2019 Fujifilm announced the Fujinon GF100-200mmF5.6.

Why this intro?

Well, because we recently told you the following about the upcoming Fujinon G mount zoom lens that it will be:

And here comes the speculation (not rumor).

The Fujinon GF 20-36mm F3.5-4.5 would be a a 16-28mmF2.8-3.5 full frame equivalent lens (or 10-18mm f/1.8-2.2 APS-C equivalent), and usually such wide angle faster zoom lenses are not the cheapest on the market, unless you go with third party offerings like the Tokina 16-28mm f/2.8.

So either Fujifilm worked miracles and is about to give us an ultra affordable UWA lens, or the lens we are talking about is not the Fujinon GF 20-36mm F3.5-4.5.

I don’t know the answer yet, but if I should place a bet right now, I’d not put my money on a GF20-36mmF3.5-4.5 lens, but on a very affordable travel zoom lens, which will still be able resolve all the 100 megapixels the GFX system offers, but maybe be made more out of plastic and have a slower aperture.

Sort of something we know from the Fujinon XC lenses, although I hope it will retain the aperture ring, the lack of which would be a dealbreaker for me.

But again, this is pure speculation from my side. Not a rumor.

The GFX Community

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ADOBE and IRIDIENT Developer Add Fujifilm GFX100S, GFX100IR and X-E4 Support

Adobe

Adobe has just added support for Fujifilm GFX100S, GFX100IR and X-E4 cameras.

Iridient

Iridient Developer 3.6 is now available with support for the Fujifilm GFX100S and X-E4. The release also adds native Apple silicon support for loading RAF images with lossy compression. The loading of lossy compressed RAF files is now much faster on Intel based Macs as well! Iridient Developer 3.6 for macOS is available for download here. This version now requires macOS 10.10 (Yosemite) or later and is only a universal binary (natively supports both Intel and Apple silicon processors).

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