The Top Ten Things to Know about Fujifilm Instax Film – by Robert Hamm

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Guest post by Robert Hamm: RobertHammPhotography.comYoutube Channel

The Top Ten things to Know about Fujifilm Instax Film by Robert Hamm

A few months ago, my brother came to visit. It was a special time because I had not seen him in so long. He was also brought his three boys. Adding my two “little men” and myself to the party, our total soon grew to seven. Boy, were we rolling deep!

Humor aside, I wanted something special to document the occasion. Going out on a limb, I chose to photograph most his trip on the Fujifilm Instax Mini 90 as well as Instax Mini film. I had to buy the system since I didn’t own the camera or the film. Thank goodness for price matchinI.

I did not know how capable the film and camera would turn out to be. After over 800 images, and a lot of research, here are the TOP Ten things I have learned:

#1: What Is Instax?

Fujifilm describes their Instax film as “…an ISO 800 credit-card-size integral daylight color film designed for use with Fujifilm Instax mini cameras. This glossy film yields superb results under both daylight and electronic flash conditions. Though small, its improved picture quality and greater ease of use make it ideal for snapshots and portraits. Furthermore, it’s easy to-file-and-carry size makes it an excellent choice for documentary or archival purposes, as well as a wide variety of other applications.”

#2: Who is it for?

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Japanese Government Wants FUJIFILM to “Help” the Suffering NIKON Company – says Japanese Report

Notes

NOTE 1: This is not a FujiRumors rumor, nor have I any information about it. I just report what a huge Japanese blog shared that reports a serious Japanese Magazine.
NOTE 2: Just want to make sure you read Note 1 :)

Nikon’s Struggles

As you all know, Nikon recently reported “extraordinary losses“. Their camera division seems to be in serious trouble. From Nikon’s own report:

Despite the continuous boom in sales of FPD Lithography Systems […], consolidated operating income as a whole is expected to fall below the previous forecast, impacted by the sluggish and shrinking markets of digital cameras in the Imaging Products Business […]”

Recently Nikon announced they will cut 10% of its Japanese workforce (read here) and they completely dropped the entire (and already announced) DL line (read here). Moreoever, in some countries (like USA and Germany) Sony has surpassed Nikon in the full frame market (read here).

Fujifilm to “Help” Nikon?

The news?

Well, if I get the google translated version right, the Japanese blog hatenablog says here that Fujifilm is one of the companies that could possibly “help” Nikon. The blogger read this information at the reputable Sentaku magazine (check out the follow up article here) – NOTE: in the google translated version, “Sentaku” becomes “Selection”.

The report also says that the Japanese government is directly involved in finding a company that can help Nikon. But why should they? We can only speculate, but the Japanese government might be worried that Chinese, Korean, or Taiwanese companies will start investing into Nikon, but they much prefer a domestic company (possibly Fujifilm) to do that.

What does all this mean?

Now, if true, this does not necessarily mean that Fujifilm would entirely buy Nikon. I believe it’s more likely that Fujifilm would get a certain % of stake in the Nikon company, just like Sony did with the ailing Olympus company a few years ago.

Of course Fujifilm would not make such an investment without any kind of return. It’s up to you in the comments, to share ideas, what Fujifilm could gain from a cooperation with Nikon. For example… could some Nikon factories manufacture Fuji gear in future?

If any Japanese reader can make a better translation, feel free to share it with fujirumor@gmail.com or in the comments down below.

TRANSLATED BY A FR-READER

June edition of Sentaku suggests Fujifilm may help bail out Nikon

Sentaku concluded an article about Nikon in its April edition with speculation that the company could either be acquired or could turn into another Toshiba. It has followed up in its June edition by claiming that the Bank of Tokyo-Mitsubishi UFJ and METI could step in to broker an arrangement with Fujifilm rather than let Nikon be taken over by a Chinese, Korean, or Taiwanese firm.

It would be ironic if a film company ended up bailing out a digital camera firm, but Fujifilm has offered plenty of surprises over the ups and downs of the past twenty years. It has recently enjoyed a quiet revival of its Utsurun-desu disposable cameras (known as QuickSnap outside Japan). That was the last great product of Fujifilm’s silver halide days. The company has managed to remain a pioneer through the past three decades, as the camera market has evolved from silver halide film to disposables, then digital cameras and now smartphones.

Even if Fujifilm does end up buying Nikon, I doubt anything much will change: mirrorless and SLRs are different beasts, suggesting the two companies’ brands would continue to operate in parallel.

Realistically, the main aim of any integration of the two companies would presumably be to bring the two brands together into the same sales channels.

GOOGLE TRANSLATED

According to the ” Selection “ [NOTE: Google translated for SENTAKU – Magazine] June issue (selective publication), Nikon was written ” Selection ” April issue (Selective Publication) “Will it be acquired or” Toshiba “? It seems that Mitsubishi Tokyo UFJ and the Ministry of International Trade and Industry are intermediating and are trying to attract them to Fujifilm.

It is surprising again that the composition of “a film shop rescues a digital camera shop” is interesting, but also the vicissitudes of the past 20 years have been on the rise. Speaking of Fujifilm , recently ” Funkunen ” seems to be a secret boom, in fact it is a product in the late silver-halide camera era. The transition of ” silver salt camera → disposable camera → digital camera → smart camera” has passed through in 30 years.

If Fujifilm bought Nikon, I thought that Millerless Single Eye was originally different from the standard and that the camera division remained a separate brand, especially whether nothing would change, Bonjari.

However, in reality, even if business integration is done, the main focus will be at least not in line with camera shops.

Nikon to Fujifilm X-T2 Switchers Guide

Introduction

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Switching systems is a big step no matter how well you know photography. Reviews do a good job of explaining how good the camera is, but they aren’t very good at explaining the learning curve which may or may not be painful coming from one system to another.

For Nikon switchers, I’ve tried to cover the differences in article. It’s written primarily coming from a full frame Nikon (or the D750 in my case) so it may not be applicable to all Nikon’s. It’s a little long but hopefully I’ve covered it in enough detail to keep everyone happy.

What this article is not:

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Which Fujifilm Camera Should You Buy – FREE 140 Pages Fujifilm Buying Guide (3rd Edition)

Fujifilm Buying Guide

So, which Fujifilm X or G series camera should you buy?

Fujifilm Australia wants to help us to make this decision, and has just update its comprehensive Fujifilm Buying Guide, which is now in it’s 3rd edition and 140 pages strong.

If you are interested in the FUJIFILM range but don’t know where to start due to the overwhelming amount of equipment, then this ebook is for you.

Sadly the chapter “Fujifilm X-E3” is still missing ;)

You can download the PDF here or go to Fujifilm Australia Website for download.

Fujifilm GFX 50S Studio Fashion Shoot

Zack Arias and Billy Luong - CES 2014
Zack Arias and Billy Luong – CES 2014

Back to the Future

  • guest post by Chris Dodkin – dodkin.com
  • to see the original size of the images, just click on the image

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I first heard about the GFX on 8th January, 2014, when I met these two gentlemen at CES in Las Vegas [see image on top].

Zack is an editorial music photographer based in Atlanta, GA, and a Fuji X System Photographer, and Billy is a Manager for the Product and Marketing Specialist Group – ‎FUJIFILM CANADA INC., and one of the ‘Fuji Guys’ on YouTube.

We met at the Fujifilm stand at the Consumer Electronics Show, with Zack and I both pestering Billy to get a sneak peak of the new, unannounced, Fuji X-T1 camera.

With our sneak-peeks arranged, the conversation turned to ‘what’s next’, and Zack expressed a strong desire for Fuji to look at jumping the legacy 35mm format completely, and for them to take a look at producing a Medium Format mirrorless camera.

Billy was excited by the idea, and we began to discuss the features that the new camera should have.

Zack was all about a MF sensor as the starting point, and Billy suggested that this could then be used to shoot multiple aspect ratios, native in camera.

The camera needed to be mirrorless, to keep size, weight, and cost down, and should undercut the established MF market leaders by a significant margin.

We discussed super-sizing the successful Fuji X-Pro1, to make a digital version of the Fuji 6×9 120 ‘Texas Leica’ Film cameras, and building a more conventionally styled model, with the same accessible controls and styling, to make the camera easy and fun to use.

The Fuji engineers on the stand were excited. I left the show with a strong impression that this was something they wanted to make happen.

I posted about Fuji’s logic of jumping to MF a few times on DPR, with mixed reactions. Most people didn’t believe it would ever happen. Many 35mm format users did’t get it, and still don’t. Fuji see it makes the best economic sense, and takes them past the limitations of the 35mm format market place.

The Present

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