I guess X-E line lovers now have mixed feelings, between the joy of the line not being axed and the frustration of still having to wait so long.
Personally, the Fujifilm X-E5 camera is the one camera I will instantly pre-order. I mean, my lovely Fujifilm X-E3 starts to show its age compared to the my Fujifilm X-T5.
And I am not really that interested in the specs, as long as it has the 5th generation processor, the latest autofocus goodness and the new Reala Ace film simulations.
The lack of any of the three features I mentioned above would be a dealbreaker for me.
Nice to have would be the 40MP sensor, IBIS and a simple tilt screen, but no dealbreaker if they are not available on X-E5.
One more thing I hope for and would make the X-E5 perfect for me, would be the combined ISO/Shutter dial we find on the Fujifilm X100VI and X-Pro3. That would be beyond awesome if Fujifilm would put that on the X-E5.
Anyway, that’s my quick features wishlists.
Let us know in the comments which features you’d like the Fujifilm X-E5 to offer (and which ones not).
At the last CP+, the French Website Phototrend had the opportunity to talk to Japanese Fujifilm manager Jun Watanabe about the X series and to Japanese Fujifilm manager Makoto Oishi about the GFX series.
Down below you can find a quick summary. For the full French version check out the articles at Phototrend here (X series) and here (GFX series). Plus a little rant at the end.
X series
Fujifilm can not confirm if X-Pro4 will arrive soon or not
X-Pro line is not stopped
X-T and X100 series do not satisfy all customers who want a “pure photography” experience
Fujifilm is studying different possibilities
feedback and expectations are high for the next X-Pro
X-E line is not stopped
sports photography is a difficult market
other brands are long established there and for Fujifilm it’s new terrain
Fujifilm can not confirm anything about eventual future lenses for sport photographers
Fujifilm has received great feedback about the latest autofocus system, but they will continue to improve
renewing older lenses is something that Fujifilm has in mind
XF16-50mmF2.8-4.8 [admin note: will replace the XF18-55mmF2.4.8]
Fujifilm is not considering any option other than X-Trans for their APS-C cameras
its unique matrix offers the advantage of combining high definition and suppression of moiré and chromatic aberrations
for X100VI, Fujifilm has developed the smallest and thinnest IBIS unit to date
the X100VI IBIS wiring has been moved to the side – see here
IBIS system uses data from the image in addition to the gyroscope (motion blur is analyzed from the live-view image)
the grip of the X100VI is a tenth of a millimeter deeper than X100V for a better grip
GFX series
GFX100II market return (sales) is very good, not only among professional photographers, but also filmmakers and directors
GFX100II sales exceed Fujifilm’s expectations
GFX100S is still very popular because Fujifilm has lowered its price
GFX100S still very popular in some markets like China
professionals go for GFX100II, enthusiasts for GFX100S
Fujifilm never looked at its market share in medium format segment
other manufacturers have no announced so many new products, so Fujifilm thinks they are Nr.1
some expect a faster 50MP GFX. But Fujifilm thinks high definition is more popular
there are lots of FF cameras offering 50/60 megapixel, so offering 50MP now has become almost banal
Fujifilm focuses on improving the 100MP sensor performance
for professionals ergonomics are very important
first GFX cameras had dedicated dials but now they switched to a easier to operate PSAM dial layout
normally APS-C lenses are compact than FF and MF (hence also smaller AF motors)
but regarding telephoto lenses, size primarily depends on diameter and aperture. Regardless of whether it’s for APS-C, FF or MF, the fundamental construction of telephoto lenses, particularly on the front lens side, is the same
Fujifilm tries to make the GF500mm as small and light as possible to obtain faster autofocus
tilt-shift lenses are the most difficult to design
why not retro? High end high speed cameras need to be operated quickly, hence PSAM. Also good for hybrid shooters for video
Let me just say that I strongly, vehemently, vigorously and fervidly disagree with Fujifilm in regards to what they said why they stick with PSAM on their GFX lineup.
First: the GFX system is not know to be blazing fast and immensely popular among high end sports photographers. I actually feel the GFX system would be the ideal system to use a retro layout.
They will find out that one can operate their retro styled cameras exactly as any PSAM camera out there. It’s a marvellous and ingenious design that gives us photographer the best of both words: retro if I want to have fun shooting or want to actually operate the camera already before turning it on, and PSAM if one needs to make lots of adjustment all the time on the fly.
Retro Fujifilm cameras offer both options. PSAM cameras force you into one way to operate the camera.
And in my opinion not offering retro styled GFX cameras anymore is one of the all time biggest mistakes Fujifilm is doing.
C’mon Fujifilm, look at what is selling best in your X system. You’ll see that retro X cameras outsell PSAM cameras by very far. And Nikon had a colossal success with the Nikon Zf lately. It’s clear that in times where every camera is just so good, what people really look for is to have a different photographic experience thanks to dedicated vintage dials.
The joy of shooting sells better than any specs boost you can show off on paper.
An example?
The X100VI sells like hot cakes. The revolutionary global shutter ultra modern high speed blazing fast Sony A9III is selling way below Sony’s expectations (you could always find it in stock everywhere all the time because demand is not high… ask your local retailer).
Vistek just hosted a Fujifilm X Summit After Show with Fuji Guy Billy.
They talk of course mainly about the Fujifilm X100VI, but also about other stuff, such as which lenses Fuji Guy Billy thinks Fujifilm should do in future, he talks a bit about the Fujinon XF16-50mmF2.8-4.8 (which thanks to our sources we have leaked here) and also talked about what he thinks about an eventual Fujifilm X-T30II successor (which we started leaking here) and the long awaited Fujifilm X-Pro4 (which we started leaking here).
