Fujifilm GFX: One of 2021 Most Praised Systems Gets a Roundup – GFX100S Adventure Film, GF110/2 vs GF80/1.7, GFX50SII and More

The year is ending, the internet is flooded by “best and worst” articles and videos, and at some point of the ranking the Fujifilm GFX system always comes out on the very top positions.

It happened for example with DPRTV here (who gave tremendous praise to the Fujifilm GFX100S) and with BH Explora here, who ranked both, the GFX100S and the new GFX50SII in the top 10 mirrorless cameras list for 2021.

Now, nobody can predict the future in the long term. So if the GFX system will keep up rising or not remains an open question whose outcome will depend on many things.

But if we look back on how it all started with the GFX system and where the system is now, then we can surely say that Fujifilm has set some solid fundaments on which they could potentially build up something very special.

So, in order to honor the big GFX year that we just had, we celebrate today with a dedicated GFX roundup that you can find below.

GFX Gear Launched in 2021

GFX Roundup

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Landscape Photography X-T4 vs GFX100S Sensor Size Obsession, Can Your Computer Handle 102 MP Files and More GFX Roundup

I get it that the brand new Fujifilm GFX100S and the Fujinon GF80mmF1.7 get all this attention.

But the Fujifilm GFX system is more than that.

Hence, here is a roundup that includes lots of GFX gear, not only the GFX100S and the GF80mmF1.7.

Warning: it is a massive roundup!

In Stock Check

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The Roundup

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ePHOTOzine Fujinon GF80mmF1.7 Review: Impressive Chromatic Aberration Control, Outstanding Sharpness, Superb Image Quality

When the ultra fast Fujinon GF80mmF1.7 was launched, some noticed a minimal sign of fringing when pixel peeping into images to ultra detailed pixel level. Something to worry about?

Apparently not.

According to ePHOTOzine, who just published its full technical review, the GF80mmF1.7 is able to contain chromatic aberration extremely well. They write:

CA (Chromatic Aberration) is also very impressive, centrally being close to zero as we stop down slightly. The edges are also kept well under control.

I did play around with the GF80mmF1.7 of my close friend too (he sold all his Nikon Z gear for the GFX system) and quite frankly it’s a stunning performer in terms of optical quality.

Down below you can see the Pros and Cons of the ePHOTOzine review.

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Fujifilm GFX Evolution: Leaving Perfection for…

ZP productions tested the GFX100S and GF80mmF1.7. He loves both, and owns both.

But there is one note he makes.

He says that when Fujifilm launched the GFX system a few years ago, it had sheer perfect lenses. But he noticed that with the latest lens releases, Fujifilm traded in a bit of that perfection to release less perfect, smaller and more affordable lenses.

In this context, he compares the GF110mmF2 to the GF80mmF1.7, the first one being expressions of Fuji’s perfection, the second one, while still being excellent and he actually totally loves to shoot with it, just not being just as perfect as the GF110mmF2.

I’ll make a summary down below of his 17 minutes long video below and would love to hear what you guys think about it.

Video Summary

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