Tony Northrup Fujifilm GFX 50R (not Error-Free) Review: “Fujifilm GFX 100 Will Fix All Our Concerns”

Fujifilm GFX

Tony Northrup took a Fujifilm GFX 50R for his Barcelona trip and now published a review about it (video above).

I will sum it up for you below, but I would quickly like to correct a few errors he made.

He says the GFX sensor surface area is 30% bigger than Full Frame, but it is actually 70% bigger. This is not correct, and Tony makes the MF sensor sound smaller than it really is.

He complaints that there is only one lens with OIS, but there are actually 3 lenses with OIS, the GF 250mm F4, GF 120mmF4 and GF 100-200mm f/5.6.

Since we like percentages, basically Tony claims that about 12% of all GF lenses have OIS, when reality is that almost 40% have OIS.

Rather big errors, I hope Tony will correct soon, and I wonder how they could even slip into his review in the first place.

For the rest, you can read his findings below.

  • not a sports camera, not good at tracking
  • not a video camera
  • great landscape camera, but Fuji needs more lenses, and more astrophotography lenses
  • decent walk around camera
  • no huge difference in IQ compared to FF
  • soon GFX 100 will be here with IBIS, and should address all concerns they have with GFX 50R
  • corner placement of viewfinder is great
  • does not give the joy, that Fujifilm X-T3 gives him
  • small flat buttons
  • grip to small for big medium format lenses
  • screen is small compared to overall size of camera
  • design of Hasselblad X1D is better
  • eye detection AF is not accurate
  • sensor has 30% more surface area
  • if you crop to standard 35mm aspect ration, the surface area advantage is almost gone as well as image quality difference
  • Cropping 8×10 gives about 50% more surface area
  • he complaints that it has not IBIS and only 1 lens has OIS
  • Fujifilm GFX has much better lenses than Hasselblad X1D
  • Sony A7rIII is better overall camera
  • Fujifilm GFX 50R is a specialized camera

Mission Impossible: Official “Fallout” Photos Taken with Fujifilm X and GFX Gear

Mission Impossible: Making Professional Work with Fujifilm Cameras :)
Mission Impossible: Making Professional Work with Fujifilm Cameras :)

Fujifilm’s Mission Impossible

If you are one of those, who thinks Fujifilm is not for Pros (APS-C is crap, MF is too slow), then please stop reading now, since I would like you to keep your sweet illusions ;).

Still sticking around? Well, then here is todays’ story.

After we discovered that the official images of Hollywood’s blockbuster “Dunkirk” were taken with the Fujifilm X-Pro2 and Fujinon XF18-135, fellow FR-reader Sam Zhai (instagram @hermeneuticlens) now spotted Fujifilm cameras on set of Mission Impossible – Fallout.

Chiabellajames.com (Instagram cbj_photo) used the following gear, to snap the official images for the movie:

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DPReviewTV Fujinon XF 8-16mm f/2.8: “Optically Fantastic, but for Most People the Fujinon XF 10-24mm F4 is a Better Choice”

DRPreview TV reviewed the Fujinon XF 8-16mm f/2.8. Here are their findings:

  • professional line of Fujinon lenses
  • well-built, heavy and expensive
  • well suited for cameras like Fujifilm X-H1
  • manual focus ring feels sloppy
  • no OIS, but it’s typical for lenses in this range. But they miss it anyway, unless used on X-H1 with IBIS
  • XF 10-24 more well suited for lighter bodies and has OIS
  • no filter threads, typical for lenses that wide
  • powerful autofocus motors. Fast and accurate
  • coma very well corrected, excellent for astrophotography and cityscape
  • vignetting and distortion very well corrected
  • sunstars are not bad, but not the best they have seen
  • close focusing is similar to the XF10-24 (9 feet)
  • XF8-16 optically fantastic, very sharp
  • 8mm at f/2.8 a little bit weird in the corners, but stopping down cleans up beautifully
  • wide open it is sharper than the XF10-24, but stopped down difference gets smaller
  • It’s admirable that Fujifilm gives us lenses that give us full frame equivalent look, like the Sony 12-24mm f/4 G
  • the Sony 12-24 is lighter and $300 cheaper
  • if you want FF look in APS-C, you are not going to save money
  • for most people, the XF 10-24mm F4 is a better choice, since landscape you stop down anyway
  • XF 8-16mm F2.8 is a niche lens

Fujinon XF 8-16mm f/2.8 (save $100): BHphoto, Adorama, AmazonUS, Focuscamera
Fujinon XF 10-24mmF4 OIS (save $100): BHphoto, AmazonUS, Adorama, FocusCamera

The Ultimate Fujifilm NP-W126S vs Third Party Batteries Battle

Fujifilm Batteries

We have already reported about Dom Varney’s articles “Powering the Fujifilm X-T3” and “Fujifilm NP-W126S Battery Counterfeits – A Visual Guide to Spotting the Fakes“.

He now also published the most comprehensive guide to Fujifilm original and third party batteries I have ever seen on the web so far.

The tested batteries are:

It’s a massive write-up, impossible to sum up quickly. So I’ll just share a short excerpt:

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FUJIFILM to Raise Photographic Film Prices in June and End Some Film Sales in December

Price Increase after June

Fujifilm will raise prices on photographic film after June. Affected are:

Color negative film (135)

Professional negative film (135/120)

Professional negative film (120)

Reversal film (135/120/CUT)

Film with lens (135)

  • Fujicolor photography disposable camera

End of Sale in December 2019

Some film options will no longer be sold:

Color Negative Film

Film with lens

Fujifilm Statement
(google translated)

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