Fujifilm has finally released the long promised autofocus update for the Fujifilm X-H2, X-H2S and GFX100II. Also new features have been added and bugs fixed.
No firmware update for X-T5 & Co yet, but Fujifilm has also promised that one to come within 2024. So do not panic. It’s coming, too according to official Fujifilm statements.
Feel free to let us know in the comments what your impressions are.
As usual, there were many disappointed that REALA ACE is not part of the update. I try to reply them all in the various posts I made on social media, but I thought at this point it is best to highlight it again in this article, in the hope the message comes through this time.
Fujifilm promised two major firmware updates: one coming in spring and one in summer. And it’s the one in summer that will bring Reala Ace to other 5th generation cameras.
So, I hope this helps to mitigate the disappointment that Reala Ace did not come this time around. ;)
Nonetheless, what we got today is already a significant update, so much so that for all the cameras mentioned above (except for X-S20), Fujifilm has released new features guide so that you can learn how to properly use the new features
Johnnie from CineD is probably one of the nicest persons I have had the pleasure to e-meet in all these years of blogging.
And I know he truly loves Fujifilm and uses Fuji cameras for his personal and professional work.
But there is one thing where I respectfully disagree with him: Fujifilm does not need to make any dedicated video camera, as Johnnie also recently asked Fujifilm for. And I tell you why.
The absence of a dedicated video camera in Fujifilm’s lineup, allows Fujifilm to pack everything they can in terms of video specifications into their hybrid mirrorless cameras. This strategy avoids any potential internal competition with a separate cinema camera lineup. In contrast, companies like Sony and Canon may restrict certain specs and features in their hybrid cameras to safeguard the sales of their dedicated cinema cameras.
In short: if Fujifilm would offer cinema cameras, you could forget the X-H2S and X-H2 to be such powerful hybrid cameras. Or in future the Fujifilm X-H3 and Fujifilm X-H3S.
Indeed, the Fujifilm X-T4 already proves to be an exceptionally robust hybrid camera, as demonstrated today, thanks to an email I have received from fellow FR-reader Angel, which I share below.
by Angel Alvarez
My name is Angel Alvarez, my team and I just finished post production on an indie feature that we shot entirely on the Fujifilm X-T4 (save for 1 drone shot). A camera that I got excited about because of your website.
I could write pages on how I find the color rendering from Fuji much better than that of Blackmagic or even RED cameras, but to summarize; the X-T4 performed greatly and far exceeded my expectations. Granted, I encountered a few problems with it, but it was to be expected given the amount of stress we put it through.
I’d like to share with you a few frames from our film as well as a couple BTS stills that I’ve attached to this email.
You can also find the trailer below.
This film is a labor of love that took three years to complete. I hope I’m not overstepping, but if you enjoy what you see, and you think it’s worth your time, we’d be extremely grateful if you could do a post about it.
It’s mainly (but not only) a video centric update and more lenses will get the same update in February (XF16-80mmF4 and XF18-120mmF4).
Moreover, in their recent official X Summit announcement, Fujifilm said they are “currently considering further enhancements“, which I hope will translate also on firmware love for those, who mainly use Fujifilm cameras for stills.